The ancient Mesoamerican city of Izapa in Chiapas, Mexico, is renowned for its extensive collection of elaborate stone stelae and altars, which were carved during the Late Preclassic period (300 BC-AD 250). Many of these monuments depict kings garbed in the costume and persona of a bird, a well-known avian deity who had great significance for the Maya and other cultures in adjacent regions. This Izapan style of carving and kingly representation appears at numerous sites across the Pacific slope and piedmont of Mexico and Guatemala, making it possible to trace political and economic corridors of communication during the Late Preclassic period.
In this book, Julia Guernsey offers a masterful art historical analysis of the Izapan style monuments and their integral role in developing and communicating the institution of divine kingship. She looks specifically at how rulers expressed political authority by erecting monuments that recorded their performance of rituals in which they communicated with the supernatural realm in the persona of the avian deity. She also considers how rulers used the monuments to structure their built environment and create spaces for ritual and politically charged performances. Setting her discussion in a broader context, Guernsey also considers how the Izapan style monuments helped to motivate and structure some of the dramatic, pan-regional developments of the Late Preclassic period, including the forging of a codified language of divine kingship. This pioneering investigation, which links monumental art to the matrices of political, economic, and supernatural exchange, offers an important new understanding of a region, time period, and group of monuments that played a key role in the history of Mesoamerica and continue to intrigue scholars within the field of Mesoamerican studies.
Автор: Hourly History, History Название: MAYA CIVILIZATION: A HISTORY FROM BEGINN ISBN: 1656510049 ISBN-13(EAN): 9781656510044 Издательство: Неизвестно Рейтинг: Цена: 1904 р. Наличие на складе: Есть у поставщика Поставка под заказ.
If you're looking for a captivating collection of Inca Myths, then keep reading...
This book includes four captivating manuscripts:
Maya Mythology: Captivating Maya Myths of Gods, Goddesses and Legendary Creatures
Aztec Mythology: Captivating Aztec Myths of Gods, Goddesses, and Legendary Creatures
Inca Mythology: Captivating Inca Myths of Gods, Goddesses, and Legendary Creatures
Central American Mythology: Captivating Myths of Gods, Goddesses, and Legendary Creatures of Ancient Mexico and Central America
In the first part of this book, you'll find the following Maya myths and topics covered
Two Creation Myths
The Downfall of Seven Macaw
The Boyhood Deeds of Hunahpu and Xbalanque
Ballgames in Xibalba
The Deaths and Resurrections of Hunahpu and Xbalanque
The Man Who Became a Buzzard
How the Sun and Moon Became Man and Wife
Rabbit Gets His Drink
And many more
In the second part of this book, you'll find the following Aztec myths and topics covered
The Legend of the Suns
The Deeds of Mixcoatl
The Origin of Maize and the Creation of Pulque
The Fall of Xochiquetzal
The Fate of Souls
Huitzilopochtli and the Founding of Tenochtitlan
Huemac Plays the Ball Game
And many more
In the third part of this book, you'll find the following Inca myths and topics covered
Stories of the Gods
Inca Political Myths
Five Andean Folktales and an Inca Play
And much, much more
In the fourth part of this book, you'll find the following Central American myths and topics covered
Olocupinele Creates the World (Dule/Cuna, Panama)
Watakame' and the Great Flood (Wix ritari/Huichol, Mexico)
Yomomuli and the Talking Tree (Yoeme/Yaqui, Mexico)
How the Sea Was Made (Cab car, Costa Rica)
Mother Scorpion's Country (Miskito, Nicaragua)
The Childhood of the Sun and the Moon (qne-a tnya-e/Chatino, Mexico)
The Invisible Hunters (Miskito, Nicaragua)
The King of the Peccaries (Bribri, Costa Rica)
How Opossum Stole Fire (Mazatec, Mexico)
Uncle Rabbit and Uncle Tiger (Nicaragua)
And much, much more
So if you want to learn more about these four mythologies, click "buy now"
Автор: Zepeda, Susy J. Название: Queering mesoamerican diasporas ISBN: 0252086600 ISBN-13(EAN): 9780252086601 Издательство: Wiley EDC Рейтинг: Цена: 4088 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Acts of remembering offer a path to decolonization for Indigenous peoples forcibly dislocated from their culture, knowledge, and land. Susy J. Zepeda highlights the often overlooked yet intertwined legacies of Chicana feminisms and queer decolonial theory through the work of select queer Indígena cultural producers and thinkers. By tracing the ancestries and silences of gender-nonconforming people of color, she addresses colonial forms of epistemic violence and methods of transformation, in particular spirit research. Zepeda also uses archival materials, raised ceremonial altars, and analysis of decolonial artwork in conjunction with oral histories to explore the matriarchal roots of Chicana/x and Latina/x feminisms. As she shows, these feminisms are forms of knowledge that people can remember through Indigenous-centered visual narratives, cultural wisdom, and spirit practices.
