New Screen Ecology in India: Digital Transformation of Media, Smith Mehta
Название: Stories ISBN: 9462985847 ISBN-13(EAN): 9789462985841 Издательство: NBN International Рейтинг: Цена: от 1570.00 р. Наличие на складе: Есть
Описание: This book identifies new phenomena in the fields of complex narration, puzzle film, and transmedia storytelling.
Автор: Pisters Patricia Название: Neuro-Image ISBN: 0804781362 ISBN-13(EAN): 9780804781367 Издательство: Wiley EDC Рейтинг: Цена: 4803.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Arguing that today's viewers move through a character's brain instead of looking through his or her eyes or mental landscape, this book approaches twenty-first-century globalized cinema through the concept of the "neuro-image." Pisters explains why this concept has emerged now, and she elaborates its threefold nature through research from three domains—Deleuzian (schizoanalytic) philosophy, digital networked screen culture, and neuroscientific research. These domains return in the book's tripartite structure. Part One, on the brain as "neuroscreen," suggests rich connections between film theory, mental illness, and cognitive neuroscience. Part Two explores neuro-images from a philosophical perspective, paying close attention to their ontological, epistemological, and aesthetic dimensions. Political and ethical aspects of the neuro-image are discussed in Part Three. Topics covered along the way include the omnipresence of surveillance, the blurring of the false and the real and the affective powers of the neo-baroque, and the use of neuro-images in politics, historical memory, and war.
An era has ended. After one hundred and twenty-five years, a change has taken place in cinemas. The thousands of figures formed by silver and coloured pigments can no longer be viewed through transparent film, instead, everything has become digital, compressed, virtual and built into the rapid alternation of millions (hopefully, for quality's sake) of dots, or pixels within a very neat and minuscule grid. But projection is just the last link in a chain that is transforming the most direct language invented by humanity over the centuries. The other links - shooting, editing, special effects, re-elaboration and sound reproduction - have by now undergone radical transformations that have often signified progress.
Perhaps, it is worth the trouble, then, having accepted this transformation-revolution once and for all, to understand where we started out from, how cinematographic language was born and how its grammar first and later its syntax evolved thanks to technological development. Without lightweight equipment for sound recording, sensitive emulsions, portable and compact lighting, it would not have been possible, at the end of the 50s, for example, to create identifiable "currents" of experimentation and concept under such titles as free cinema or nouvelle vague, which were largely based on footage from life and no longer reconstructed in the studio. That which filmmakers today can achieve even more effectively thanks to a range of digital technologies, paradoxically, involves working with even more-minimal equipment such as a smartphone in front of green or blue screens, against absolutely virtual backgrounds. In short: no more silver and more and more pixels.
Описание: Since the very first days of cinema, audiences have marveled at the special effects imagery presented on movie screens. While long relegated to the margins of film studies, special effects have recently become the object of a burgeoning field of scholarship. With the emergence of a digital cinema, and the development of computerized visual effects, film theorists and historians have been reconsidering the traditional accounts of cinematic representation, recognising the important role of special effects. Understood as a constituent part of the cinema, special effects are a major technical but also aesthetic component of filmmaking and an important part of the experience for the audience. In this volume, new directions are charted for the exploration of this indispensable aspect of the cinematic experience. Each of the essays in this collection offers new insight into the theoretical and historical study of special effects. The contributors address the many aspects of special effects, from a variety of perspectives, considering them as a conceptual problem, recounting the history of specific special effects techniques, and analysing notable effects films.
Автор: Gopalan Lalitha Название: Cinemas Dark and Slow in Digital India ISBN: 3030540987 ISBN-13(EAN): 9783030540982 Издательство: Springer Рейтинг: Цена: 15372.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book provides a sustained engagement with contemporary Indian feature films from outside the mainstream, including Aaranaya Kaandam, I.D., Kaul, Chauthi Koot, Cosmic Sex, and Gaali Beeja, to undercut the dominance of Bollywood focused film studies.
Автор: Gopalan Lalitha Название: Cinemas Dark and Slow in Digital India ISBN: 3030540952 ISBN-13(EAN): 9783030540951 Издательство: Springer Цена: 17422.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book provides a sustained engagement with contemporary Indian feature films from outside the mainstream, including Aaranaya Kaandam, I.D., Kaul, Chauthi Koot, Cosmic Sex, and Gaali Beeja, to undercut the dominance of Bollywood focused film studies.
