Reading the Contemporary Irish Novel 1987-2007, Harte
Автор: David Название: The Cambridge Companion to the Victorian Novel ISBN: 0521182158 ISBN-13(EAN): 9780521182157 Издательство: Cambridge Academ Рейтинг: Цена: 4118.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This second edition has been updated fully, taking account of new research and critical methodologies, and includes four brand new chapters. Designed to appeal to students, teachers and readers, these essays reflect the very latest approaches to reading and understanding Victorian fiction.
The formal innovations of the modernist novelists have continued to reverberate to the present day, less importantly as a matter of imitation and more as a stimulus to further innovation. Focusing on the experience of the reader in engaging with a selection of these works from around the globe, this book argues that a rigorous attention to formal features is crucial in appreciating their achievement and in understanding the impact of the early modernists on the history of the novel. Joyce’s Ulysses is given particular attention for its feats of formal invention and as an inspiration for many later writers. Among the facets of modernist writing explored are the separation of content and form, the transgression of linguistic boundaries, the defiance of lexical and syntactic rules, the deployment realist techniques to present the unreal, the political significance of literary form, and the relation between formal innovation and affect.
Автор: John Wilson Foster Название: The Cambridge Companion to the Irish Novel ISBN: 0521679966 ISBN-13(EAN): 9780521679961 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Irish novel has had a distinguished history. It spans such diverse authors as James Joyce, George Moore, Maria Edgeworth, Bram Stoker, Flann O`Brien, Samuel Beckett, Lady Morgan, John Banville, and others. This is the perfect overview of the Irish novel from the seventeenth century to the present day.
Many of the earliest canonical novels—including Defoe's Moll Flanders and Roxana and Richardson's Pamela and Clarissa—were written by men who assumed the first-person narrative voice of women. What does it mean for a man to write his "autobiography" as if he were a woman? What did early novelists have to gain from it, in a period when woman's realm was devalued and woman's voice rarely heard in public? How does the male author behind the voice reveal himself to readers, and how do our glimpses of him affect our experience of the novel? Does it matter if the woman he has created is believable as a woman? Why does "she" inevitably rail against the perfidy of men?
Kahn maintains that the answers to such questions lie in the nature of "narrative transvestism" -her term for the device through which a male author directs the reader's interpretation by temporarily abandoning himself to a culturally defined female voice and sensibility and then reasserting his male voice.
In her innovative readings of key eighteenth-century English novels, Kahn draws upon a range of contemporary critical approaches. Lucid and witty, Narrative Transvestism will serve as a model of analysis for readers interested in issues of gender in narrative, including feminist theorists, students and scholars of the eighteenth-century novel, and critics interested in the applications of psychoanalysis to literature.
According to Laurie Langbauer, the notion of romance is vague precisely because it represents the chaotic negative space outside the novel that determines its form. Addressing questions of form, Langbauer reads novels that explore the interplay between the novel and romance: works by Charlotte Lennox, Mary Wollstonecraft, Charles Dickens, George Eliot, and George Meredith. She considers key issues in feminist debate, in particular the relations of feminist to the poststructuralist theories of Lacan, Derrida, and Foucault. In highlighting questions of gender in this way, Women and Romance contributes to a major debate between skeptical and materialist points of view among poststructuralist critics.
Автор: Grylls Название: The paradox of gissing rle the 19 ISBN: 1138649805 ISBN-13(EAN): 9781138649804 Издательство: Taylor&Francis Рейтинг: Цена: 5817.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
First published 1986. In this book the author refutes the notion that Gissing's weaknesses as a novelist are associated with defects in his personality and argues that the power of his writing stemmed from his divided character. Gissing's permanently divided emotions on poverty, reformism, women and art were, at his best, the reason he could write so convincingly about them. This analysis of Gissing's imagination and the fictional development in his major works shows that the effectiveness of his novels depends largely on these dichotomies and opposites. This work covers the whole range of Gissing's writing and relates it to its social and intellectual milieu.