A fascinating exploration of hidden Indígena histories and silences, Queering Mesoamerican Diasporas blends scholarship with spirit practices to reimagine the root work, dis/connection to land, and the political decolonization of Xicana/x peoples.
This book explores a seminal topic concerning the Mesoamerican past: the religious festivals that took place during the eighteen periods of twenty days, or veintenas, into which the solar year was divided. Pre-Columbian societies celebrated these festivals through complex rituals, involving the priests and gods themselves, embodied in diverse beings and artifacts. Specific sectors of society also participated in the festivals, while city inhabitants usually attended public ceremonies. As a consequence, this ritual cycle played a significant role in Mesoamerican religious life; at the same time, it informs us about social relations in pre-Columbian societies. Both religious and social aspects of the solar cycle festivals are tackled in the twelve contributions in this book, which aims to address the entire veintena sequence and as much of the territory and history of Mesoamerica as possible. Specifically, the book revisits long-standing discussions of the solar cycle festivals, but also explores these religious practices in original ways, in particular through investigating understudied rituals and offering new interpretations of rites that have previously been extensively analyzed. Other chapters consider the entire veintena sequence through the prism of specific topics, providing multiple though often complementary analyses. As a consequence, this book will attract the attention of scholars and graduate students with interests in Mesoamerica and early Latin America, as well as ethnohistory, cultural history, history of religions, art history, archaeology and anthropology.
This book explores a seminal topic concerning the Mesoamerican past: the religious festivals that took place during the eighteen periods of twenty days, or veintenas, into which the solar year was divided. Pre-Columbian societies celebrated these festivals through complex rituals, involving the priests and gods themselves, embodied in diverse beings and artifacts. Specific sectors of society also participated in the festivals, while city inhabitants usually attended public ceremonies. As a consequence, this ritual cycle played a significant role in Mesoamerican religious life; at the same time, it informs us about social relations in pre-Columbian societies. Both religious and social aspects of the solar cycle festivals are tackled in the twelve contributions in this book, which aims to address the entire veintena sequence and as much of the territory and history of Mesoamerica as possible. Specifically, the book revisits long-standing discussions of the solar cycle festivals, but also explores these religious practices in original ways, in particular through investigating understudied rituals and offering new interpretations of rites that have previously been extensively analyzed. Other chapters consider the entire veintena sequence through the prism of specific topics, providing multiple though often complementary analyses. As a consequence, this book will attract the attention of scholars and graduate students with interests in Mesoamerica and early Latin America, as well as ethnohistory, cultural history, history of religions, art history, archaeology and anthropology.
Folio 46r from Codex Telleriano-Remensis was created in the sixteenth century under the supervision of Spanish missionaries in central Mexico. As an artifact of seismic cultural and political shifts, the manuscript painting is a singular document of indigenous response to Spanish conquest. Examining the ways in which the folio's tlacuilo (indigenous painter/writer) creates a pictorial vocabulary, this book embraces the place "outside" history from which this rich document emerged.