Автор: Dina Schiff Massachi Название: The Characters of Oz: Essays on Their Adaptation and Transformation ISBN: 1476687978 ISBN-13(EAN): 9781476687971 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 7900.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: When L. Frank Baum wrote The Wonderful Wizard of Oz, he created an American myth that has endured the test of time. Echoes of Dorothy and her friends are everywhere: popular television shows often have an Oz episode, novelists borrow character types and echo familiar scenes, and every media--from Broadway to The Muppets--has some variation or continuation of Baum's work.
This collection of essays follows Baum's archetypal characters as they've changed over time in order to examine what those changes mean in relation to Oz, American culture and basic human truths. Essays also serve as a bridge between academia and fandom, with contributors representing a cross-section of Oz scholarship from backgrounds including The International Wizard of Oz Club and the Children's Literature Association.
Автор: Xu Название: Transformation of Contemporary Film Genre ISBN: 9811968624 ISBN-13(EAN): 9789811968624 Издательство: Springer Рейтинг: Цена: 18167.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is the first one focusing on Chinese mainstream films from a cross-disciplinary perspective. Based on case studies, it discusses three subgenres of mainland Chinese commercial mainstream films and offers an approach to studying the transformation of Chinese mainstream film within the theoretical frameworks of “genre theory” and “screenwriting method”. It helps professionals understand the genres and narratives of Chinese mainstream films, and also serves as a must-read for non-professionals interested in Chinese cinema.
Автор: Xu Название: Transformation of Contemporary Film Genre ISBN: 9811968594 ISBN-13(EAN): 9789811968594 Издательство: Springer Рейтинг: Цена: 18167.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is the first one focusing on Chinese mainstream films from a cross-disciplinary perspective. Based on case studies, it discusses three subgenres of mainland Chinese commercial mainstream films and offers an approach to studying the transformation of Chinese mainstream film within the theoretical frameworks of “genre theory” and “screenwriting method”. It helps professionals understand the genres and narratives of Chinese mainstream films, and also serves as a must-read for non-professionals interested in Chinese cinema.
Описание: Everyday Movies documents the twentieth-century rise of portable film projectors. It demonstrates that since World War II, the vast majority of movie-watching did not happen in the glow of the large screen. Rather, it unreeled alongside the glitches, distortions, and clickety-clack of small machines that transformed home, classroom, museum, community, government, industrial, and military venues into sites of moving-image display. Reorienting the history of cinema away from the movie theater's magic, Haidee Wasson illustrates the remarkable persistence and proliferation of devices that fundamentally rejected the sleek, highly professionalized film show. She foregrounds instead another kind of apparatus, one that was accessible, affordable, adaptable, easy-to-use, and crucially, programmable. With rich archival discoveries, this book charts a compelling and original history of film, one that brings to light new technologies and diverse forms of media engagement that continue to shape contemporary life.
Описание: Everyday Movies documents the twentieth-century rise of portable film projectors. It demonstrates that since World War II, the vast majority of movie-watching did not happen in the glow of the large screen. Rather, it unreeled alongside the glitches, distortions, and clickety-clack of small machines that transformed home, classroom, museum, community, government, industrial, and military venues into sites of moving-image display. Reorienting the history of cinema away from the movie theater's magic, Haidee Wasson illustrates the remarkable persistence and proliferation of devices that fundamentally rejected the sleek, highly professionalized film show. She foregrounds instead another kind of apparatus, one that was accessible, affordable, adaptable, easy-to-use, and crucially, programmable. With rich archival discoveries, this book charts a compelling and original history of film, one that brings to light new technologies and diverse forms of media engagement that continue to shape contemporary life.
Описание: When asked to name the first ""militant"" Black characters in film, we might imagine Blaxploitation heroes like Sweetback or Shaft. Yet, as this groundbreaking new book shows, there was a much earlier cycle of films featuring militant Black men - many of which were sponsored by the U.S. government.Militant Visions examines how, from the 1940s to the 1970s, the cinematic figure of the black soldier helped change the ways American moviegoers saw Black men, for the first time presenting African Americans as vital and integrated members of the nation. Elizabeth Reich traces the figure across a wide variety of movie genres, from action blockbusters like Bataan to patriotic musicals like Stormy Weather. In the process, she reveals how the image of the proud and powerful African American serviceman was crafted by an unexpected alliance of government propagandists, civil rights activists, and Black filmmakers. Offering a nuanced reading of a figure that was simultaneously conservative and radical, Reich considers how the cinematic Black soldier lent a human face to ongoing debates about racial integration, Black internationalism, and American militarism. She reads the Black soldier in film as inherently transnational, shaped by the displacements of diaspora, Third World revolutionary philosophy, and a legacy of Black artistry and performance. Militant Visions thus not only presents a new history of how American cinema represented race, it also demonstrates how film images helped to make history, shaping the progress of the civil rights movement itself.
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