Art of Mary Linwood: Embroidery, Installation, and Entrepreneurship in Britain, 1787-1845 9781350428089

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Автор: Heidi A. Strobel
Название: Art of Mary Linwood: Embroidery, Installation, and Entrepreneurship in Britain, 1787-1845
ISBN: 9781350428089
Издательство: Bloomsbury Academic
Классификация:

История художественных и оформительских стилей: с 1800 по 1900 г.

Произведения искусства из текстиля

Монографии о художниках, по искусству

ISBN-10: 1350428086
Обложка/Формат: Hardback
Страницы: 256
Вес: 0.68 кг.
Дата издания: 11.01.2024
Серия: Material culture of art and design
Язык: English
Иллюстрации: 16 colour & 46 bw illus
Размер: 162 x 241 x 20
Ключевые слова: History of art & design styles: c 1800 to c 1900,Individual artists, art monographs,Textile artworks, ART / History / Modern (late 19th Century to 1945),ART / Individual Artists / Monographs,ART / Techniques / General
Подзаголовок: Embroidery, installation, and entrepreneurship in britain, 1787-1845
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Поставляется из: Англии
Описание: The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of ?5,199,822 in today’s currency. As someone who made, but did not sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 that featured copies of well-known paintings by these popular artists. Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery’s focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion.This book brings to the fore Linwoods gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. It also includes the first and only catalogue of Linwood’s extant and destroyed works. By examining Linwood’s replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century.

Art of Mary Linwood: Embroidery, Installation, and Entrepreneurship in Britain, 1787-1845, Heidi A. Strobel