Контакты/Проезд  Доставка и Оплата Помощь/Возврат
История
  +7(495) 980-12-10
  пн-пт: 10-18 сб,вс: 11-18
  shop@logobook.ru
   
    Поиск книг                    Поиск по списку ISBN Расширенный поиск    
Найти
  Зарубежные издательства Российские издательства  
Авторы | Каталог книг | Издательства | Новинки | Учебная литература | Акции | Хиты | |
 

Art and Identity in Spain, 1833–1956: The Orient Within, Claudia Hopkins


Варианты приобретения
Цена: 14256.00р.
Кол-во:
Наличие: Поставка под заказ.  Есть в наличии на складе поставщика.
Склад Америка: Есть  
При оформлении заказа до:
Ориентировочная дата поставки:
При условии наличия книги у поставщика.

Добавить в корзину
в Мои желания

Автор: Claudia Hopkins
Название:  Art and Identity in Spain, 1833–1956: The Orient Within
ISBN: 9781350428539
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1350428531
Обложка/Формат: Hardback
Страницы: 304
Вес: 0.86 кг.
Дата издания: 25.07.2024
Язык: English
Иллюстрации: 64 colour & 78 bw illus
Размер: 241 x 162 x 26
Ключевые слова: History of art & design styles: c 1800 to c 1900,Oriental art,Painting & paintings, ART / European,ART / Folk & Outsider Art,ART / History / Modern (late 19th Century to 1945)
Подзаголовок: The orient within
Рейтинг:
Поставляется из: Англии
Описание: Richly illustrated, this book shows how artists in Spain shaped perceptions of Al-Andalus (Iberia under Islam 711-1492) and northern Morocco, from Spain’s liberal revolution of the 1830s to the end of the Protectorate of Morocco. It is the first study in English to explore the longevity of Orientalist art in Spain over a period of 120 years,. Combining art history with a cultural studies approach, and using exemplary case studies, Hopkins foregrounds the diverse issues that underpin Orientalist expression: reflections on history and the nation, cultural nationalism, gender and sexuality, aesthetics and art commerce, colonialism and racial thinking. Consequently, the book challenges over-familiar understandings of Western Orientalism as a discourse that excludes Islamic culture from European identity. Beyond Fortuny and Sorolla, many unfamiliar artists and exhibitions are introduced, amongst them Villaamil, whose nostalgic landscapes evoked the loss of Andalusi culture; Becquer, who celebrated Spanish-Moroccan peace-making through the lens of Velazquez; the Symbolist Rusinol, whose images of the Alhambra are infused with melancholy; Morcillo, whose extraordinary camp images opened a new space for male subjectivity; Tapiro and Bertuchi, who dedicated their lives to Morocco, and the Moroccan Sarghini, who participated in the state-funded Painters of Africa exhibitions in Franco’s Madrid. These exhibitions served the colonial concept of a Hispano-Moroccan brotherhood under the dictatorship. Paradoxically, the liberal-inflected maurophilia of 120 years earlier now nourished a fascist agenda and Moroccan emancipation. Charting the shifting impulses and meanings of Orientalist expression in Spain, the book makes an original contribution to our understanding of Spanish art and Orientalism.


Автор: Claudia Hopkins
Название: Orientalism in Spanish Art 1833-1956
ISBN: 1501345583 ISBN-13(EAN): 9781501345586
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 14256.00 р.
Наличие на складе: Нет в наличии.

Описание: Richly illustrated with exotic images, ranging from Moorish palaces fantastically imagined by the Romantic painter Genaro Perez Villaamil to paintings of everyday life in colonial Morocco by Mariano Bertuchi, this is the first history of Spanish Orientalist art in English. It shows how artists visualized Spain’s Islamic past (711-1492) and their nearest “Orient” in Morocco for audiences at home and abroad. With the exception of Fortuny, the book introduces many unfamiliar figures, such as Francisco Iturrino, who travelled with Matisse to Morocco, producing novel visions of the exotic. The state-funded annual Pintores de Africa exhibitions, never examined before, provide a vital perspective on how art served Franco’s colonial politics based on a “Hispano-Moroccan brotherhood”. Hopkins reveals that Spanish Orientalism was inflected by diverse issues (such as national identity, gender anxieties, colonialism, aesthetics) and put to a wide range of uses. The familiar understanding of Western Orientalism in terms of distinct opposition (East/West) is challenged.


ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
   В Контакте     В Контакте Мед  Мобильная версия