Essential Technical Skills for Designers: A Primer,
Название: Cambridge Essential English Dictionary ISBN: 052100537X ISBN-13(EAN): 9780521005371 Издательство: Cambridge University Press Рейтинг: Цена: 2082.00 р. Наличие на складе: Нет в наличии.
Описание: Using a monolingual dictionary for the first time can be daunting. This brand-new dictionary is the ideal introduction for pre-intermediate learners. It covers the essential English needed by learners at this level, with its short, easy definitions and numerous example sentences. Hundreds of illustrations help to explain the words and build vocabulary.
Описание: The remarkable life of Lady in Waiting to Princess Margaret who was also a Maid of Honour at the Queen`s Coronation - and is a character in The Crown this autumn. Anne Glenconner reveals the real events behind The Crown as well as her own life of drama, tragedy and courage, with the wonderful wit and extraordinary resilience which define her.
Автор: Meylac, Michael Название: Behind the scenes at the ballets russes ISBN: 1350210943 ISBN-13(EAN): 9781350210943 Издательство: Bloomsbury Academic Рейтинг: Цена: 3166.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Ballets Russes was perhaps the most iconic, yet at the same time mysterious, ballet company of the twentieth century. Inspired by the unique vision of their founder Sergei Diaghilev, the company gained a large international following. In the mid-twentieth century - during the tumultuous years of World War II and the Cold War - the Ballets Russes companies kept the spirit and traditions of Russian ballet alive in the West, touring extensively in America, Europe and Australia.
This important new book uncovers previously-unseen interviews and provides insights into the lives of the great figures of the age - from the dancers Anna Pavlova and Alicia Markova to the choreographers Leonide Massine, George Balanchine and Anton Dolin. The dancers' own words reveal what life was really like for the stars of the Ballets Russes and provide fascinating new insights into one of the most vibrant and creative groups of artists of the modern age.
Описание: In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production.Through in-depth analysis, industry interviews, and audience research, this book charts the cause-and-effect of this influential trend. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. The industry managed to meet these challenges by exploiting comics and their existing audiences. However, studios were caught off-guard when these comic book fans, empowered by digital media, began to influence the success of these adaptations. Nonetheless, filmmakers soon developed strategies to take advantage of this intense fanbase, while codifying the trend into a more lucrative genre, the comic book movie, which appealed to an even wider audience. Central to this vibrant trend is a comic aesthetic in which filmmakers utilize digital filmmaking technologies to engage with the language and conventions of comics like never before.The Comic Book Film Adaptation explores this unique moment in which cinema is stimulated, challenged, and enriched by the once-dismissed medium of comics.
Автор: Sams, Victoria Название: Immigration and contemporary british theater ISBN: 1433113058 ISBN-13(EAN): 9781433113055 Издательство: Peter Lang Рейтинг: Цена: 12214.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Immigration and Contemporary British Theater: Finding a Home on the Stage analyzes how contemporary British theater has responded to post-war immigration to the United Kingdom through its depictions of home and domestic life. Bridging literary analysis, theater history, and migration studies, the book examines the ways that immigration to the United Kingdom has reshaped British theatrical culture and inspired new conceptions of Britishness and of communal belonging. Furthermore, it examines how immigrant theater artists from widely varying backgrounds (geographical, educational, cultural) have worked within and around existing theatrical institutions in Britain.
Автор: Fleming-markarian, Margaret Название: Symbolism in nineteenth-century ballet ISBN: 3034302673 ISBN-13(EAN): 9783034302678 Издательство: Peter Lang Рейтинг: Цена: 10959.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Investigates allegorical meaning in the ballets "Giselle", "Coppelia", "The Sleeping Beauty" and "Swan Lake", principally by examining their original librettos and costume designs, as well as considering their surviving choreographic legacy.
Автор: Laxmi Ramasubramanian; Jochen Albrecht Название: Essential Methods for Planning Practitioners ISBN: 3319680404 ISBN-13(EAN): 9783319680408 Издательство: Springer Рейтинг: Цена: 16769.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book assembles and organizes a selected range of methods and techniques that every planning practitioner should know to be successful in the contemporary global urban landscape. Chapter Six reviews the planning profession`s complex relationship with public involvement and makes the case for civic engagement to anchor planning practice.
