Performing the Greek Crisis: Navigating National Identity in the Age of Austerity, Natalie Zervou
Автор: Hastings, Derek (assistant Professor Of History, Oakland University) Название: Catholicism and the roots of nazism ISBN: 0199843457 ISBN-13(EAN): 9780199843459 Издательство: Oxford Academ Рейтинг: Цена: 5226.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Derek Hastings here illuminates an important and largely overlooked aspect of early Nazi history, going back to the years after World War I--when National Socialism first emerged--to reveal its close early ties with Catholicism. Although an antagonistic relationship between the Catholic Church and Hitler's regime developed later during the Third Reich, the early Nazi movement was born in Munich, a city whose population was overwhelmingly Catholic. Focusing on Munich and the surrounding area, Hastings shows how Catholics played a central and hitherto overlooked role in the Nazi movement before the 1923 Beerhall Putsch. He examines the activism of individual Catholic writers, university students, and priests and the striking Catholic-oriented appeals and imagery formulated by the movement. He then discusses why the Nazis embarked on a different path following the party's reconstitution in early 1925, ultimately taking on an increasingly anti-Catholic and anti-Christian identity.
Автор: Albuquerque Severino J., Bishop-Sanchez Kathryn Название: Performing Brazil: Essays on Culture, Identity, and the Performing Arts ISBN: 0299300641 ISBN-13(EAN): 9780299300647 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4383.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A field-shaping anthology by top cultural critics and practitioners representing a wide range of disciplines and art forms, Performing Brazil is the first book to bring together studies of the many and varied manifestations of Brazilian performance in and beyond their country of origin. Arguing that diverse forms of performance are best understood when presented in tandem, it offers new takes on better-known forms, such as carnival and capoeira, as well as those studied less often, including gender acts, curatorial practice, political protest, and the performance of Brazil in the United States.The contributors to the volume are Maria José Somerlate Barbosa, Eric Galm, Annie Gibson, Ana Paula Höfling, Benjamin Legg, Bryan McCann, Simone Osthoff, Fernando de Sousa Rocha, Cristina F. Rosa, Alessandra Santos, and Lidia Santos.
Автор: Neveu Kringelbach Helene Название: Dancing Cultures ISBN: 1782385223 ISBN-13(EAN): 9781782385226 Издательство: Berghahn Рейтинг: Цена: 4796.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Dance is more than an aesthetic of life - dance embodies life. This is evident from the social history of jive, the marketing of trans-national ballet, ritual healing dances in Italy or folk dances performed for tourists in Mexico, Panama and Canada. Dance often captures those essential dimensions of social life that cannot be easily put into words. What are the flows and movements of dance carried by migrants and tourists? How is dance used to shape nationalist ideology? What are the connections between dance and ethnicity, gender, health, globalization and nationalism, capitalism and post-colonialism? Through innovative and wide-ranging case studies, the contributors explore the central role dance plays in culture as leisure commodity, cultural heritage, cultural aesthetic or cathartic social movement.
Автор: Bartie Angela Название: The Edinburgh Festivals: Culture and Society in Post-War Britain ISBN: 0748694056 ISBN-13(EAN): 9780748694051 Издательство: Bloomsbury Academic Рейтинг: Цена: 3958.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Edinburgh Festival is the world`s largest arts festival. It has also been the site of numerous `culture wars` since it began in 1947. This book explores the `culture wars` of 1945-1970 and is the first major study of the origins and development of this leading annual arts extravaganza.
Название: Sexuality, gender and identity ISBN: 113808624X ISBN-13(EAN): 9781138086241 Издательство: Taylor&Francis Рейтинг: Цена: 7501.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Sexuality is a difficult topic for all educators. Dance teachers and educators are not immune to these educational challenges, especially given the large number of children, adolescents, and young adults who pursue dance study and performance. Most troubling is the lack of serious discourse in dance education and the development of educative strategies to promote healthy sexuality and empowered gender identities in proactive ways.
This volume, focused on sexuality, gender, and identity in dance education, expands this developing area of study and investigates diverse perspectives from public schools, private sector dance studios and schools, as well as college and university dance programs. By openly bringing issues of sexuality and gender to the forefront of dance education and training, this book straightforwardly addresses critical challenges for engaged educators interested in age appropriate content, theme and costume; the hyper-sexualization of children and adolescents; sexual orientation and homophobia; the hidden curriculum of sexuality and gender; sexual identity; the impact of contemporary culture; and mass media, and sexual exploitation. The original research provides a frank discussion, highlighting practical applications and offering insights and recommendations for today's educational environment in dance. This book was originally published as a special issue of the Journal of Dance Education.
Автор: Barclay, Katie Название: Men on trial ISBN: 1526132923 ISBN-13(EAN): 9781526132925 Издательство: NBN International Рейтинг: Цена: 28393.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Men on Trial provides the first history of masculinity and the law in early nineteenth-century Ireland. It combines cutting-edge theories from the history of emotion, performativity and gender studies to argue for gender as a creative and productive force in determining legal and social power relationships. -- .
