The Theatre of D.H. Lawrence: Dramatic Modernist and Theatrical Innovator 9781472570383

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Автор: James Moran
Название: The Theatre of D.H. Lawrence: Dramatic Modernist and Theatrical Innovator
ISBN: 9781472570383
Издательство: Bloomsbury Academic
Классификация:

Театроведение

Литературоведение: с 1900 г.

Литературоведение: пьесы и драматурги

ISBN-10: 1472570383
Обложка/Формат: Hardback
Страницы: 264
Вес: 0.47 кг.
Дата издания: 19.11.2015
Серия: Critical companions
Язык: English
Иллюстрации: Black & white illustrations
Размер: 148 x 267 x 21
Читательская аудитория: Professional & vocational
Ключевые слова: Theatre studies,Film theory & criticism,Literary studies: plays & playwrights, LITERARY CRITICISM / Drama,LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,PERFORMING ARTS / Film & Video / History & Criticism,PERFORMING ARTS / Theater / Hist
Основная тема: Literary studies: plays & playwrights,LITERARY CRITICISM / Drama,LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,PERFORMING ARTS / Theater / History & Criticism,PERFORMING ARTS / Film & Video / History & Criticism,Theatre studies,Film theo
Подзаголовок: Dramatic modernist and theatrical innovator
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Поставляется из: Англии
Описание: This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrences interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrences contribution to modern drama.

F. R. Leavis influentially labelled the writer D. H. Lawrence: Novelist. But this book foregrounds Lawrences career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Colliers Friday Night. It examines how Lawrences novels are suffused with theatrical thinking, revealing how Lawrences fictions - from his first published work to the last story that he wrote before his death - continually take inspiration from the playhouse.

The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrences work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage.
Дополнительное описание: Acknowledgements Foreword by Sir Richard Eyre Synopsis Introduction. The Significance of Lawrence’s Plays: Shifts in Reputation from 1930 to 2014 Chapter 1. Writing Lawrence’s Plays: Becoming a Dramatist, 1885 to 1910 Chapter 2. The Frustration of St

The Theatre of D.H. Lawrence: Dramatic Modernist and Theatrical Innovator, James Moran