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Censorship and the Limits of the Literary: A Global View, Nicole Moore


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Автор: Nicole Moore
Название:  Censorship and the Limits of the Literary: A Global View
ISBN: 9781628920093
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1628920092
Обложка/Формат: Hardback
Страницы: 272
Вес: 0.53 кг.
Дата издания: 27.08.2015
Серия: Literature/Literary Studies
Язык: English
Иллюстрации: 11 b/w illustrations
Размер: 161 x 245 x 24
Читательская аудитория: College/higher education
Ключевые слова: Literary studies: fiction, novelists & prose writers, LITERARY CRITICISM / American / General,LITERARY CRITICISM / Comparative Literature,LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
Основная тема: Literary studies: fiction, novelists & prose writers,LITERARY CRITICISM / Comparative Literature,LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,LITERARY CRITICISM / American / General
Подзаголовок: A global view
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Поставляется из: Англии
Описание:

Though literature and censorship have been conceived as long-time adversaries, this collection seeks to understand the degree to which they have been dialectical terms, each producing the other, coeval and mutually constitutive.

On the one hand, literary censorship has been posited as not only inescapable but definitive, even foundational to speech itself. One the other, especially after the opening of the USSRs spekstrahn, those enormous collections of literature forbidden under the Soviets, the push to redefine censorship expansively has encountered cogent criticism. Scholars describing the centralised control of East German print publication, for example, have wanted to insist on the difference of pre-publication state censorship from more mundane forms of speech regulation in democracies. Work on South African apartheid censorship and book banning in colonial countries also demonstrates censorships formative role in the institutional structures of literature beyond the metropole. Censorship and the Limits of the Literary examines these and other developments across twelve countries, from the Enlightenment to the present day, offering case studies from the French revolution to Internet China. Is literature ever without censorship? Does censorship need the literary? In a globalizing era for culture, does censorship represent the final, failed version of national control?


Дополнительное описание: List of Illustrations Introduction I 1. French Censorship on the Eve of the Revolution Simon Burrows, University of Western Sydney, Australia 2. Not Guilty: Negative Capability and the Trials of William Hone Clara Tuite, University of Mel



Censorship and the Limits of the Literary: A Global View

Автор: Nicole Moore
Название: Censorship and the Limits of the Literary: A Global View
ISBN: 150133039X ISBN-13(EAN): 9781501330391
Издательство: Bloomsbury Academic
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Цена: 6018.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Though literature and censorship have been conceived as long-time adversaries, this collection seeks to understand the degree to which they have been dialectical terms, each producing the other, coeval and mutually constitutive.

On the one hand, literary censorship has been posited as not only inescapable but definitive, even foundational to speech itself. One the other, especially after the opening of the USSR's spekstrahn, those enormous collections of literature forbidden under the Soviets, the push to redefine censorship expansively has encountered cogent criticism. Scholars describing the centralised control of East German print publication, for example, have wanted to insist on the difference of pre-publication state censorship from more mundane forms of speech regulation in democracies. Work on South African apartheid censorship and book banning in colonial countries also demonstrates censorship's formative role in the institutional structures of literature beyond the metropole. Censorship and the Limits of the Literary examines these and other developments across twelve countries, from the Enlightenment to the present day, offering case studies from the French revolution to Internet China. Is literature ever without censorship? Does censorship need the literary? In a globalizing era for culture, does censorship represent the final, failed version of national control?

Banned in Berlin: Literary Censorship in Imperial Germany, 1871-1918

Автор: Stark Gary D.
Название: Banned in Berlin: Literary Censorship in Imperial Germany, 1871-1918
ISBN: 0857453114 ISBN-13(EAN): 9780857453112
Издательство: Berghahn
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Цена: 4796.00 р.
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Imperial Germany’s governing elite frequently sought to censor literature that threatened established political, social, religious, and moral norms in the name of public peace, order, and security. It claimed and exercised a prerogative to intervene in literary life that was broader than that of its Western neighbors, but still not broad enough to prevent the literary community from challenging and subverting many of the social norms the state was most determined to defend. This study is the first systematic analysis in any language of state censorship of literature and theater in imperial Germany (1871–1918). To assess the role that formal state controls played in German literary and political life during this period, it examines the intent, function, contested legal basis, institutions, and everyday operations of literary censorship as well as its effectiveness and its impact on authors, publishers, and theater directors.

Global Insights on Theatre Censorship

Автор: O`Leary Catherine, Sanchez Diego Santos, Thompson Michael
Название: Global Insights on Theatre Censorship
ISBN: 113888703X ISBN-13(EAN): 9781138887039
Издательство: Taylor&Francis
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Цена: 24499.00 р.
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Описание: Theatre has always been subject to a wide range of social, political, moral, and doctrinal controls, with authorities and social groups imposing constraints on scripts, venues, staging, acting, and reception. Focusing on a range of countries and political regimes, this book examines the many forms that theatre censorship has taken in the 20th century and continues to take in the 21st, arguing that it remains a live issue in the contemporary world. The book re-examines assumptions about prohibition and state control, and offers a more complex reading of theatre censorship as a continuum ranging from the unconscious self-censorship built into social structures and discursive practices, through bureaucratic regulation or unofficial influence, up to detention and physical violence. An international team of contributors offers an illuminating set of case studies informed by both new archival research and the first-hand experience of playwrights and directors, covering theatre censorship in areas such as Spain, Portugal, Brazil, Poland, East Germany, Nepal, Zimbabwe, the USA, Ireland, and Britain. Focusing on right-wing dictatorships, post-colonial regimes, communist systems and Western democracies, the essays analyze methods and discourses of censorship, identify the multiple agents involved, examine the responses of theatremakers, and show how each example reveals important features of its political and cultural contexts. Expanding understanding of the nature and effects of censorship, this volume affirms the power of theatre to challenge authorized discourses and makes a timely contribution to debates about freedom of expression through performance.


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