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From Biblical Book to Musical Megahit: William B. Bradbury`s Esther, the Beautiful Queen, Juanita Karpf


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Автор: Juanita Karpf
Название:  From Biblical Book to Musical Megahit: William B. Bradbury`s Esther, the Beautiful Queen
ISBN: 9781496845740
Издательство: Mare Nostrum (Eurospan)
Классификация:





ISBN-10: 1496845749
Обложка/Формат: Hardback
Страницы: 277
Вес: 0.27 кг.
Дата издания: 15.12.2023
Язык: English
Иллюстрации: 98 b&w illustrations
Размер: 229 x 152
Ключевые слова: Church history,Musicals,Popular culture,Sacred & religious music,Theory of music & musicology, MUSIC / Ethnomusicology,MUSIC / Religious / General,PERFORMING ARTS / Theater / Broadway & Musicals,RELIGION / Christian Church / History,SOCIAL SCIENCE / Popular Culture
Подзаголовок: William b. bradbury`s esther, the beautiful queen
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Поставляется из: Англии
Описание: Many church-goers will recognize the name William Bradbury, a nineteenth-century American composer of popular hymns still sung at Sunday services. Bradbury’s name may also bring to mind Esther, the Beautiful Queen, his choral setting of a text based on the biblical Book of Esther. Written for amateur singers, the uncomplicated score became enormously popular almost immediately after its initial publication in 1856. In From Biblical Book to Musical Megahit: William B. Bradbury’s Esther, the Beautiful Queen, Juanita Karpf traces the work’s rich performance and reception history.

Bradbury emphatically stated that he intended Esther to be sung as an unadorned religious and educational piece. Yet many music directors exploited the potential for his score, producing elaborately staged events with costumes, scenery, and acting. Although directors retained Bradbury’s original music, they nonetheless facilitated Esther’s rapid entrée into the realm of music theater. This stylistic transformation ignited a firestorm of controversy. Some clergy and religiously pious citizens condemned theatrical representations of biblical texts as the epitome of debauchery, sacrilege, and sin. In contrast, more tolerant and open-minded theater enthusiasts welcomed the dramatic staging of Esther as wholesome entertainment and as evidence of a refreshingly enlightened approach to biblical interpretation.

However heated this debate seemed at times, it did little to quell the continued rise in popularity of Esther. In fact, by the late 1860s, Bradbury’s score had worked its way across the continent, north to Canada and, eventually, to Great Britain, Australia, Asia, and Africa. With performances recorded over a century after Bradbury published his score, Esther became, by any measure, an international megahit.

Дополнительное описание: Theory of music and musicology|Sacred and religious music|Music of film and stage|Christianity|History of religion|Popular culture



From biblical book to musical megahit

Автор: Karpf, Juanita
Название: From biblical book to musical megahit
ISBN: 1496845757 ISBN-13(EAN): 9781496845757
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 3762.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Many church-goers will recognize the name William Bradbury, a nineteenth-century American composer of popular hymns still sung at Sunday services. Bradbury’s name may also bring to mind Esther, the Beautiful Queen, his choral setting of a text based on the biblical Book of Esther. Written for amateur singers, the uncomplicated score became enormously popular almost immediately after its initial publication in 1856. In From Biblical Book to Musical Megahit: William B. Bradbury’s "Esther, the Beautiful Queen," Juanita Karpf traces the work’s rich performance and reception history.

Bradbury emphatically stated that he intended Esther to be sung as an unadorned religious and educational piece. Yet many music directors exploited the potential for his score, producing elaborately staged events with costumes, scenery, and acting. Although directors retained Bradbury’s original music, they nonetheless facilitated Esther’s rapid entrée into the realm of music theater. This stylistic transformation ignited a firestorm of controversy. Some clergy and religiously pious citizens condemned theatrical representations of biblical texts as the epitome of debauchery, sacrilege, and sin. In contrast, more tolerant and open-minded theater enthusiasts welcomed the dramatic staging of Esther as wholesome entertainment and as evidence of a refreshingly enlightened approach to biblical interpretation.

However heated this debate seemed at times, it did little to quell the continued rise in popularity of Esther. In fact, by the late 1860s, Bradbury’s score had worked its way across the continent, north to Canada and, eventually, to Great Britain, Australia, Asia, and Africa. With performances recorded over a century after Bradbury published his score, Esther became, by any measure, an international megahit.


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