Within key texts of Romanticic-era aesthetics, William Wordsworth, S. T. Coleridge, and other writers and theorists pointed to the poet, naturalist, and physician Erasmus Darwin as exemplifying a lack of originality and sensibility in the period’s scientific literature--the very qualities that such literature had actually sought to achieve. The success of this strawman tactic in establishing Romantic-era principles resulted in the historical devaluation of numerous other, especially female, imaginative authors, creating misunderstandings about the aesthetic intentions of the period’s scientific literature that continue to hinder and mislead scholars even today.
Regenerating Romanticism demonstrates that such strategies enabled some literary critics and arbiters of Romantic-era aesthetics to portray literature and science as locked in competition with one another while also establishing standards for the literary canon that mirrored developing ideas of scientific or biological sexism and racism. With this groundbreaking study, Melissa Bailes renovates understandings of sensibility and its importance to the late eighteenth- and early nineteenth-century movement of scientific literature within genres such as poetry, novels, travel writing, children’s literature that obviously and technically engage with the natural sciences.
Автор: Carey Название: British Abolitionism and the Rhetoric of Sensibility ISBN: 1403946264 ISBN-13(EAN): 9781403946263 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: British Abolitionism and the Rhetoric of Sensibility argues that participants in the late eighteenth-century slavery debate developed a distinct sentimental rhetoric, using the language of the heart to powerful effect in the most important political and humanitarian battle of the time.
Автор: B. Carey Название: British Abolitionism and the Rhetoric of Sensibility ISBN: 1349523496 ISBN-13(EAN): 9781349523498 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: British Abolitionism and the Rhetoric of Sensibility argues that participants in the late eighteenth-century slavery debate developed a distinct sentimental rhetoric, using the language of the heart to powerful effect in the most important political and humanitarian battle of the time.
Автор: Sotirios Paraschas Название: Reappearing Characters in Nineteenth-Century French Literature ISBN: 3319692895 ISBN-13(EAN): 9783319692890 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Introduction: 'La littйrature ruminante'.- 1. 'Le revenant littйraire': Balzac and the Reappearance of Characters as a Strategy of Re-appropriation.- 2. Zola and 'le revenant hйrйditaire'.- 3. The Poetics of Forgery in Charles Rabou's Sequel to Balzac's Le Dйputй d'Arcis.- 4. 'Tous pour un, un pour tous': Alexandre Dumas, Auguste Maquet, and the Musketeers Trilogy.- 5. 'Le collaborateur fantomatique': Zola, William Busnach, and the Adaptations of Les Rougon-Macquart for the Stage.- Concluding Reflections.- Appendix 1. List of the Stage Adaptations of Balzac's Works during his Lifetime.- Appendix 2. List of the Changes in the Description of the Heredity of the Rougon-Macquart.
Between 1780 and 1800, authors of imaginative literature in the new United States wanted to assert that their works, which bore obvious connections to anglophone literature on the far side of the Atlantic, nevertheless constituted a properly "American" tradition. No one had yet figured out, however, what it would mean to write like an American, what literature with an American origin would look like, nor what literary characteristics the elusive quality of Americanness could generate. Literature, American Style returns to this historical moment—decades before the romantic nationalism of Cooper, the transcendentalism of Emerson and Thoreau, or the iconoclastic poetics of Whitman—when a fantasy about the unique characteristics of U.S. literature first took shape, and when that notion was linked to literary style. While late eighteenth-century U.S. literature advertised itself as the cultural manifestation of a radically innovative nation, Ezra Tawil argues, it was not primarily marked by invention or disruption. In fact, its authors self-consciously imitated European literary traditions while adapting them to a new cultural environment. These writers gravitated to the realm of style, then, because it provided a way of sidestepping the uncomfortable reality of cultural indebtedness; it was their use of style that provided a way of departing from European literary precedents. Tawil analyzes Noah Webster's plan to reform the American tongue; J. Hector St. John de Crèvecoeur's fashioning of an extravagantly naïve American style from well-worn topoi; Charles Brockden Brown's adaptations of the British gothic; and the marriage of seduction plots to American "plain style" in works such as Susanna Rowson's Charlotte Temple and Hannah Webster Foster's The Coquette. Each of these works claims to embody something "American" in style yet, according to Tawil, remains legible only in the context of stylistic, generic, and conceptual forms that animated English cultural life through the century.
Описание: Shakespeare Survey is a yearbook of Shakespeare studies and production which has published the best international scholarship in English since 1948. The theme for Volume 68 is `Shakespeare, Origins and Originality`. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey.
Автор: Kerrigan, John Название: Shakespeare`s Originality ISBN: 0198793758 ISBN-13(EAN): 9780198793755 Издательство: Oxford Academ Рейтинг: Цена: 5938.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This compact, engaging book puts Shakespeare`s originality in historical context and looks at how he worked with his sources: the plays, poems, chronicles and romances on which his own plays are based.
Автор: Mack Название: The Genius of Parody ISBN: 0230008569 ISBN-13(EAN): 9780230008564 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Recent theoretical approaches have compelled critics to rethink many received notions regarding the significance of contemporary parodic activity. This study places parody firmly (if paradoxically) where it belongs: at the centre of the literary-creative process in the literature of the Seventeenth and Eighteenth centuries.
Автор: Hanlon, Christopher Название: Emerson`s Memory Loss ISBN: 0190842520 ISBN-13(EAN): 9780190842529 Издательство: Oxford Academ Рейтинг: Цена: 11722.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Emerson`s Memory Loss presents an archive of texts documenting Emerson`s intellectual, affective, and associative states during his late phase, along with the varying forms of shared connection from which these works emerge.
Автор: Sotirios Paraschas Название: Reappearing Characters in Nineteenth-Century French Literature ISBN: 303009880X ISBN-13(EAN): 9783030098803 Издательство: Springer Рейтинг: Цена: 13974.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book examines the phenomenon of the reappearance of characters in nineteenth-century French fiction. It approaches this from a hitherto unexplored perspective: that of the twin history of the aesthetic notion of originality and the legal notion of literary property. While the reappearance of characters in the works of canonical authors such as Honor? de Balzac and ?mile Zola is usually seen as a device which transforms the individual works of an author into a coherent whole, this book argues that the unprecedented systematisation of the reappearance of characters in the nineteenth century has to be seen within a wider cultural, economic, and legal context. While fictional characters are seen as original creations by their authors, from a legal point of view they are considered to be ‘ideas’ which are not protected and can be appropriated by anyone. By co-examining the reappearance of characters in the work of canonical authors and their reappearances in unauthorised appropriations, such as stage adaptations and sequels, this book discusses a series of issues that have shaped our understanding of authorship, originality, and property.
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