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Modern Antiquity: Picasso, de Chirico, Lger, Picabia


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Автор: Green Christopher, Daehner Jens M.
Название:  Modern Antiquity: Picasso, de Chirico, Lger, Picabia
Перевод названия: Современная античность: Пикассо, Кирико, Леджер, Пикабиа
ISBN: 9780892369775
Издательство: Wiley yUP
Классификация:


ISBN-10: 0892369779
Обложка/Формат: Hardback
Страницы: 176
Вес: 1.19 кг.
Дата издания: 15.11.2011
Язык: English
Иллюстрации: 82 colour & 41 b&w illustrations
Размер: 287 x 239 x 18
Читательская аудитория: General (us: trade)
Подзаголовок: Picasso, de chirico, leger, picabia
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Поставляется из: Англии
Описание: Picasso de Chirico Leger Picabia. An unlikely episode in the history of European Modernism is the alliance between the avant-garde and the antique forged by artists of impeccable radical credentials. This book focuses on the reinventions and transformations of antiquity in the work of four culturally and politically diverse artists between 1905 and 1935. In distinctly different ways, classicizing creations such as de Chiricos enigmatic piazzas, Picassos post-Cubist women, Lgers mechanized nudes, and Picabias transparencies reflect what the eyes and minds of these artists found so arresting in the arts of antiquity and how they made


Giorgio de Chirico and the Metaphysical City

Автор: Merjian Ara H.
Название: Giorgio de Chirico and the Metaphysical City
ISBN: 0300176597 ISBN-13(EAN): 9780300176599
Издательство: Wiley yUP
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Цена: 7425.00 р.
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Описание: Painted in Paris on the eve of World War One, the Metaphysical cityscapes of Giorgio de Chirico (1888-1978) redirected the course of modernist painting and the modern architectural imagination alike. Giorgio de Chirico and the Metaphysical City examines the two most salient dimensions of the artist’s early imagery: its representations of architectural space and its sustained engagement with the philosophy of Friedrich Nietzsche. Centering upon a single painting from 1914 – deemed by the painter 'the fatal year' – each chapter examines why and how de Chirico’s self-declared 'Nietzschean method' takes architecture as its pictorial means and metaphor. The first, full-length study in English to focus on the painter’s seminal work from pre-war Paris, the book places de Chirico’s 'literary' images back in the context of the city’s avant-garde, particularly the circle of Guillaume Apollinaire. Merjian’s study sheds light on one of the most influential and least understood figures in 20th-century aesthetics, while also contributing to an understanding of Nietzsche’s paradoxical consequences for modernism.

Francis Picabia

Автор: Umland, Anne
Название: Francis Picabia
ISBN: 1633450031 ISBN-13(EAN): 9781633450035
Издательство: Thames & Hudson
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Цена: 8250.00 р.
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Описание: Collecting issues 1 through 6, this title features a detective with no memory, no identity, and no manners, a femme fatale seeking escape from a powerful crime lord, a voodoo queen with a penchant for mixtapes and hi-tops, a goat-eating TV, a surreal neon-noir fusing hardboiled pulp with an 80s VHS visual aesthetic, dripping with neon and static.

de Chirico

Автор: Braun, Emily
Название: de Chirico
ISBN: 0870708724 ISBN-13(EAN): 9780870708725
Издательство: Thames & Hudson
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Цена: 2473.00 р.
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Описание: The unexpected encounter of a rubber glove, a green ball and the head from the classical statue of the Apollo Belvedere gives rise to one of the most compelling paintings in the history of modernist art: Giorgio de Chirico's "The Song of Love" (1914). De Chirico made his career in Paris in the years before World War I, combining his nostalgia for ancient Mediterranean culture with his fascination for the curios found in Parisian shop windows. Beloved by the Surrealists, this uncanny image exemplifies de Chirico's radical "metaphysical" painting, which creates a disturbing sense of unreality, outside logical space and time, through the novel depiction of ordinary things. Emily Braun's essay explores the sources behind the work's enigmatic motifs, its influence on avant-garde painters and poets, and its continuing ability to captivate viewers as de Chirico intended, even a century after it was made.


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