Person and Place: Ideas, Ideals and Practice of Sociality on Vanua Lava, Vanuatu, Sabine Hess
Автор: Levinson, Stephen C. Название: Roots of Human Sociality ISBN: 1845203941 ISBN-13(EAN): 9781845203948 Издательство: Taylor&Francis Рейтинг: Цена: 6123.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In Lebanon, the study of modern art—rather than power or hierarchy—has compelled citizens to confront how they define themselves as a postcolonial nation. In Fantasmic Objects, Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship. Examining the efforts of painters, sculptors, and activists in Lebanon who fiercely upheld aesthetic development and battled for new forms of political being, Fantasmic Objects offers an insightful approach to the history and formation of modern Lebanon.
Автор: Gellner, David N. Название: Re-Creating Anthropology ISBN: 1032131888 ISBN-13(EAN): 9781032131887 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: McCallum, Cecilia Название: Gender and Sociality in Amazonia ISBN: 1859734499 ISBN-13(EAN): 9781859734490 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Нет в наличии.
Violent Becomings conceptualizes the Mozambican state not as the bureaucratically ordered polity of the nation-state, but as a continuously emergent and violently challenged mode of ordering. In doing so, this book addresses the question of why colonial and postcolonial state formation has involved violent articulations with so-called ‘traditional’ forms of sociality. The scope and dynamic nature of such violent becomings is explored through an array of contexts that include colonial regimes of forced labor and pacification, liberation war struggles and civil war, the social engineering of the post-independence state, and the popular appropriation of sovereign violence in riots and lynchings.
Название: The Sociality of Indigenous Dance in Alaska ISBN: 0367641739 ISBN-13(EAN): 9780367641733 Издательство: Taylor&Francis Рейтинг: Цена: 6123.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Schulthies Becky L. Название: Channeling Moroccanness: Language and the Media of Sociality ISBN: 0823289729 ISBN-13(EAN): 9780823289721 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Honorable Mention, 2022 L. Carl Brown AIMS Book Prize in North African Studies What does it mean to connect as a people through mass media? This book approaches that question by exploring how Moroccans engage communicative failure as they seek to shape social and political relations in urban Fez. Over the last decade, laments of language and media failure in Fez have focused not just on social relations that used to be and have been lost but also on what ought to be and had yet to be realized. Such laments have transpired in a range of communication channels, from objects such as devotional prayer beads and remote controls; to interactional forms such as storytelling, dress styles, and orthography; to media platforms like television news, religious stations, or WhatsApp group chats. Channeling Moroccanness examines these laments as ways of speaking that created Moroccanness, the feeling of participating in the ongoing formations of Moroccan relationality. Rather than furthering the discourse about Morocco’s conflict between liberal secularists and religious conservatives, this ethnography shows the subtle range of ideologies and practices evoked in Fassi homes to calibrate Moroccan sociality and political consciousness.
As issues and circumstances investigated by anthropologists are becoming ever more diverse, the need to address social affiliation in contemporary situations of mobility, urbanity, transnational connections, individuation, media, and capital flows, has never been greater. Thinking Through Sociality combines a review of classical theories with recent theoretical innovations across a wide range of issues, locales, situations and domains. In this book, an international group of contributors train attention on the concepts of disjuncture, field, social space, sociability, organizations and network, mid-range concepts that are "good to think with." Neither too narrowly defined nor too sweeping, these concepts can be used to think through a myriad of ethnographic situations.
Описание: In Lebanon, the study of modern art—rather than power or hierarchy—has compelled citizens to confront how they define themselves as a postcolonial nation. In Fantasmic Objects, Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship. Examining the efforts of painters, sculptors, and activists in Lebanon who fiercely upheld aesthetic development and battled for new forms of political being, Fantasmic Objects offers an insightful approach to the history and formation of modern Lebanon.
In Vanuatu, commoditization and revitalization of culture and the arts do not necessarily work against each other; both revolve around value formation and the authentication of things. This book investigates the meaning and value of (art) objects as commodities in differing states of transit and transition: in the local place, on the market, in the museum. It provides an ethnographic account of commoditization in a context of revitalization of culture and the arts in Vanuatu, and the issues this generates, such as authentication of actions and things, indigenized copyright, and kastom disputes over ownership and the nature of kastom itself.
In 2014, the island of Ahamb in Vanuatu became the scene of a startling Christian revival movement led by thirty children with ‘spiritual vision’. However, it ended dramatically when two men believed to be sorcerers and responsible for much of the society’s problems were hung by persons fearing for the island’s future security. Based on twenty months of ethnographic fieldwork on Ahamb between 2010 and 2017, this book investigates how upheavals like the Ahamb revival can emerge to address and sometimes resolve social problems, but also carry risks of exacerbating the same problems they arise to address.
Автор: Sebastian T. Ellerich Название: Melanesian Mainstream: Stringband Music and Identity in Vanuatu ISBN: 1805392239 ISBN-13(EAN): 9781805392231 Издательство: Berghahn Рейтинг: Цена: 16988.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Citizens of Vanuatu (ni-Vanuatu) perceive stringband music as a marker of national identity, an indicator of their cultural, stylistic, and musical heritage. Through extensive field and ethnographic research, Melanesian Mainstream offers a detailed historical record of the roots, context, evolution, and impact of stringband music. Beyond chronicling the genre’s history and cultural significance, this thorough monograph positions the genre’s musical hybridity, communal lyrics, and unique organizational structures as key factors in the anthropological understanding of ni-Vanuatu socio-cultural history.
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