Автор: Laurie Langbauer Название: Women and Romance: The Consolations of Gender in the English Novel ISBN: 1501728008 ISBN-13(EAN): 9781501728006 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 2502.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
According to Laurie Langbauer, the notion of romance is vague precisely because it represents the chaotic negative space outside the novel that determines its form. Addressing questions of form, Langbauer reads novels that explore the interplay between the novel and romance: works by Charlotte Lennox, Mary Wollstonecraft, Charles Dickens, George Eliot, and George Meredith. She considers key issues in feminist debate, in particular the relations of feminist to the poststructuralist theories of Lacan, Derrida, and Foucault. In highlighting questions of gender in this way, Women and Romance contributes to a major debate between skeptical and materialist points of view among poststructuralist critics.
As part of the contemporary reassessment of trauma that goes beyond Freudian psychoanalysis, Laurie Vickroy theorizes trauma in the context of psychological, literary, and cultural criticism. Focusing on novels by Margaret Atwood, William Faulkner, Toni Morrison, Jeanette Winterson, and Chuck Palahniuk, she shows how these writers try to enlarge our understanding of the relationship between individual traumas and the social forces of injustice, oppression, and objectification. Further, she argues, their work provides striking examples of how the devastating effects of trauma--whether sexual, socioeconomic, or racial--on individual personality can be depicted in narrative.
Vickroy offers a unique blend of interpretive frameworks. She draws on theories of trauma and narrative to analyze the ways in which her selected texts engage readers both cognitively and ethically--immersing them in, and yet providing perspective on, the flawed thinking and behavior of the traumatized and revealing how the psychology of fear can be a driving force for individuals as well as for society. Through this engagement, these writers enable readers to understand their own roles in systems of power and how they internalize the ideologies of those systems.
Автор: Bannet Название: Transatlantic Stories and the History of Reading, 1720–1810 ISBN: 1107425433 ISBN-13(EAN): 9781107425439 Издательство: Cambridge Academ Рейтинг: Цена: 6653.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A study of popular eighteenth-century stories which shaped Britons` and Americans` views of the Atlantic world, and about how they were revised by printers and publishers for different readerships in different circumstances. It will be of interest to students of literature, history and Atlantic and transatlantic studies.
Автор: Harte Название: Reading the Contemporary Irish Novel 1987-2007 ISBN: 1444336207 ISBN-13(EAN): 9781444336207 Издательство: Wiley Рейтинг: Цена: 4110.00 р. Наличие на складе: Поставка под заказ.
Описание: Despite the brevity of its run and the diminutive size of its audience, The English Intelligencer is a key publication in the history of literary modernism in the British Isles. Emerging in the mid-1960s from a dissatisfaction with the prevailing norms of 'Betjeman's England', the young writers associated with it were catalysed by the example of Donald Allen's The New American Poetry as they sought to establish a revitalised modernist poetics. Late Modernism and The English Intelligencer gives the first full account of the extraordinary history of this publication, bringing to light extensive new archival material to establish an authoritative contextualisation of its operation and its relationship with post-war British poetry. This material provides compelling new insights into the work of the Intelligencer poets themselves and, more broadly, the continued presence of an international poetic modernism as a vital force in Britain in the second half of the twentieth century.
Описание: The twentieth century has been called 'the golden age of the modern manuscript,' a time when the historical value of early manuscripts as a record of a writer's thought processes came to be fully recognized. Drawing on the critical tools of French genetic criticism, Modern Manuscripts explores the development of early 20th century literary texts, from source texts and early notes, through successive draft manuscripts to publication and successive editions. Historicizing these modernist processes of writing, Dirk Van Hulle contrasts these twentieth century manuscripts with the development of Charles Darwin's text for On the Origin of Species, itself a formative intellectual influence on modern writing. Exploring the writings of such writers as Joyce, Woolf and Beckett, this is an important study that will open up new avenues of thought for scholars of Modernist literature, material culture and book history.
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