Chris Cynthia Media Authorship 9780415699433

Варианты приобретения

Цена: 6583.00р.
Кол-во:
Наличие: Поставка под заказ. Есть в наличии на складе поставщика.
Склад Америка: Есть
При оформлении заказа до: 2025-07-28
Ориентировочная дата поставки: Август-начало Сентября
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: Chris Cynthia
Название: Media Authorship
ISBN: 9780415699433
Издательство: Taylor&Francis
Классификация:

Теория и критика кино

Исследования средств массовой информации

ISBN-10: 0415699436
Обложка/Формат: Paperback
Страницы: 328
Вес: 0.44 кг.
Дата издания: 05.02.2013
Серия: Afi film readers
Язык: English
Размер: 229 x 154 x 16
Читательская аудитория: General (us: trade)
Ключевые слова: Cultural studies, LANGUAGE ARTS & DISCIPLINES / Authorship,PERFORMING ARTS / Film & Video / History & Criticism,SOCIAL SCIENCE / Media Studies
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Европейский союз
Описание:

Contemporary media authorship is frequently collaborative, participatory, non-site specific, or quite simply goes unrecognized. In this volume, media and film scholars explore the theoretical debates around authorship, intention, and identity within the rapidly transforming and globalized culture industry of new media. Defining media broadly, across a range of creative artifacts and production cultures--from visual arts to videogames, from textiles to television--contributors consider authoring practices of artists, designers, do-it-yourselfers, media professionals, scholars, and others. Specifically, they ask:

What constitutes media and authorship in a technologically converged, globally conglomerated, multiplatform environment for the production and distribution of content?

What can we learn from cinematic and literary models of authorship--and critiques of those models--with regard to authorship not only in television and recorded music, but also interactive media such as videogames and the Internet?

How do we conceive of authorship through practices in which users generate content collaboratively or via appropriation?

What institutional prerogatives and legal debates around intellectual property rights, fair use, and copyright bear on concepts of authorship in new media?

By addressing these issues, Media Authorship demonstrates that the concept of authorship as formulated in literary and film studies is reinvigorated, contested, remade--even, reauthored--by new practices in the digital media environment.

Media Authorship, Chris Cynthia