Описание: This book is an exploration of the changes in Russian cultural identity in the twenty years after the fall of the Soviet state. Through close readings of a select number of contemporary Russian films and television series, Irina Souch investigates how a variety of popular cultural tropes ranging from the patriarchal family to the country idyll survived the demise of Communism and maintained their power to inform the Russian people’s self-image. She shows how these tropes continue to define attitudes towards political authority, economic disparity, ethnic and cultural difference, generational relations and gender. The author also introduces theories of identity developed in Russia at the same time, enabling these works to act as sites of productive dialogue with the more familiar discourses of Western scholarship.
Following World War II, Germany was faced not only with the practical tasks of reconstruction and denazification, but also with the longer-term mission of morally "re-civilizing" its citizens--a goal that persisted through the nation's 1949 split. One of the most important mediums for effecting reeducation was television, whose strengths were particularly evident in the thousands of television plays that were broadcast in both Germanys in the 1950s and 1960s. This book shows how TV dramas transcended state boundaries and--notwithstanding the ideological differences between East and West--addressed shared issues and themes, helping to ease viewers into confronting uncomfortable moral topics.
Автор: Shay Название: Ethno Identity Dance for Sex, Fun and Profit ISBN: 1137593172 ISBN-13(EAN): 9781137593177 Издательство: Springer Рейтинг: Цена: 11179.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: People all over the world dance traditional and popular dances that havebeen staged for purposes of representing specific national and ethnic groups.Anthony Shay suggests these staged dance productions be called “ethno identitydances”, especially to replace the term “folk dance,” which Shay suggestsshould refer to the traditional dances found in village settings as an organicpart of village and tribal life. Shay investigates the many motives that impelpeople to dance in these staged productions: dancing for sex or dancing sexydances, dancing for fun and recreation, dancing for profit - such as dancingfor tourists - dancing for the nation or to demonstrate ethnic pride. In thisstudy Shay also examines belly dance, Zorba Dancing in Greek nightclubs andrestaurants, Tango, Hula, Irish step dancing, and Ukrainian dancing.
Описание: This book is an exploration of the changes in Russian cultural identity in the twenty years after the fall of the Soviet state. Through close readings of a select number of contemporary Russian films and television series, Irina Souch investigates how a variety of popular cultural tropes ranging from the patriarchal family to the country idyll survived the demise of Communism and maintained their power to inform the Russian people’s self-image. She shows how these tropes continue to define attitudes towards political authority, economic disparity, ethnic and cultural difference, generational relations and gender. The author also introduces theories of identity developed in Russia at the same time, enabling these works to act as sites of productive dialogue with the more familiar discourses of Western scholarship.
Описание: Performing the Greek Crisis explores the impact of the Greek financial crisis (2009–19) on the performing arts sector in Greece, and especially on contemporary concert dance. When Greece became the first European Union member to be threatened with default, the resulting budget cuts pushed dance to develop in unprecedented directions. The book examines the repercussions that the crisis had on artists’ daily lives and experience, weaving the personal with the political to humanize a phenomenon that to date had been examined chiefly through economic and statistical lenses. Informed by her own experience of growing up in Greece and including interviews and rich descriptions of performances, Natalie Zervou offers a glimpse into a pivotal moment in Greek history.
In Greece, dance (and in extension, the body) has historically held a central role in the process of national identity construction. When the crisis broke out, artists had to navigate their way through a precariously fluctuating landscape, with their bodies as their one and only stable referent. In Greece, dance has held a historical role in national identity construction of Greece as the cradle of Western civilization. As the financial crisis coincided with the European Refugee Crisis, dancing bodies became agents to advocate for human rights. By centering the analysis of the Greek crisis on the dancing bodies, Performing the Greek Crisis is able to examine the various ways that artists reconceptualized their history and reframed ideas of national belonging, race, citizenship, and immigration.
Selected by Choice magazine as an Outstanding Academic Title During the eighteenth century, North American colonists began to display an increasing appetite for professional and amateur theatrical performances and a familiarity with the British dramatic canon ranging from the tragedies of Shakespeare, Addison, and Rowe to the comedies of Farquhar, Steele, and Gay. This interest sparked demand for both the latest hits of the London stage and a body of plays centered on patriotic (and often partisan) British themes. As relations between the crown and the colonies soured, the texts of these plays evolved into a common frame of reference for political arguments over colonial policy. Making the transition to print, these arguments deployed dramatic texts and theatrical metaphors for political advantage. Eventually, with the production of American propaganda plays during the Revolution, colonists began to develop a patriotic drama of their own, albeit one that still stressed the "British" character of American patriotism. Performing Patriotism examines the role of theatrical performance and printed drama in the development of early American political culture. Building on the eighteenth-century commonplace that the theater could be a school for public virtue, Jason Shaffer illustrates the connections between the popularity of theatrical performances in eighteenth-century British North America and the British and American national identities that colonial and Revolutionary Americans espoused. The result is a wide-ranging survey of eighteenth-century American theater history and print culture.
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