Feeling Cinema: Emotional Dynamics in Film Studies 9781623561505

Варианты приобретения

Цена: 4592.00р.
Кол-во:
Наличие: Поставка под заказ. Есть в наличии на складе поставщика.
Склад Америка: Есть
При оформлении заказа до:
Ориентировочная дата поставки:
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: Tarja Laine
Название: Feeling Cinema: Emotional Dynamics in Film Studies
ISBN: 9781623561505
Издательство: Bloomsbury Academic
Классификация:

Теория и критика кино

ISBN-10: 1623561507
Обложка/Формат: Paperback
Страницы: 192
Вес: 0.31 кг.
Дата издания: 20.06.2013
Серия: Arts
Язык: English
Иллюстрации: 10 illustrations, unspecified
Размер: 229 x 170 x 13
Читательская аудитория: General (us: trade)
Ключевые слова: Films, cinema,Film theory & criticism,Philosophy: aesthetics, PERFORMING ARTS / Film & Video / General,PERFORMING ARTS / Film & Video / History & Criticism,PHILOSOPHY / Aesthetics
Основная тема: Film theory & criticism,PERFORMING ARTS / Film & Video / History & Criticism,PERFORMING ARTS / Film & Video / General,PHILOSOPHY / Aesthetics,Films, cinema,Philosophy: aesthetics
Подзаголовок: Emotional dynamics in film studies
Рейтинг:
Поставляется из: Англии
Описание:

There is an upsurge of interest in contemporary film theory towards cinematic emotions. Tarja Laines innovative study proposes a methodology for interpreting affective encounters with films, not as objectively readable texts, but as emotionally salient events. Laine argues convincingly that film is not an immutable system of representation that is meant for (one-way) communication, but an active, dynamic participant in the becoming of the cinematic experience.

Through a range of chapters that include Horror, Hope, Shame and Love - and through close readings of films such as The Shining, American Beauty and Eternal Sunshine of the Spotless Mind, Laine demonstrates that cinematic emotions are more than mere indicators of the properties of their objects. They are processes that are intentional in a phenomenological sense, supporting the continuous, shifting, and reciprocal exchange between the films world and the spectators world. Grounded in continental philosophy, this provocative book explores the affective dynamics of cinema as an interchange between the film and the spectator in a manner that transcends traditional generic patterns.

Дополнительное описание: Acknowledgments Introduction Chapter 1: Horror Overwhelming fear: The Shining Imprisoned in madness: Repulsion Chapter 2: Hope Morbid curiosity: The Vanishing Clairvoyant spectatorship: Don't Look Now Chapter 3: Trauma Death as entelechy:

Feeling Cinema: Emotional Dynamics in Film Studies, Tarja Laine