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Great European Stage Directors Volume 1: Antoine, Stanislavski, Saint-Denis, Peta Tait


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Автор: Peta Tait
Название:  Great European Stage Directors Volume 1: Antoine, Stanislavski, Saint-Denis
ISBN: 9781350445680
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1350445681
Обложка/Формат: Paperback
Страницы: 240
Вес: 0.37 кг.
Дата издания: 18.04.2024
Серия: Great stage directors
Язык: English
Иллюстрации: 19 bw illus
Размер: 156 x 235 x 15
Ключевые слова: Theatre direction & production,Theatre studies, PERFORMING ARTS / Individual Director,PERFORMING ARTS / Theater / Direction & Production,PERFORMING ARTS / Theater / History & Criticism
Подзаголовок: Antoine, stanislavski, saint-denis
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Поставляется из: Англии
Описание: This volume assesses the contributions of Andre Antoine, Konstantin Stanislavski and Michel Saint-Denis, whose work has influenced theatre and training for over a century. These directors pioneered Naturalism and refined Realism as they experimented with theatrical form including non-Realism. Antoine and Stanislavski’s theatre direction proved foundational to the creation of the director’s role and artistic vision, and their influential ideas progressively developed through the stylized theatre of Saint-Denis to the innovative contemporary theatre direction of Max Stafford-Clark, Declan Donnellan and Katie Mitchell.


Stanislavski`s Legacy

Автор: Stanislavski, Constantin
Название: Stanislavski`s Legacy
ISBN: 0878301275 ISBN-13(EAN): 9780878301270
Издательство: Taylor&Francis
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Acting Stanislavski: A practical guide to Stanislavski`s approach and legacy

Автор: John Gillett
Название: Acting Stanislavski: A practical guide to Stanislavski`s approach and legacy
ISBN: 1408184982 ISBN-13(EAN): 9781408184981
Издательство: Bloomsbury Academic
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Описание:

Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. 150 years after his birth, his approach is more widely embraced and taught throughout the world - but is still often rejected, misunderstood and misapplied.

In Acting Stanislavski, John Gillett offers a clear, accessible and comprehensive account of the Stanislavski approach, from the actor's training to final performance, exploring:

- ease and focus
- the nature of action, interaction and objectives
- the imaginary reality, senses and feeling
- active analysis of text
- physical and vocal expression of character
- the actor in the context of training and the industry.

Drawing on Stanislavski's major books, in both English translations, and on records of his directing process and final studio classes, Acting Stanislavski demystifies terms and concepts. It is for actors from an actor's point of view, and offers many practical exercises and examples as an integrated part of each subject.

Acting Stanislavski also creates an up-to-date overview of the Stanislavski approach, connecting his legacy with the work of his successors, from Michael Chekhov to Meisner, Adler and Strasberg.

A new, extended and fully updated edition of Acting on Impulse: Reclaiming the Stanislavski Approach (Methuen Drama, 2007), Acting Stanislavski now includes new exercises and biographies, a further chapter on The Character, and an expanded glossary along with many other additions to the previous chapters. It is an essential practical and educational resource for any acting student, professional or teacher.

My Life In Art

Автор: Constantin Stanislavski
Название: My Life In Art
ISBN: 1474299652 ISBN-13(EAN): 9781474299657
Издательство: Bloomsbury Academic
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Описание: No one has had a greater influence on acting as we know it than Stanislavski. His 'method' - or interpretations of it - has become the central force determining almost every performance we see on stage or screen. In My Life in Art Stanislavski recalls his theatrical career, from his early experiences in Rubinstein's Russian Musical Society to his final triumphs with Chekhov at the Moscow Art Theatre. His vivid accounts of his own most famous productions including 'The Seagul' and 'Uncle Vanya' are interspersed with anecdotes of the famous - of Kommisarjevksy, Tolstoy, Gorky, and of the Moscow visit of Isadora Duncan and Gordon Craig.

