Описание: This collection of essays examines the relationship that Vertigo enjoys with the histories and cultural imaginations of California and, more specifically, the San Francisco Bay Area. Contributors to this collection explore the specificities of place and the role such specificities play in our comprehensive efforts to understand Hitchcock`s most critically acclaimed film.
Описание: Filming the End of the Holocaust considers how the US Government commissioned the US Signal Corps and other filmmakers to document the horrors of the concentration camps during the April-May 1945 liberation. The evidence of the Nazis' genocidal actions amassed in these films, some of them made by Hollywood luminaries such as John Ford and Billy Wilder, would go on to have a major impact at the Nuremberg Trials; they helped to indict Nazi officials as the judges witnessed scenes of torture, human experimentation and extermination of Jews and non-Jews in the gas chambers and crematoria. These films, some produced by the Soviets, were integral to the war crime trials that followed the Holocaust and the Second World War, and this book provides a thorough, close analysis of the footage in these films and their historical significance.
Using research carried out at the Museum of Jewish Heritage, the US National Archives and the film collection at the National Center for Jewish Film at Brandeis University, this book explores the rationale for filming the atrocities and their use in the subsequent trials of Nazi officials in greater detail than anything previously published. Including an extensive bibliography and filmography, Filming the End of the Holocaust is an important text for scholars and students of the Holocaust and its aftermath.
Автор: Hayward, Susan Название: Ecology Documentaries ISBN: 0367621924 ISBN-13(EAN): 9780367621926 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Поставка под заказ.
Автор: Hayward, Susan (university Of Exeter, Uk) Название: Ecology documentaries ISBN: 1032131624 ISBN-13(EAN): 9781032131627 Издательство: Taylor&Francis Рейтинг: Цена: 5511.00 р. Наличие на складе: Поставка под заказ.
Описание: This companion piece to Susan Hayward`s Film Ecology focuses on ecology-documentaries produced since the new millennia.
Описание: This collection of essays examines the relationship that Vertigo enjoys with the histories and cultural imaginations of California and, more specifically, the San Francisco Bay Area. Contributors to this collection explore the specificities of place and the role such specificities play in our comprehensive efforts to understand Hitchcock`s most critically acclaimed film.
Описание: The documentaries produced by the National Film Board of Canada, an institution profoundly woven into Canada’s cultural fabric, not only influenced cinematic language, but their stunning portrayals of the landscape shaped our perception of the environment and our place in it. Screening Nature and Nation examines how Canadians have engaged with these films and how the depictions of the land and its people have reflected the prevailing attitudes of the times. In the years following the establishment of the NFB in 1939, author Michael Clemens demonstrates how production practices often supported the views of the government regarding the uses and limits of the environment. But, like most institutions, the films evolved, and by the beginning of the 1960s NFB documentaries began to express much broader social concerns. Certain filmmakers began to use their cameras as a means of challenging the dominant modes of thinking about the environment—not as a resource to be exploited but as a dynamic ecosystem. Films were produced that privileged Indigenous perspectives by focusing on the physical, cultural, and spiritual lives of the nation’s first people, offering audiences a glimpse into a social history they may have known little about. Many of the seminal films created in the 1960s and 1970s by the National Film Board of Canada would go on to be adored by audiences world-wide for their portrayal of the landscape and indigenous culture, as well as inspiring a burgeoning environmental activist movement.
Описание: From the silent era through the 1950s, the U.S. Department of Agriculture was the preeminent government filmmaking organization. In the United States, USDA films were shown in movie theaters, public and private schools at all educational levels, churches, libraries and even in open fields. For many Americans in the early 1900s, the USDA films were the first motion pictures they watched. And yet USDA documentaries have received little serious scholarly attention. The lack of serious study is especially concerning since the films chronicle over half a century of American farm life and agricultural work and, in so doing, also chronicle the social, cultural, and political changes in the United States at a crucial time in its development into a global superpower. Focusing specifically on four key films, Winn explicates the representation of African Americans in these films within the socio-political context of their times. The book provides a clearer understanding of how politics and filmmaking converged to promote a governmentally sanctioned view of racism in the U.S. in the early 20th century.
The Rwandan genocide is the second most audio-visually recreated genocide after the Holocaust, with approximately 200 films and documentaries produced in 39 countries between 1994 and 2021.
Historical Media Memories of the Rwandan Genocide studies the construction, the development, and the recreation of the transnational historical media memory of the genocide against the Tutsis in Rwanda in 1994.
This is the first comprehensive work that traces the international media image and the creation of historical memories of the Rwandan genocide, starting with the day to day television news reporting in 1994, and continuing with analyzes of how the genocide has been used and recreated in film and documentaries on a global level as well on a national level, where Rwanda, as a nation, creates its own images of the genocide in film and television production in order to support a new national identity.
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