Avant Garde, 

Автор: Hiscox, Michael J.
Название: Mustard seed garden manual of painting
ISBN: 0691018197 ISBN-13(EAN): 9780691018195
Издательство: Wiley
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Цена: 7920.00 р.
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Описание: Presents an English translation of the famous Chinese handbook, the "Chieh Tzu Yuan Hua Chuan" (original, 1679-1701). This title includes annotations of the texts of instructions, discussions of the fundamentals of painting, notes on the preparation of colors, and chief editorial prefaces.

Автор: Rosenberg, Fernando J.
Название: The avant garde and geopolitics in Latin America
ISBN: 082295916X ISBN-13(EAN): 9780822959168
Издательство: Mare Nostrum (Eurospan)
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Цена: 6494.00 р.
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Описание: Examines the Latin American avant-garde texts of the 1920s and 1930s in novels, travel writing, journalism, and poetry, and presents them in a different light as formulators of modern Western culture and precursors of global culture. This book places particular focus on the work of Roberto Arlt and Mario de Andrade as exemplars of the movement.

Автор: Kuc Kamila
Название: The Struggle for Form: Perspectives on Polish Avant-Garde Film 1916--1989
ISBN: 0231169833 ISBN-13(EAN): 9780231169837
Издательство: Wiley
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Цена: 3960.00 р.
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Описание: This is the first comprehensive English-language account of the Polish avant-garde film, from its beginnings in the early decades of the last century to the collapse of communism in 1989. Taking a broad understanding of avant-garde film, this collection includes writings on the pioneering work of the internationally-acclaimed Franciszka and Stefan Themerson; the Polish Futurists' (Jalu Kurek, Anatol Stern) engagement with film; the Thaw and animation (Jan Lenica and Walerian Borowczyk, Andrzej Pawlowski, Zbigniew Rybczynski); documentary (Natalia Brzozowska, Kazimierz Karabasz, Wojciech Wiszniewski), Polish 'migr' filmmakers (Roman Polanski, Jerzy Skolimowski, Andrzej Zulawski) as well as essays and documentation on the highly influential Film Form Workshop (Jzef Robakowski, Ryszard Wasko, Wojciech Bruszewski). Including a mix of historical writings from early film magazines with commissioned essays, this book constitutes an important source on the rich, complex and diverse history of the Polish film avant-garde, which is presented from the perspective of both British (A. L. Rees, Jonathan Owen, Michael O'Pray) and Polish (Marcin Gizycki, Ryszard Kluszczynski, Kamila Kuc) authorities on the subject. This book is thus an indispensable introduction to the theories and practices of critically important avant-garde artists and filmmakers.