Описание: INSTANT INTERNATIONAL BESTSELLER * NEW YORK TIMES BESTSELLER * #1 SUNDAY TIMES BESTSELLER * ONE OF THE TOP 10 BEST-SELLING ROYAL BIOGRAPHIES OF ALL TIME When news of the budding romance between a beloved English prince and an American actress broke, it captured the world`s attention and sparked an international media frenzy.
Автор: Zembylas, Tasos , Niederauer, Martin Название: Composing Processes and Artistic Agency ISBN: 0367443929 ISBN-13(EAN): 9780367443924 Издательство: Taylor&Francis Рейтинг: Цена: 6430.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The book investigates compositional processes shedding new light on the components and conditions that constitute artistic agency.
Автор: Bailey, Kathryn Название: `Composing with Tones` ISBN: 0947854096 ISBN-13(EAN): 9780947854096 Издательство: Taylor&Francis Рейтинг: Цена: 13779.00 р. Наличие на складе: Нет в наличии.
Описание: It weaves together sound, visual design, and code across a range of media, providing conceptual approaches, theoretical insights, and practical strategies, which unlock new design frameworks for composing psychedelic sounds and visualisations.
Автор: Rodin Jesse Название: Josquin`s Rome: Hearing and Composing in the Sistine Chapel ISBN: 0197619665 ISBN-13(EAN): 9780197619667 Издательство: Oxford Academ Рейтинг: Цена: 10700.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Therapists need an effective approach to case conceptualization that has three key functions. It must explain and guide treatment, and it must predict challenges and obstacles that are likely to arise over the course of treatment. This allows therapists to proactively respond. The 15 Minute Case Conceptualization is a clinician-friendly approach that is quick to use and easy to learn and master.
Автор: Hatter Jane D. Название: Composing Community in Late Medieval Music ISBN: 1108465595 ISBN-13(EAN): 9781108465595 Издательство: Cambridge University Press Рейтинг: Цена: 8794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Self-referential music illuminates connections between musicians and reveals similarities between their networks and those of other professionals, especially visual artists. This book will appeal to readers interested in music and culture of the late medieval and early modern eras - musicians, musicologists, and historians of art and culture.
Автор: Bradley Catherine a. Название: Polyphony in Medieval Paris: The Art of Composing with Plainchant ISBN: 1108407579 ISBN-13(EAN): 9781108407571 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Presents new methodologies to explore medieval processes of musical and poetic creation, from plainchant and vernacular French songs to organa, motets and clausulae. Engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring authorship, originality, practices of quotation and reworking.
Описание: Since the publication of Solomon Volkov's disputed memoirs of Dmitri Shostakovich, the composer and his music has been subject to heated debate concerning how the musical meaning of his works can be understood in relationship to the composer's life within the Soviet State. While much ink has been spilled, very little work has attempted to define how Shostakovich's music has remained so arresting not only to those within the Soviet culture, but also to Western audiences - even though such audiences are often largely ignorant of the compositional context or even the biography of the composer. This book offers a useful corrective: setting aside biographically grounded and traditional analytical modes of explication, Reichardt uncovers and explores the musical ambiguities of four of the composer’s middle string quartets, especially those ambiguities located in moments of rupture within the musical structure. The music is constantly collapsing, reversing, inverting and denying its own structural imperatives. Reichardt argues that such confrontation of the musical language with itself, though perhaps interpretable as Shostakovich's own unique version of double-speak, also poignantly articulates the fractured state of a more general form of modern subjectivity. Reichardt employs the framework of Lacanian psychoanalysis to offer a cogent explanation of this connection between disruptive musical process and modern subjectivity. The ruptures of Shostakovich's music become symptoms of the pathologies at the core of modern subjectivity. These symptoms, in turn, relate to the Lacanian concept of the real, which is the empty kernel around which the modern subject constructs reality. This framework proves invaluable in developing a powerful, original hermeneutic understanding of the music. Read through the lens of the real, the riddles written into the quartets reveal the arbitrary and contingent state of the musical subject's constructed reality, reflecting pathologies ende
