The Drift: Affect, Adaptation, and New Perspectives on Fidelity 9781628928044

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Автор: John Hodgkins
Название: The Drift: Affect, Adaptation, and New Perspectives on Fidelity
ISBN: 9781628928044
Издательство: Bloomsbury Academic
Классификация:

Кино, кинематография

Теория литературы

Исследования средств массовой информации

ISBN-10: 1628928042
Обложка/Формат: Paperback
Страницы: 176
Вес: 0.24 кг.
Дата издания: 18.12.2014
Серия: Literature/Literary Studies
Язык: English
Иллюстрации: Black & white illustrations
Размер: 229 x 151 x 19
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Literary theory,Media studies, LITERARY CRITICISM / Semiotics & Theory,SOCIAL SCIENCE / Media Studies
Основная тема: Media studies,SOCIAL SCIENCE / Media Studies,LITERARY CRITICISM / Semiotics & Theory,Literary theory
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Поставляется из: Англии
Описание:

The Drift: Affect, Adaptation, and New Perspectives on Fidelity offers a new perspective on the complex interrelations between literature and cinema. It does so by articulating an affective turn for adaptation studies, a field whose traditional focus has been the critical castigation of film adaptations of canonical plays or novels. Drawing on theorists such as Gilles Deleuze, Brian Massumi, and Marco Abel, the author is able to re-conceive literary and cinematic works as textual engines generating and circulating affect, and the adaptive process as a drifting of those affective intensities from one medium to another.

By conceptualizing adaptation in this manner, the work steers clear of the chimerical notion of fidelity (to character, to theme, to narrative) which has anchored so many analyses of adaptive texts over the years-and the reproving language that inevitably attends it-in favor of more productive avenues of investigation: What affective work are certain literary and filmic texts performing? What can this tell us, more broadly, about the underexplored affective dimensions of literature and cinema, and the dialogic interactions between them?

The Drift addresses such questions through close, careful readings which put a variety of realist, modernist, and postmodernist works into conversation with each other, among them the fiction of John Dos Passos, Don DeLillo, and Susanna Moore, the films of Dziga Vertov and Sergei Eisenstein, as well as recent cinematic adaptations by Jane Campion and Charles Burnett. This methodological approach, helps to elevate adaptation studies into a discourse that speaks more directly and pertinently to our fluid, hypertextual era.

Дополнительное описание: Chapter 1. Introduction: Theorizing the Drift Chapter 2. Making the Old Words New: Dos Passos, Modernism, and the Cinematic Infection Chapter 3. An Epidemic of Seeing: DeLillo, Postmodernism, and Fiction in the Age of Images Chapter 4. A Dark-Adapti

The Drift: Affect, Adaptation, and New Perspectives on Fidelity, John Hodgkins