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Turn to Provisionality in Contemporary Art: Negative Work, Raphael Rubinstein


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Автор: Raphael Rubinstein   (Рафаэль Рубинштейн)
Название:  Turn to Provisionality in Contemporary Art: Negative Work
Перевод названия: Рафаэль Рубинштейн: Обращение к условности в современном искусстве
ISBN: 9781350243750
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1350243752
Обложка/Формат: Paperback
Страницы: 168
Вес: 0.28 кг.
Дата издания: 25.07.2024
Серия: Aesthetics and contemporary art
Язык: English
Иллюстрации: 5 bw illus
Размер: 235 x 156 x 6
Ключевые слова: Philosophy: aesthetics,Theory of art, ART / Criticism & Theory,PHILOSOPHY / Aesthetics
Подзаголовок: Negative work
Рейтинг:
Поставляется из: Англии
Описание: In his influential essay “Provisional Painting,” Raphael Rubinstein applied the term “provisional” to contemporary painters whose work looked intentionally casual, dashed-off, tentative, unfinished or self-cancelling; who appeared to have deliberately turned away from strong painting for something that seemed to constantly risk failure or inconsequence. In this collection of essays, Rubinstein expands the scope of his original article by surveying the historical and philosophical underpinnings of provisionality in recent visual art, as well as examining the works of individual artists in detail. He also engages crucial texts by Samuel Beckett and philosopher Gianni Vattimo.Re-examining several decades of painting practices, Rubinstein argues that provisionality, in all its many forms, has been both a foundational element in the history of modern art and the encapsulation of an attitude that is profoundly contemporary.


The Turn to Provisionality in Contemporary Art: Negative Work

Автор: Raphael Rubinstein
Название: The Turn to Provisionality in Contemporary Art: Negative Work
ISBN: 135024371X ISBN-13(EAN): 9781350243712
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 13464.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: In his influential essay “Provisional Painting,” Raphael Rubinstein applied the term “provisional” to contemporary painters whose work looked intentionally casual, dashed-off, tentative, unfinished or self-cancelling; who appeared to have deliberately turned away from "strong" painting for something that seemed to constantly risk failure or inconsequence. In this collection of essays, Rubinstein expands the scope of his original article by surveying the historical and philosophical underpinnings of provisionality in recent visual art, as well as examining the works of individual artists in detail. He also engages crucial texts by Samuel Beckett and philosopher Gianni Vattimo.Re-examining several decades of painting practices, Rubinstein argues that provisionality, in all its many forms, has been both a foundational element in the history of modern art and the encapsulation of an attitude that is profoundly contemporary.


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