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Anastasia samoylova: adaptation


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Автор: Samoylova, Anastasia
Название:  Anastasia samoylova: adaptation
ISBN: 9780500027189
Издательство: Thames & Hudson
Классификация:


ISBN-10: 0500027188
Обложка/Формат: Hardback
Страницы: 224
Вес: 1.72 кг.
Дата издания: 05.09.2024
Язык: English
Иллюстрации: 195 illustrations, color
Размер: 313 x 377 x 25
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Поставляется из: Европейский союз


Anastasia Samoylova: Floodzone

Автор: Samoylova Anastasia
Название: Anastasia Samoylova: Floodzone
ISBN: 3958296335 ISBN-13(EAN): 9783958296336
Издательство: Thames & Hudson
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Цена: от 5135.00 р.
Наличие на складе: Есть

Описание:

FloodZone is Miami-based Russian photographer Anastasia Samoylova's (born 1984) account of life on the knife-edge of the Southern United States: in Florida, where sea levels are rising and hurricanes threaten. But this book is not a visualization of disaster or catastrophe. These beautifully subtle and often unsettling images capture the mood of waiting, of knowing the climate is changing, of living with it. The color palette is tropical: lush greens, azure blues, pastel pinks. But the mood is pensive and melancholy. As new luxury high-rises soar, their foundations are in water. Crumbling walls carry images of tourist paradise. Manatees appear in odd places, sensitive to environmental change. Water is everywhere and water is the problem. Mixing lyric documentary, gently staged photos and epic aerial vistas, FloodZone crosses boundaries to express the deep contradictions of the place. The carefully paced sequence of photographs, arranged as interlocking chapters, make no judgment: they simply show.

Anastasia samoylova: image cities

Автор: Perry, Nicola H.
Название: Anastasia samoylova: image cities
ISBN: 3775754806 ISBN-13(EAN): 9783775754804
Издательство: Thames & Hudson
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Цена: 8250.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Image Cities is the latest project of photographer Anastasia Samoylova. In the series, carried out in cities across the globe, Samoylova studies the proliferation of photographic images in urban environments. She observes how in our neo-liberal era of networked economic markets and networked imagery the global centers of internationalized money and culture are becoming increasingly aligned and similar.

At the same time, however, these cities attempt to promote their individuality, often by repurposing their specific histories. Samoylova's work reveals how the cities she photographs are moving towards a generic urban landscape of anonymous steel and glass, and it also points to the role photography plays in creating this ideological gap between branded urban identity and lived reality.


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