Описание: Best known for powerful 1950s melodramas like All That Heaven Allows , Written on the Wind , The Tarnished Angels , and Imitation of Life , Douglas Sirk (1897–1987) brought to all his work a distinctive style that led to his reputation as one of twentieth-century film's great directors. Sirk worked in Europe during the 1930s, mainly for Germany's UFA studios, and then in America in the 1940s and '50s. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions provides an overview of his entire career, including Sirk's work on musicals, comedies, thrillers, war movies, and westerns. One of the great ironists of the cinema, Sirk believed rules were there to be broken. Whether defying the decrees of Nazi authorities trying to turn film into propaganda or arguing with studios that insisted characters' problems should always be solved and that endings should always restore order, what Sirk called “emergency exits” for audiences, Sirk always fought for his vision. Offering fresh insights into all of the director's films and situating them in the culture of their times, critic Tom Ryan also incorporates extensive interview material drawn from a variety of sources, including his own conversations with the director. Furthermore, his enlightening study undertakes a detailed reconsideration of the generally overlooked novels and plays that served as sources for Sirk's films, as well as providing a critical survey of previous Sirk commentary, from the time of the director's “rediscovery” in the late 1960s up to the present day.
Описание: Best known for powerful 1950s melodramas like All That Heaven Allows, Written on the Wind, The Tarnished Angels, and Imitation of Life, Douglas Sirk (1897–1987) brought to all his work a distinctive style that led to his reputation as one of twentieth-century film's great directors. Sirk worked in Europe during the 1930s, mainly for Germany's UFA studios, and then in America in the 1940s and '50s. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions provides an overview of his entire career, including Sirk's work on musicals, comedies, thrillers, war movies, and westerns. One of the great ironists of the cinema, Sirk believed rules were there to be broken. Whether defying the decrees of Nazi authorities trying to turn film into propaganda or arguing with studios that insisted characters' problems should always be solved and that endings should always restore order, what Sirk called “emergency exits” for audiences, Sirk always fought for his vision. Offering fresh insights into all of the director's films and situating them in the culture of their times, critic Tom Ryan also incorporates extensive interview material drawn from a variety of sources, including his own conversations with the director. Furthermore, his enlightening study undertakes a detailed reconsideration of the generally overlooked novels and plays that served as sources for Sirk's films, as well as providing a critical survey of previous Sirk commentary, from the time of the director's “rediscovery” in the late 1960s up to the present day.
Описание: In Making and Remaking Horror in the 1970s and 2000s author David Roche takes up the assumption shared by many fans and scholars that original horror movies are more ""disturbing,"" and thus better than the remakes. He assesses the qualities of movies, old and recast, according to criteria that include subtext, originality, and cohesion. With a methodology that combines a formalist and cultural studies approach, Roche sifts aspects of the American horror movie that have been widely addressed (class, the patriarchal family, gender, and the opposition between terror and horror) and those that have been somewhat neglected (race, the Gothic, style, and verisimilitude). Containing seventy-eight black and white illustrations, the book is grounded in a close comparative analysis of the politics and aesthetics of four of the most significant independent American horror movies of the 1970s--The Texas Chain Saw Massacre, The Hills Have Eyes, Dawn of the Dead, and Halloween--and their twenty-first-century remakes. To what extent can the politics of these films be described as ""disturbing"" insomuch as they promote subversive subtexts that undermine essentialist perspectives? Do the politics of the film lie on the surface or are they wedded to the film's aesthetics? Early in the book, Roche explores historical contexts, aspects of identity (race, ethnicity, and class), and the structuring role played by the motif of the American nuclear family. He then asks to what extent these films disrupt genre expectations and attempt to provoke emotions of dread, terror, and horror through their representations of the monstrous and the formal strategies employed? In this inquiry, he examines definitions of the genre and its metafictional nature. Roche ends with a meditation on the extent to which the technical limitations of the horror films of the 1970s actually contribute to this ""disturbing"" quality. Moving far beyond the genre itself, Making and Remaking Horror studies the redux as a form of adaptation and enables a more complete discussion of the evolution of horror in contemporary American cinema.
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