Описание: Beginning with their forced introduction to American soil, Black women have relied on maverick-like characteristics to survive. And yet, these liberating characteristics have been repeatedly disparaged by the masses in favor of an elitist politics of respectability. In Maverick Feminist: To Be Female and Black in a Country Founded upon Violence and Respectability, scholar Kemeshia Randle Swanson examines the extent to which the politics of respectability diminish joy and increase sorrow throughout the lifespan of Black women. By rejecting this damaging standard in society, Black women can wholly and attentively assist in the obliteration of racist, sexist, classist, and ableist oppression. But first, they must work towards becoming self-identified, self-actualized, and self-sexualized.
Bridging the gap between women in both the streets and the academy, Maverick Feminist expands the traditional understandings of activism and enlarges discussions about Black female sexuality. Swanson emphasizes sexuality’s significance to the literary and sociopolitical success of Black women of the past and in this contemporary climate. Through close readings and critical analyses of fiction, nonfiction, and popular culture, Swanson argues that #blackgirlmagic and racial progression require rejecting respectability politics and developing an intimate appreciation of self. Maverick Feminist examines texts by and about bold Black women, including Zora Neale Hurston’s Their Eyes Were Watching God, Sister Souljah’s The Coldest Winter Ever, Brittney Cooper’s Eloquent Rage: A Black Feminist Discovers Her Superpower, Alice Walker’s The Color Purple, Sapphire’s PUSH, Roxane Gay’s Hunger: A Memoir of (My) Body, Terry McMillan’s Getting to Happy, and Michelle Obama’s Becoming.
Maverick Feminist offers hope concerning the growing divide between scholars and the communities about which they theorize. The book celebrates centuries of agency and control that Black women have mustered and maintained in a world that seems to want nothing more than to see them prone and powerless. Ultimately, maverick feminism provides a freer means of living out, evaluating, understanding, and improving the lives of Black women.
Описание: From The Real Housewives of Atlanta to Flavor of Love, reality shows with predominantly black casts have often been criticized for their negative representation of African American women as loud, angry, and violent. Yet even as these programs appear to be rehashing old stereotypes of black women, the critiques of them are arguably problematic in their own way, as the notion of “respectability” has historically been used to police black women’s behaviors. The first book of scholarship devoted to the issue of how black women are depicted on reality television, Real Sister offers an even-handed consideration of the genre. The book’s ten contributors-black female scholars from a variety of disciplines-provide a wide range of perspectives, while considering everything from Basketball Wives to Say Yes to the Dress. As regular viewers of reality television, these scholars are able to note ways in which the genre presents positive images of black womanhood, even as they catalog a litany of stereotypes about race, class, and gender that it tends to reinforce. Rather than simply dismissing reality television as “trash,” this collection takes the genre seriously, as an important touchstone in ongoing cultural debates about what constitutes “trashiness” and “respectability.” Written in an accessible style that will appeal to reality TV fans both inside and outside of academia, Real Sister thus seeks to inspire a more nuanced, thoughtful conversation about the genre’s representations and their effects on the black community.
Описание: Proper Women tells the unprecedented story of an NGO-led “women’s empowerment” program in Tehran that was created to serve young, impoverished Iranians and Afghan refugees. Fae Chubin recounts the well-intentioned efforts of cosmopolitan NGO administrators whose loyalty to liberal feminist principles of individualism, sexual autonomy, and anti-traditionalism complicated their objective of empowering marginalized women.
Chubin brings attention to the varying class, ethnic, religious, and national identities of NGO staff and clients that shaped their differing understandings of oppression and justice. Her examination of the tensions within the organization reveals why the efforts of the NGO workers failed to gain purchase among the intended beneficiaries.
Proper Women concludes by encouraging feminist activists to not only examine the role of local politics and transnational connections in shaping their definitions of empowerment, but also consider the advantages of a justice-enhancing practice as opposed to justice monism for their target populations.
Описание: Proper Women tells the unprecedented story of an NGO-led “women’s empowerment” program in Tehran that was created to serve young, impoverished Iranians and Afghan refugees. Fae Chubin recounts the well-intentioned efforts of cosmopolitan NGO administrators whose loyalty to liberal feminist principles of individualism, sexual autonomy, and anti-traditionalism complicated their objective of empowering marginalized women.
Chubin brings attention to the varying class, ethnic, religious, and national identities of NGO staff and clients that shaped their differing understandings of oppression and justice. Her examination of the tensions within the organization reveals why the efforts of the NGO workers failed to gain purchase among the intended beneficiaries.
Proper Women concludes by encouraging feminist activists to not only examine the role of local politics and transnational connections in shaping their definitions of empowerment, but also consider the advantages of a justice-enhancing practice as opposed to justice monism for their target populations.
Описание: In his analysis of changing performance styles and alterations in the lifestyles of listeners, Jeffrey Lange illuminates the acculturation of country music and its audience into the American mainstream. Dividing country music into six subgenres (progressive country, western swing, postwar traditional, honky-tonk, country pop, and country blues), Lange discusses the music`s expanding appeal.
Описание: From The Real Housewives of Atlanta to Flavor of Love, reality shows with predominantly black casts have often been criticized for their negative representation of African American women as loud, angry, and violent. Yet even as these programs appear to be rehashing old stereotypes of black women, the critiques of them are arguably problematic in their own way, as the notion of “respectability” has historically been used to police black women’s behaviors. The first book of scholarship devoted to the issue of how black women are depicted on reality television, Real Sister offers an even-handed consideration of the genre. The book’s ten contributors-black female scholars from a variety of disciplines-provide a wide range of perspectives, while considering everything from Basketball Wives to Say Yes to the Dress. As regular viewers of reality television, these scholars are able to note ways in which the genre presents positive images of black womanhood, even as they catalog a litany of stereotypes about race, class, and gender that it tends to reinforce. Rather than simply dismissing reality television as “trash,” this collection takes the genre seriously, as an important touchstone in ongoing cultural debates about what constitutes “trashiness” and “respectability.” Written in an accessible style that will appeal to reality TV fans both inside and outside of academia, Real Sister thus seeks to inspire a more nuanced, thoughtful conversation about the genre’s representations and their effects on the black community.
Автор: Cassander L. Smith Название: Race and Respectability in an Early Black Atlantic ISBN: 0807179795 ISBN-13(EAN): 9780807179796 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5643.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Race and Respectability in an Early Black Atlantic examines the means through which people of African descent embodied tenets of respectability as a coping strategy to navigate enslavement and racial oppression in the early Black Atlantic world. The term "respectability politics" refers to the way members of a minoritized population adopt the customs and manners of a dominant culture in order to gain visibility and combat negative stereotypes about their subject group. Today respectability politics can be seen in how those within and outside Black communities police the behavior of Black celebrities, critique protest movements, and celebrate accomplishments by people of African descent who break racial barriers.
To study the origins of the complicated relationship between race and respectability, Cassander L. Smith shows that early American literatures reveal Black communities engaging with issues of respectability from the very beginning of the transatlantic slave trade. Concerns about character and comportment influenced the literary production of Black Atlantic communities, particularly in the long eighteenth century. Uncovering the central importance of respectability as a theme shaping the literary development of cultures throughout the early Black Atlantic, Smith illuminates the mechanics of respectability politics in a range of texts, including poetry, letters, and life writing by Phillis Wheatley, Olaudah Equiano, and expatriates on the west coast of Africa in Sierra Leone.
Through these early Black texts, Race and Respectability in an Early Black Atlantic considers respectability politics as a malleable strategy that has both energized and suppressed Black cultures for centuries.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