Applying contemporary intellectual perspectives, including aspects of gender, modernity, nation, and visual representation itself, José Rabasa reveals new perspectives on colonial order. Folio 46r becomes a metaphor for reading the totality of the codex and for reflecting on the postcolonial theoretical issues now brought to bear on the past. Ambitious and innovative (such as the invention of the concepts of elsewheres and ethnosuicide, and the emphasis on intuition), Tell Me the Story of How I Conquered You embraces the performative force of the native scribe while acknowledging the ineffable traits of 46r—traits that remain untenably foreign to the modern excavator/scholar. Posing provocative questions about the unspoken dialogues between evangelizing friars and their spiritual conquests, this book offers a theoretic-political experiment on the possibility of learning from the tlacuilo ways of seeing the world that dislocate the predominance of the West.
Описание: This monograph examines a set of questions concerning human and nonhuman primate cognition, spatial memory, foraging behavior, and the ability of monkeys to form mental maps of the location and distribution of feeding and resting sites.Two primary forms of spatial memory have been hypothesized for primates. First, it has been suggested that primates might represent spatial memory in the form of a coordinate-based (geometric) map in which points in the landscape are stored as true coordinates and individuals calculate precise angles and distances between targets. Alternatively, it has been suggested that primates may internally represent spatial information as a route-based (topological) map in which individuals use and reuse a set of common pathways and a select number of landmarks to reach a large number of targets.This research examines questions of behavior and cognition in wild white-faced capuchins (Cebus imitator) in northeastern Costa Rica. First, a natural field study or behavioral-ecological study was carried out in which the diet, foraging behavior, activity budget, natural decision-making, and movement patterns of wild capuchins were documented. Secondly, an experimental field study was performed by placing feeding platforms in the forest to determine how capuchins integrate the spatial location of these new feeding sites into an internal representation and the degree to which travel routes are most consistent with a coordinate-based or a route-based spatial representation.A major goal of this research is to develop an understanding of the challenges primates naturally face in locating resources that vary in time and space, and to identify the set of features that may have played a fundamental role in shaping the evolution of decision-making and spatial abilities in humans. In conclusion, the results suggest that capuchins use a route-based spatial representation in large-scale space and provide some evidence of a coordinate-based spatial representation in small-scale space.
The Resurrection Plate, a Late Classic Maya dish, is decorated with an arresting scene. The Maize God, assisted by two other deities, emerges reborn from a turtle shell. At the center of the plate, in the middle of the god’s body and aligned with the point of emergence, there is a curious sight: a small, neatly drilled hole.
Art historian Andrew Finegold explores the meanings attributed to this and other holes in Mesoamerican material culture, arguing that such spaces were broadly understood as conduits of vital forces and material abundance, prerequisites for the emergence of life. Beginning with, and repeatedly returning to, the Resurrection Plate, this study explores the generative potential attributed to a wide variety of cavities and holes in Mesoamerica, ranging from the perforated dishes placed in Classic Maya burials, to caves and architectural voids, to the piercing of human flesh. Holes are also discussed in relation to fire, based on the common means through which both were produced: drilling. Ultimately, by attending to what is not there, Vital Voids offers a fascinating approach to Mesoamerican cosmology and material culture.
Описание: Acts of remembering offer a path to decolonization for Indigenous peoples forcibly dislocated from their culture, knowledge, and land. Susy J. Zepeda highlights the often overlooked yet intertwined legacies of Chicana feminisms and queer decolonial theory through the work of select queer Indígena cultural producers and thinkers. By tracing the ancestries and silences of gender-nonconforming people of color, she addresses colonial forms of epistemic violence and methods of transformation, in particular spirit research. Zepeda also uses archival materials, raised ceremonial altars, and analysis of decolonial artwork in conjunction with oral histories to explore the matriarchal roots of Chicana/x and Latina/x feminisms. As she shows, these feminisms are forms of knowledge that people can remember through Indigenous-centered visual narratives, cultural wisdom, and spirit practices.
A fascinating exploration of hidden Indígena histories and silences, Queering Mesoamerican Diasporas blends scholarship with spirit practices to reimagine the root work, dis/connection to land, and the political decolonization of Xicana/x peoples.