Global Insights on Theatre Censorship, O`Leary Catherine, Sanchez Diego Santos, Thompson Michael
Автор: Nicole Moore Название: Censorship and the Limits of the Literary: A Global View ISBN: 150133039X ISBN-13(EAN): 9781501330391 Издательство: Bloomsbury Academic Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Though literature and censorship have been conceived as long-time adversaries, this collection seeks to understand the degree to which they have been dialectical terms, each producing the other, coeval and mutually constitutive.
On the one hand, literary censorship has been posited as not only inescapable but definitive, even foundational to speech itself. One the other, especially after the opening of the USSR's spekstrahn, those enormous collections of literature forbidden under the Soviets, the push to redefine censorship expansively has encountered cogent criticism. Scholars describing the centralised control of East German print publication, for example, have wanted to insist on the difference of pre-publication state censorship from more mundane forms of speech regulation in democracies. Work on South African apartheid censorship and book banning in colonial countries also demonstrates censorship's formative role in the institutional structures of literature beyond the metropole. Censorship and the Limits of the Literary examines these and other developments across twelve countries, from the Enlightenment to the present day, offering case studies from the French revolution to Internet China. Is literature ever without censorship? Does censorship need the literary? In a globalizing era for culture, does censorship represent the final, failed version of national control?
Автор: Underwood James Lowell Название: Deadly Censorship: Murder, Honor, and Freedom of the Press ISBN: 1611172993 ISBN-13(EAN): 9781611172997 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4990.00 р. Наличие на складе: Нет в наличии.
Описание: On January 15, 1903, South Carolina lieutenant governor James H. Tillman shot and killed Narciso G. Gonzales, editor of South Carolina�s most powerful newspaper, the State. Blaming Gonzales�s stinging editorials for his loss of the 1902 gubernatorial race, Tillman shot Gonzales to avenge the defeat and redeem his �honor� and his reputation as a man who took bold, masculine action in the face of an insult. James Lowell Underwood investigates the epic murder trial of Tillman to test whether biting editorials were a legitimate exercise of freedom of the press or an abuse that justified killing when camouflaged as self-defense. This clash�between the revered values of respect for human life and freedom of expression on the one hand and deeply engrained ideas about honor on the other�took place amid legal maneuvering and political posturing worthy of a major motion picture. One of the most innovative elements of Deadly Censorship is Underwood�s examination of homicide as a deterrent to public censure. He asks the question, �Can a man get away with murdering a political opponent?� Deadly Censorship is courtroom drama and a true story. Deadly Censorship is a painstaking recreation of an act of violence in front of the State House, the subsequent trial, and Tillman�s acquittal, which sent shock waves across the United States. A specialist on constitutional law, James Lowell Underwood has written the definitive examination of the court proceedings, the state�s complicated homicide laws, and the violent cult of personal honor that had undergirded South Carolina society since the colonial era.
Автор: Nicole Moore Название: Censorship and the Limits of the Literary: A Global View ISBN: 1628920092 ISBN-13(EAN): 9781628920093 Издательство: Bloomsbury Academic Рейтинг: Цена: 20592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Though literature and censorship have been conceived as long-time adversaries, this collection seeks to understand the degree to which they have been dialectical terms, each producing the other, coeval and mutually constitutive.
On the one hand, literary censorship has been posited as not only inescapable but definitive, even foundational to speech itself. One the other, especially after the opening of the USSR's spekstrahn, those enormous collections of literature forbidden under the Soviets, the push to redefine censorship expansively has encountered cogent criticism. Scholars describing the centralised control of East German print publication, for example, have wanted to insist on the difference of pre-publication state censorship from more mundane forms of speech regulation in democracies. Work on South African apartheid censorship and book banning in colonial countries also demonstrates censorship's formative role in the institutional structures of literature beyond the metropole. Censorship and the Limits of the Literary examines these and other developments across twelve countries, from the Enlightenment to the present day, offering case studies from the French revolution to Internet China. Is literature ever without censorship? Does censorship need the literary? In a globalizing era for culture, does censorship represent the final, failed version of national control?
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