Stanislavski On Opera

Автор: Stanislavski
Название: Stanislavski On Opera
ISBN: 1138145122 ISBN-13(EAN): 9781138145122
Издательство: Taylor&Francis
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Описание: First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

An Actor Prepares

Автор: Stanislavski, Constantin
Название: An Actor Prepares
ISBN: 0878309837 ISBN-13(EAN): 9780878309832
Издательство: Taylor&Francis
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The Great European Stage Directors Volume 1: Antoine, Stanislavski, Saint-Denis

Автор: Peta Tait
Название: The Great European Stage Directors Volume 1: Antoine, Stanislavski, Saint-Denis
ISBN: 1474253873 ISBN-13(EAN): 9781474253871
Издательство: Bloomsbury Academic
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Цена: 11880.00 р.
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Описание: This volume assesses the contributions of Andre Antoine, Konstantin Stanislavski and Michel Saint-Denis, whose work has influenced theatre and training for over a century. These directors pioneered Naturalism and refined Realism as they experimented with theatrical form including non-Realism. Antoine and Stanislavski’s theatre direction proved foundational to the creation of the director’s role and artistic vision, and their influential ideas progressively developed through the stylized theatre of Saint-Denis to the innovative contemporary theatre direction of Max Stafford-Clark, Declan Donnellan and Katie Mitchell.

Building a Character

Автор: Stanislavski, Constantin
Название: Building a Character
ISBN: 0878309829 ISBN-13(EAN): 9780878309825
Издательство: Taylor&Francis
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Sanity in Acting: the teachings of Galina Boulgakova, a Stanislavski-based approach to acting for the screen

Автор: Boulgakova Galina, Norwood Margaret
Название: Sanity in Acting: the teachings of Galina Boulgakova, a Stanislavski-based approach to acting for the screen
ISBN: 1497415969 ISBN-13(EAN): 9781497415966
Издательство: Неизвестно
Цена: 5164.00 р.
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Acting is believing

Автор: Stilson, Kenneth L.
Название: Acting is believing
ISBN: 1538171775 ISBN-13(EAN): 9781538171776
Издательство: Rowman & Littlefield Publishers
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Цена: 8870.00 р.
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Actor`s Work

Автор: Stanislavski Konstantin
Название: Actor`s Work
ISBN: 113868838X ISBN-13(EAN): 9781138688384
Издательство: Taylor&Francis
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Описание:

Stanislavski's 'system' has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre.

Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski's huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors.

The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century.

This Routledge Classics edition includes a new Foreword by the director Richard Eyre.

Stanislavski and the Actor

Автор: Benedetti, Jean
Название: Stanislavski and the Actor
ISBN: 0878300902 ISBN-13(EAN): 9780878300907
Издательство: Taylor&Francis
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Bakhtin and Theatre

Автор: Mccaw
Название: Bakhtin and Theatre
ISBN: 1138891444 ISBN-13(EAN): 9781138891449
Издательство: Taylor&Francis
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Описание:

What did Bakhtin think about the theatre? That it was outdated? That is 'stopped being a serious genre' after Shakespeare? Could a thinker to whose work ideas of theatricality, visuality, and embodied activity were so central really have nothing to say about theatrical practice?

Bakhtin and Theatre is the first book to explore the relation between Bakhtin's ideas and the theatre practice of his time.  In that time, Stanislavsky co-founded the Moscow Art Theatre in 1898 and continued to develop his ideas about theatre until his death in 1938. Stanislavsky's pupil Meyerhold embraced the Russian Revolution and created some stunningly revolutionary productions in the 1920s, breaking with the realism of his former teacher. Less than twenty years after Stanislavsky's death and Meyerhold's assassination, a young student called Grotowski was studying in Moscow, soon to break the mould with his Poor Theatre. All three directors challenged the prevailing notion of theatre, drawing on, disagreeing with and challenging each other's ideas. Bakhtin's early writings about action, character and authorship provide a revealing framework for understanding this dialogue between these three masters of Twentieth Century theatre.


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