Anatomy of Sound: Norman Corwin and Media Authorship, Smith Jacob, Verma Neil
Автор: Smith Jacob, Verma Neil Название: Anatomy of Sound: Norman Corwin and Media Authorship ISBN: 0520285328 ISBN-13(EAN): 9780520285323 Издательство: Wiley Рейтинг: Цена: 4752.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examines the work of Norman Corwin. Exploring the range of Corwin`s work - from his World War II-era poetry and his special projects for the United Nations to his writing for film and television - and its influence on media today, this book features essays that underscore the political and social impact of Corwin`s oeuvre.
Автор: Gray Jonathan Название: Companion to Media Authorship ISBN: 0470670967 ISBN-13(EAN): 9780470670965 Издательство: Wiley Рейтинг: Цена: 7754.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Gathering together the insights of leading media scholars and practitioners, 28 original chapters map the field of authorship in a cutting-edge, multi-perspectival, and truly authoritative manner. The contributors develop new and innovative ways of thinking about the practices, attributions, and meanings of authorship.
Автор: Chris Cynthia Название: Media Authorship ISBN: 0415699436 ISBN-13(EAN): 9780415699433 Издательство: Taylor&Francis Рейтинг: Цена: 6583.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Contemporary media authorship is frequently collaborative, participatory, non-site specific, or quite simply goes unrecognized. In this volume, media and film scholars explore the theoretical debates around authorship, intention, and identity within the rapidly transforming and globalized culture industry of new media. Defining media broadly, across a range of creative artifacts and production cultures--from visual arts to videogames, from textiles to television--contributors consider authoring practices of artists, designers, do-it-yourselfers, media professionals, scholars, and others. Specifically, they ask:
What constitutes "media" and "authorship" in a technologically converged, globally conglomerated, multiplatform environment for the production and distribution of content?
What can we learn from cinematic and literary models of authorship--and critiques of those models--with regard to authorship not only in television and recorded music, but also interactive media such as videogames and the Internet?
How do we conceive of authorship through practices in which users generate content collaboratively or via appropriation?
What institutional prerogatives and legal debates around intellectual property rights, fair use, and copyright bear on concepts of authorship in "new media"?
By addressing these issues, Media Authorship demonstrates that the concept of authorship as formulated in literary and film studies is reinvigorated, contested, remade--even, reauthored--by new practices in the digital media environment.
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