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The Disney Revolt: The Great Labor War of Animation`s Golden Age, Jake S. Friedman


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Цена: 3140.00р.
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Автор: Jake S. Friedman   (Джейк С. Фридман)
Название:  The Disney Revolt: The Great Labor War of Animation`s Golden Age
Перевод названия: Джейк С. Фридман: Революция в Диснее. Лучшая лаборатория по созданию анимации
ISBN: 9780913705179
Издательство: Mare Nostrum (Eurospan)
Издательство: Chicago review press
Классификация:




ISBN-10: 0913705179
Обложка/Формат: Paperback
Страницы: 320
Вес: 0.64 кг.
Дата издания: 12.09.2023
Язык: English
Размер: 152 x 229 x 24
Ключевые слова: Animated films,History of the Americas,Individual actors & performers,Individual artists, art monographs,Popular culture,Social classes, BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers,BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing
Подзаголовок: The great labor war of animation`s golden age
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Поставляется из: Англии
Описание: An essential piece of Disney history has been largely unreported for eighty years.

Soon after the birth of Mickey Mouse, one animator raised the Disney Studio far beyond Walt’s expectations. That animator also led a union war that almost destroyed it. Art Babbitt animated for the Disney studio throughout the 1930s and through 1941, years in which he and Walt were jointly driven to elevate animation as an art form, up through Snow White, Pinocchio, and Fantasia.

But as America prepared for World War II, labor unions spread across Hollywood. Disney fought the unions while Babbitt embraced them. Soon, angry Disney cartoon characters graced picket signs as hundreds of animation artists went out on strike. Adding fuel to the fire was Willie Bioff, one of Al Capone’s wiseguys who was seizing control of Hollywood workers and vied for the animators’ union.

Using never-before-seen research from previously lost records, including conversation transcriptions from within the studio walls, author and historian Jake S. Friedman reveals the details behind the labor dispute that changed animation and Hollywood forever.
 
The Disney Revolt is an American story of industry and of the underdog, the golden age of animated cartoons at the world’s most famous studio.



Aardman Animations: Beyond Stop-Motion

Автор: Annabelle Honess Roe
Название: Aardman Animations: Beyond Stop-Motion
ISBN: 1350194948 ISBN-13(EAN): 9781350194946
Издательство: Bloomsbury Academic
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Цена: 5067.00 р.
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Описание: The Bristol-based animation company Aardman is best known for its most famous creations Wallace and Gromit and Shaun the Sheep. But despite the quintessentially British aesthetic and tone of its movies, this very British studio continues to enjoy international box office success with movies such as Shaun the Sheep Movie, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit. Aardman has always been closely linked with one of its key animators, Nick Park, and its stop motion, Plasticine-modelled family films, but it has more recently begun to experiment with modern digital filmmaking effects that either emulate ‘Claymation’ methods or form a hybrid animation style. This unique volume brings together leading film and animation scholars with children’s media/animation professionals to explore the production practices behind Aardman's creativity, its history from its early shorts to contemporary hits, how its films fit within traditions of British animation, social realism and fantasy cinema, the key personalities who have formed its ethos, its representations of ‘British-ness’ on screen and the implications of traditional animation methods in a digital era.

Aardman animations

Название: Aardman animations
ISBN: 1350114553 ISBN-13(EAN): 9781350114555
Издательство: Bloomsbury Academic
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Цена: 15840.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: The Bristol-based animation company Aardman is best known for its most famous creations Wallace and Gromit and Shaun the Sheep. But despite the quintessentially British aesthetic and tone of its movies, this very British studio continues to enjoy international box office success with movies such as Shaun the Sheep Movie, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit. Aardman has always been closely linked with one of its key animators, Nick Park, and its stop motion, Plasticine-modelled family films, but it has more recently begun to experiment with modern digital filmmaking effects that either emulate ‘Claymation’ methods or form a hybrid animation style. This unique volume brings together leading film and animation scholars with children’s media/animation professionals to explore the production practices behind Aardman's creativity, its history from its early shorts to contemporary hits, how its films fit within traditions of British animation, social realism and fantasy cinema, the key personalities who have formed its ethos, its representations of ‘British-ness’ on screen and the implications of traditional animation methods in a digital era.


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