Performing Objects and Theatrical Things, Schweitzer
Автор: November Название: Beethoven`s Theatrical Quartets ISBN: 1316639592 ISBN-13(EAN): 9781316639597 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the first detailed contextual study of Beethoven`s middle-period quartets, Nancy November explores reception history, early performance practices and aesthetic contexts. Detailed analyses provide new historical understanding of physical, visual, social, ideological and theatrical aspects of this music, offering a fresh critique of key paradigms in current Beethoven studies.
Автор: Leep Название: Theatrical Improvisation ISBN: 0230604676 ISBN-13(EAN): 9780230604674 Издательство: Springer Рейтинг: Цена: 11179.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Theatrical Improvisation provides an in-depth analysis of short form, long form, and sketch-based improv tracing the development of each form and the principles that define and connect the styles of performance.
Автор: White Название: Shakespeare and Theatrical Patronage in Early Modern England ISBN: 0521812941 ISBN-13(EAN): 9780521812948 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Relating patronage to the theatrical culture of Shakespeare`s time, this 2002 book examines the functions of theatre patronage and how patronage, political power and playing intersect, showing how practices developed from the early Tudor to the Shakespearean period.
Автор: Brown Название: History as Theatrical Metaphor ISBN: 1137473355 ISBN-13(EAN): 9781137473356 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This revelatory study explores how Scottish history plays, especially since the 1930s, raise issues of ideology, national identity, historiography, mythology, gender and especially Scottish language. Covering topics up to the end of World War Two, the book addresses the work of many key figures from the last century of Scottish theatre, including Robert McLellan and his contemporaries, and also Hector MacMillan, Stewart Conn, John McGrath, Donald Campbell, Bill Bryden, Sue Glover, Liz Lochhead, Jo Clifford, Peter Arnott, David Greig, Rona Munro and others often neglected or misunderstood.Setting these writers’ achievements in the context of their Scottish and European predecessors, Ian Brown offers fresh insights into key aspects of Scottish theatre. As such, this represents the first study to offer an overarching view of historical representation on Scottish stages, exploring the nature of ‘history’ and ‘myth’ and relating these afresh to how dramatists use – and subvert – them.Engaging and accessible, this innovative book will attract scholars and students interested in history, ideology, mythology, theatre politics and explorations of national and gender identity.
Автор: Balme Название: The Theatrical Public Sphere ISBN: 110700683X ISBN-13(EAN): 9781107006836 Издательство: Cambridge Academ Рейтинг: Цена: 11720.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The concept of the public sphere, as first outlined by German philosopher Jurgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces its origins and argues that the theatrical public sphere invariably focuses attention on theatre as an institution between the shifting borders of the private and public, reasoned debate and agonistic intervention. Chapters explore this concept in a variety of contexts, including the debates that led to the closure of British theatres in 1642, theatre's use of media, controversies surrounding race, religion and blasphemy, and theatre's place in a new age of globalised aesthetics. Balme concludes by addressing the relationship of theatre today with the public sphere and whether theatre's transformation into an art form has made it increasingly irrelevant for contemporary society.
Описание: In this comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries, Lopez proposes that understanding the potential for theatrical failure - the way playwrights anticipated it and audiences responded to it - is crucial for understanding how the drama succeeded on the stage.
Автор: Drinko Clayton D Название: Theatrical Improvisation, Consciousness, and Cognition ISBN: 1137335289 ISBN-13(EAN): 9781137335289 Издательство: Springer Рейтинг: Цена: 9083.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Improvisation teachers have long known that the human mind could be trained to be effortlessly spontaneous and intuitive. Drinko explores what these improvisation teachers knew about improvisation`s effects on consciousness and cognition and compares these theories to current findings in cognitive neuroscience, psychology, and philosophy.
Автор: Frank Название: Nabokov`s Theatrical Imagination ISBN: 1107479797 ISBN-13(EAN): 9781107479791 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Drawing on unpublished archival material, this study offers a comprehensive assessment of the importance of theatrical performance in Vladimir Nabokov`s thinking and writing. Siggy Frank argues that despite Nabokov`s anti-theatrical stance as a drama critic, theatricality is actually at the heart of his own practice as both playwright and novelist.
Автор: Balme Название: The Theatrical Public Sphere ISBN: 1316638871 ISBN-13(EAN): 9781316638873 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Christopher B. Balme explores theatre`s role in the crucial political and social function of the public sphere, from the debates that led to the closure of British theatres in 1642 to the relevance of theatre for society today in a new age of globalised distributed aesthetics.
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