Feeling Film: Affect and Authenticity in Popular Cinema, Singh Greg
Автор: Bainbridge, Caroline Название: The Cinema of Lars Von Trier : Authenticity and Artifice ISBN: 1905674430 ISBN-13(EAN): 9781905674435 Издательство: Wiley Рейтинг: Цена: 3485.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Introduce young readers to high-frequency words and phrases with First Wave. The 96 titles across three sets feature consistent structure to support your students as they move from simple captions to more complex sentences.
There are up to four titles for each high-frequency word or phrase, making First Wave ideal for class use and take-home reading programs.
Each title features:
Clear usage of high-frequency words, which encourages students to construct their own sentences
Word Bank, which is ideal for reviewing common words
Supporting the Learner teaching notes for parent and teacher use.
This reader is classed as Reading Level 1 /Fountas and PinnellLevel A.
Автор: Tarja Laine Название: Feeling Cinema: Emotional Dynamics in Film Studies ISBN: 1623561507 ISBN-13(EAN): 9781623561505 Издательство: Bloomsbury Academic Рейтинг: Цена: 4592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
There is an upsurge of interest in contemporary film theory towards cinematic emotions. Tarja Laine's innovative study proposes a methodology for interpreting affective encounters with films, not as objectively readable texts, but as emotionally salient events. Laine argues convincingly that film is not an immutable system of representation that is meant for (one-way) communication, but an active, dynamic participant in the becoming of the cinematic experience.
Through a range of chapters that include Horror, Hope, Shame and Love - and through close readings of films such as The Shining, American Beauty and Eternal Sunshine of the Spotless Mind, Laine demonstrates that cinematic emotions are more than mere indicators of the properties of their objects. They are processes that are intentional in a phenomenological sense, supporting the continuous, shifting, and reciprocal exchange between the film's world and the spectator's world. Grounded in continental philosophy, this provocative book explores the affective dynamics of cinema as an interchange between the film and the spectator in a manner that transcends traditional generic patterns.
In Tourist Distractions Youngmin Choe uses hallyu (Korean-wave) cinema as a lens to examine the relationships among tourism and travel, economics, politics, and history in contemporary East Asia. Focusing on films born of transnational collaboration and its networks, Choe shows how the integration of the tourist imaginary into hallyu cinema points to the region's evolving transnational politics and the ways Korea negotiates its colonial and Cold War past with East Asia's neoliberal present. Hallyu cinema's popularity has inspired scores of international tourists to visit hallyu movie sets, filming sites, and theme parks. This tourism helps ease regional political differences; reimagine South Korea's relationships with North Korea, China, and Japan; and blur the lines between history, memory, affect, and consumerism. It also provides distractions from state-sponsored narratives and forges new emotional and economic bonds that foster community and cooperation throughout East Asia. By attending to the tourist imaginary at work in hallyu cinema, Choe helps us to better understand the complexities, anxieties, and tensions of East Asia's new affective economy as well as Korea's shifting culture industry, its relation to its past, and its role in a rapidly changing region.
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