Автор: Noble Название: Composing Ambiguity: The Early Music of Morton Feldman ISBN: 1138270539 ISBN-13(EAN): 9781138270534 Издательство: Taylor&Francis Рейтинг: Цена: 8726.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: American composer Morton Feldman is increasingly seen to have been one of the key figures in late-twentieth-century music, with his work exerting a powerful influence into the twenty-first century. At the same time, much about his music remains enigmatic, largely due to long-standing myths about supposedly intuitive or aleatoric working practices. In Composing Ambiguity, Alistair Noble reveals key aspects of Feldman's musical language as it developed during a crucial period in the early 1950s. Drawing models from primary sources, including Feldman's musical sketches, he shows that Feldman worked deliberately within a two-dimensional frame, allowing a focus upon the fundamental materials of sounding pitch in time. Beyond this, Feldman's work is revealed to be essentially concerned with the 12-tone chromatic field, and with the delineation of complexes of simple proportions in 'crystalline' forms. Through close reading of several important works from the early 1950s, Noble shows that there is a remarkable consistency of compositional method, despite the varied experimental notations used by Feldman at this time. Not only are there direct relations to be found between staff-notated works and grid scores, but much of the language developed by Feldman in this period was still in use even in his late works of the 1980s.
What makes music sound happy? What makes it sound sad? Tense? Relaxed? Beautiful? Powerful? Scary? Nostalgic? We will seek to answer the fundamental question: What makes music sound the way it sounds? The more deeply we can answer this question, on both logical and intuitive levels, the more aptly we will be able to create the music we want to create.
-An excerpt from Chapter Two
Learn how to compose your own music.
Explore the art of improvisation.
Develop a clear understanding of music theory.
Uncover the deep principles and inner workings of musical expression.
Analyze the great masterpieces with new insight.
Build a fundamental knowledge base in acoustics, arranging, history, music technology and more
Includes online access to over 150 audio tracks
A New Method of Musical Learning
At its most essential level, this book presents a method of musical learning that synthesizes the intellectual with the creative. It incorporates and balances three synergistic aspects of learning - learning of concepts, learning by example, and learning through action. I'll argue that all of these are profoundly necessary yet rarely included in one interconnected system of musical learning as they are here. During the writing this book, this method also gave rise to a new system of presenting information. The main content of this book is categorized into colored boxes that describe what aspect of learning the box is focused on. These boxes are then connected with each other in such a way that they can be read in a variety of sequential orders. This allows for a more personalized and engaging journey through the study of music.
Who is this book for?
This book is for anyone interested in creating original music through a deep understanding of his or her craft. No prior experience or knowledge is required to benefit from this book. The instruction starts from the beginning and goes into intermediate and advanced topics.
The information in this book is generally applicable to all instruments and will be useful regardless of what instrument you play or would like to learn. The information in this book is also generally applicable to all styles of music. A wide variety of styles, from classical to blues to electronic, have been included in the musical examples and often multiple sets of terminology are presented that correspond to different traditions. The focus of this text is on the fundamental ideas, experiences, and processes that are a part of all of these styles of sonic art.
Автор: Bartig, Kevin Название: Composing for the Red Screen ISBN: 0190213280 ISBN-13(EAN): 9780190213282 Издательство: Oxford Academ Рейтинг: Цена: 4196.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career.
Автор: Russo, William Ainis, Jeffrey Stevenson, David Название: Composing music ISBN: 0226732169 ISBN-13(EAN): 9780226732169 Издательство: Wiley Рейтинг: Цена: 4118.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Aimed at those who have some knowledge of music but not formal training in composition, this concise introduction to composing starts right in with a brief composition exercise, then proceeds step by step through a series of increasingly complex and challenging problems, gradually expanding the student's musical grammar. "This is a wonderful book for anyone who is developing improvising skills or who would like a fun way to explore music."--Jim Stockford, Co-Evolution Quarterly
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
