Noise music, Hegarty, Paul

Название: Baroque Music: Music in Western Europe, 1580-1750 (The Norton Introduction to Music History) (Hardcover)
ISBN: 0393978001 ISBN-13(EAN): 9780393978001
Издательство: Wiley
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Цена: 7603.00 р.
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Описание: John Walter Hill`s highly anticipated text presents a broad survey of the music of Western Europe from 1580 to 1750.

Автор: Heyer
Название: Jean-Baptiste Lully and the Music of the French Baroque
ISBN: 0521081963 ISBN-13(EAN): 9780521081962
Издательство: Cambridge Academ
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Цена: 6653.00 р.
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Описание: This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era.

Автор: Carter
Название: The Cambridge History of Seventeenth-Century Music
ISBN: 1107681057 ISBN-13(EAN): 9781107681057
Издательство: Cambridge Academ
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Цена: 6653.00 р.
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Описание: Written by a distinguished team of experts, The Cambridge History of Seventeenth-Century Music seeks to provide the most up-to-date knowledge on seventeenth-century music, combining traditional study of musical works and their composers with an exploration of the ways in which music related to contemporary arts, sciences and beliefs.

Автор: Haynes, Bruce
Название: The End of Early Music
ISBN: 0195189876 ISBN-13(EAN): 9780195189872
Издательство: Oxford Academ
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Описание: Part history, part explanation of early music, this book also plays devil`s advocate, criticizing current practices and urging experimentation. Haynes, a veteran of the movement, describes a vision of the future that involves improvisation, rhetorical expression, and composition.

Автор: Edited by Allan F. Moore
Название: Analyzing Popular Music
ISBN: 052177120X ISBN-13(EAN): 9780521771207
Издательство: Cambridge Academ
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Цена: 14256.00 р.
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Описание: How do we know music? We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in some sense, but none of them treats analysis as an end in itself.