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Rewriting American Identity in the Fiction and Memoirs of Is, Craig Bonnie


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Автор: Craig Bonnie
Название:  Rewriting American Identity in the Fiction and Memoirs of Is
ISBN: 9781137339973
Издательство: Springer
Классификация:

ISBN-10: 1137339977
Обложка/Формат: Hardback
Страницы: 256
Вес: 0.39 кг.
Дата издания: 21.08.2013
Язык: English
Иллюстрации: Vii, 218 p.
Размер: 223 x 146 x 18
Читательская аудитория: Professional & vocational
Ссылка на Издательство: Link
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Поставляется из: Германии
Описание: Moving away from territorially-bound narratives toward a more kinetic conceptualization of identity, this book represents the first analysis of the politics of American identity within the fiction and memoirs of Isabel Allende. Craig offers a radical transformation of societal frameworks through revised notions of place, temporality, and space.


Reading, Translating, Rewriting

Автор: de la Rochere Martine Hennard Dutheil
Название: Reading, Translating, Rewriting
ISBN: 0814336345 ISBN-13(EAN): 9780814336342
Издательство: Mare Nostrum (Eurospan)
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Цена: 4990.00 р.
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Описание: In translating Charles Perrault's seventeenth-century Histoires ou contes du temps passé, avec des Moralités into English, Angela Carter worked to modernise the language and message of the tales before rewriting many of them for her own famous collection of fairy tales for adults, The Bloody Chamber, published two years later. In Reading, Translating, Rewriting: Angela Carter's Translational Poetics, author Martine Hennard Dutheil de la Rochère delves into Carter's The Fairy Tales of Charles Perrault (1977) to illustrate that this translation project had a significant impact on Carter's own writing practice. Hennard combines close analyses of both texts with an attention to Carter's active role in the translation and composition process to explore this previously unstudied aspect of Carter's work. She further uncovers the role of female fairy-tale writers and folktales associated with the Grimms' Kinder- und Hausmärchen in the rewriting process, unlocking new doors to The Bloody Chamber.Hennard begins by considering the editorial evolution of The Fairy Tales of Charles Perrault from 1977 to the present day, as Perrault's tales have been rediscovered and repurposed. In the chapters that follow, she examines specific linkages between Carter's Perrault translation and The Bloody Chamber, including targeted analysis of the stories of Red Riding Hood, Bluebeard, Puss-in-Boots, Beauty and the Beast, Sleeping Beauty, and Cinderella. Hennard demonstrates how, even before The Bloody Chamber, Carter intervened in the fairy-tale debate of the late 1970s by reclaiming Perrault for feminist readers when she discovered that the morals of his worldly tales lent themselves to her own materialist and feminist goals. Hennard argues that The Bloody Chamber can therefore be seen as the continuation of and counterpoint to The Fairy Tales of Charles Perrault, as it explores the potential of the familiar stories for alternative retellings.While the critical consensus reads into Carter an imperative to subvert classic fairy tales, the book shows that Carter valued in Perrault a practical educator as well as a proto-folklorist and went on to respond to more hidden aspects of his texts in her rewritings. Reading, Translating, Rewriting is informative reading for students and teachers of fairy-tale studies and translation studies.

The emergence of Latin American science fiction

Автор: Fereira, Rachel Haywood
Название: The emergence of Latin American science fiction
ISBN: 0819570818 ISBN-13(EAN): 9780819570819
Издательство: Mare Nostrum (Eurospan)
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Цена: 11397.00 р.
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Описание: A fantastic voyage through the early science fiction of Latin America

Ecological imaginations in Latin American fiction

Автор: Barbas-Rhoden, Laura
Название: Ecological imaginations in Latin American fiction
ISBN: 0813035465 ISBN-13(EAN): 9780813035468
Издательство: Mare Nostrum (Eurospan)
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Цена: 9821.00 р.
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Описание: From the rainforests of Costa Rica and the Amazon to the windswept lands of Tierra del Fuego, Laura Barbas-Rhoden discusses the natural settings within contemporary Latin American novels as they depict key moments of environmental change or crisis in the region from the nineteenth-century imperialism to the present.

American Identity and the Politics of Multiculturalism

Автор: Citrin
Название: American Identity and the Politics of Multiculturalism
ISBN: 052182883X ISBN-13(EAN): 9780521828833
Издательство: Cambridge Academ
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Цена: 13939.00 р.
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Описание: This book uses national public opinion data and public opinion data from Los Angeles to compare ethnic differences in patriotism, and ethnic identity and ethnic differences in support for multicultural norms and group-conscious policies. The authors find evidence of strong patriotism among all groups and the classic pattern of assimilation among the new wave of immigrants.

Drama, Theatre, and Identity in the American New Republic

Автор: Richards
Название: Drama, Theatre, and Identity in the American New Republic
ISBN: 0521066689 ISBN-13(EAN): 9780521066686
Издательство: Cambridge Academ
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Цена: 8237.00 р.
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Описание: Drama, Theatre, and Identity in the American New Republic explores how theatre both reflects and shapes the question of identity in post-revolutionary American culture. In this 2005 book Richards investigates the ways in which American theatre and playwrights struggled with representing national, cultural, and ethnic details for American audiences.

The Digital Evolution of an American Identity

Автор: Phelan Catherine W.
Название: The Digital Evolution of an American Identity
ISBN: 0415897610 ISBN-13(EAN): 9780415897617
Издательство: Taylor&Francis
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Цена: 22968.00 р.
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Описание:

The Digital Evolution of an American Identity details how the concept of American individualism is challenged by the digital revolution. As digital media alter our print-dominant culture, assumptions regarding the relationship of the individual to the larger community become increasingly problematic. Current arguments regarding freedom of speech and confusion about what is meant by privacy illustrate the nature of the challenge.

C. Waite defines individualism as the ways in which the American culture traditionally strives to balance the rights of the individual against the needs of the group. Americans struggle to understand what it means to be responsible both for one's self and for the welfare of others. They struggle with this not as an academic might, but in concrete and specific cases, often caught at cross-purposes with conflicting goods. This is a historic struggle, intrinsic to the very fabric of America's democratic society, as illustrated by its laws and customs.

The American democracy has supported a view of the person as an autonomous individual. Yet that concept of American individualism no longer adequately captures the role of the self in the social world. The digital environment challenges that autonomy by creating new avenues for speech and new forms of social networks. Though the transition from a print-based culture to the digital domain entails a global revolution, American culture will suffer the consequences of that revolution more profoundly than other cultures because the concept of American individualism is foundational to its democratic way of life.

Blackface Nation: Race, Reform, and Identity in American Popular Music, 1812-1925

Автор: Roberts Brian
Название: Blackface Nation: Race, Reform, and Identity in American Popular Music, 1812-1925
ISBN: 022645164X ISBN-13(EAN): 9780226451640
Издательство: Wiley
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Цена: 4118.00 р.
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Описание: As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in `Blackface Nation`, this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast`s most popular middle-class singing group during the mid-nineteenth century, are perhaps the best example of the first strain of music. The group`s songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women`s rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America`s consumer culture while the Hutchinsons` songs were increasingly regarded as old-fashioned.


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