Автор: IDEMA, WILT LUKAS Название: The Metamorphosis of Tianxian pei: Local Opera Under the Revolution (1949--1956) ISBN: 9629965933 ISBN-13(EAN): 9789629965938 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6015.00 р. 8593.00-30% Наличие на складе: Есть (1 шт.) Описание: This book is by far the best study of Huangmei Opera as social and cultural history of twentieth-century China. A regional opera of the countryside of the Anqing area, Huangmei Opera became popular all over China along with the great success of the play and the movie Married to a Heavenly Immortal in the 1950s.Through the case of Married to a Heavenly Immortal, Idema illustrates the complicated process of rewriting and revising the play/movie in the context of a rapidly changing cultural and ideological climate during the Communist theater reform movement. As a result, the traditional theme of filial piety was turned into class struggle and the pursuit of free love. The book is enriched by a full translation of a traditional version of the play and a revised one in the 1950s, as well as selected articles by script-writers, directors, performers, and critics. These primary sources allow readers to access inside views of the contemporaries and their political and artistic concerns.This book contributes substantially to the current scholarship on traditional Chinese opera, especially studies on Chinese theater and operatic movies in the early years of the People’s Republic of China.
Автор: Thomas Название: Aesthetics of Opera in the Ancien R?gime, 1647–1785 ISBN: 0521100976 ISBN-13(EAN): 9780521100977 Издательство: Cambridge Academ Рейтинг: Цена: 7286.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Thomas considers the use of operatic spectacle and music by Louis XIV as a vehicle for absolutism; the resistance of music to the aesthetic and political agendas of the time; and the long-term development of opera in eighteenth-century humanist culture, examining key works by Lully, Rameau and Charpentier, among others.
Автор: Bartlett, Clifford Rutter, John Название: Opera choruses ISBN: 0193436930 ISBN-13(EAN): 9780193436930 Издательство: Oxford Academ Рейтинг: Цена: 3722.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Opera Choruses is a collection of 35 classic opera choruses, skilfully arranged as separate concert works, all with excellent English singing translations and practical keyboard reductions. The accompanying orchestral material for all titles in the collection is available on hire. Some items from this volume are available separately as leaflets in the Oxford Choral Classics Octavo series.
Автор: Flaherty Gloria Название: Opera in the Development of German Critical Thought ISBN: 0691601275 ISBN-13(EAN): 9780691601274 Издательство: Wiley Рейтинг: Цена: 8712.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Although opera figured importantly in the French quarrel of the Ancients versus the Moderns and in the English discussions of heroic tragedy, it was in Germany that its role in the development of criticism and aesthetics was most pronounced. Beginning with this observation, Gloria Flaherty tries to show how, from its very inception and through most
Автор: Groos Arthur, Parker Roger Название: Reading Opera ISBN: 0691602670 ISBN-13(EAN): 9780691602677 Издательство: Wiley Рейтинг: Цена: 6336.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
"Libretto-bashing has a distinguished tradition in the blood sport of opera," writes Arthur Groos in the introduction to this broad survey of critical approaches to that much-maligned genre. To examine, and to challenge, the long-standing prejudice against libretti and the scholarly tradition that has, until recently, reiterated it, Groos and Roger Parker have commissioned thirteen stimulating essays by musicologists, literary critics, and historians. Taken as a whole, the volume demonstrates that libretti are now very much within the purview of contemporary humanistic scholarship. Libretti pose questions of intertextuality, transposition of genre, and reception history. They invite a broad spectrum of contemporary reading strategies ranging from the formalistic to the feminist. And as texts for music they raise issues in the relation between the two mediums and their respective traditions. Reading Opera will be of value to anyone with a serious interest in opera and contemporary opera criticism. The essays cover the period from the early nineteenth to the early twentieth centuries, with a particular focus on works of the later nineteenth century. The contributors are Carolyn Abbate, William Ashbrook, Katherine Bergeron, Caryl Emerson, Nelly Furman, Sander L. Gilman, Arthur Groos, James A. Hepokoski, Jurgen Maehder, Roger Parker, Paul Robinson, Christopher Wintle, and Susan Youens.
Originally published in 1988.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Автор: Charlton Название: Opera in the Age of Rousseau ISBN: 1107504341 ISBN-13(EAN): 9781107504349 Издательство: Cambridge Academ Рейтинг: Цена: 6019.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: David Charlton`s book provides the first detailed account of opera in the society of Louis XV, from Rameau to Gluck. Offering many new perspectives on opera`s development and Rousseau`s contributions to it, the book will be essential to those with interests in music, theatre, literature and pre-Revolution culture.
Описание: Alessandra Campana examines four late nineteenth-century operas, Mefistofele by Arrigo Boito, Simon Boccanegra by Verdi, Otello by Verdi and Manon Lescaut by Puccini, and a silent film scored by Mascagni, to explore for the first time how opera participated in the making of a modern public in post-unification Italy.
Описание: To most people, the term opera house conjures up images of mink-coated dowagers accompanied by tuxedo-clad men in the gilded interiors of opulent buildings like the Met in New York or La Scala in Milan. However, the opera house in the United States has a far more varied-and far more interesting-history than that stereotype implies. In Local Glories, Ann Satterthwaite explores the creative, social, and communal roles of the thousands of opera houses that flourished in small towns across the country. By 1900, opera houses were everywhere: on second floors over hardware stores, in grand independent buildings, in the back rooms of New England town halls, and even in the bowels of a Mississippi department store. With travel made easier by the newly expanded rail lines, Sarah Bernhardt, Mark Twain, and John Philip Sousa entertained thousands of townspeople, as did countless actors, theater and opera companies, innumerable minor league magicians, circuses, and lecturers, and even 500 troupes that performed nothing but Uncle Tom's Cabin. Often the town's only large space for public assembly, the local opera house served as a place for local activities such as school graduations, recitations, sports, town meetings, elections, political rallies, and even social dances and roller skating parties. Considered local landmarks, often in distinctive architect-designed buildings, they aroused considerable pride and reinforced town identity. By considering states with distinctly different histories--principally Maine, Nebraska, Vermont, New York, and Colorado--Satterthwaite describes the diversity of opera houses, programs, audiences, buildings, promoters, and supporters--and their hopes, dreams, and ambitions. In the twentieth century, radio and movies, and later television and changing tastes made these opera houses seem obsolete. Some were demolished, while others languished for decades until stalwart revivers discovered them again in the 1970s. The resuscitation of these opera houses today, an example of historic preservation and creative reuse, reflects the timeless quest for cultural inspiration and for local engagement to counter the anonymity of the larger world. These local glories are where art and community meet, forging connections and making communities today, just as they did in the nineteenth century.
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