Автор: Green Christopher, Daehner Jens M. Название: Modern Antiquity: Picasso, de Chirico, Lger, Picabia ISBN: 0892369779 ISBN-13(EAN): 9780892369775 Издательство: Wiley yUP Рейтинг: Цена: 4612.00 р. Наличие на складе: Поставка под заказ.
Описание: Picasso de Chirico Leger Picabia. An unlikely episode in the history of European Modernism is the alliance between the avant-garde and the antique forged by artists of impeccable radical credentials. This book focuses on the reinventions and transformations of antiquity in the work of four culturally and politically diverse artists between 1905 and 1935. In distinctly different ways, classicizing creations such as de Chiricos enigmatic piazzas, Picassos post-Cubist women, Lgers mechanized nudes, and Picabias transparencies reflect what the eyes and minds of these artists found so arresting in the arts of antiquity and how they made
Автор: Merjian Ara H. Название: Giorgio de Chirico and the Metaphysical City ISBN: 0300176597 ISBN-13(EAN): 9780300176599 Издательство: Wiley yUP Рейтинг: Цена: 7425.00 р. Наличие на складе: Поставка под заказ.
Описание: Painted in Paris on the eve of World War One, the Metaphysical cityscapes of Giorgio de Chirico (1888-1978) redirected the course of modernist painting and the modern architectural imagination alike. Giorgio de Chirico and the Metaphysical City examines the two most salient dimensions of the artist’s early imagery: its representations of architectural space and its sustained engagement with the philosophy of Friedrich Nietzsche. Centering upon a single painting from 1914 – deemed by the painter 'the fatal year' – each chapter examines why and how de Chirico’s self-declared 'Nietzschean method' takes architecture as its pictorial means and metaphor. The first, full-length study in English to focus on the painter’s seminal work from pre-war Paris, the book places de Chirico’s 'literary' images back in the context of the city’s avant-garde, particularly the circle of Guillaume Apollinaire. Merjian’s study sheds light on one of the most influential and least understood figures in 20th-century aesthetics, while also contributing to an understanding of Nietzsche’s paradoxical consequences for modernism.
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