Placing Movies: The Practice of Film Criticism, Rosenbaum, Jonathan (Author)
Автор: Metz Christian Название: Impersonal Enunciation, or the Place of Film ISBN: 0231173660 ISBN-13(EAN): 9780231173667 Издательство: Wiley Рейтинг: Цена: 13939.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In this book, he uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in--and forces him to reassess--his work on authorship, film language, and the position of the spectator. He draws surprising conclusions that presage current writings on digital media. His analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz`s findings and nascent digital-media theory, emphasizing Metz`s keen anticipation of the methodological and philosophical concerns we wrestle with today.
Автор: Metz Christian Название: Impersonal Enunciation, or the Place of Film ISBN: 0231173679 ISBN-13(EAN): 9780231173674 Издательство: Wiley Рейтинг: Цена: 4435.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In this book, he uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in--and forces him to reassess--his work on authorship, film language, and the position of the spectator. He draws surprising conclusions that presage current writings on digital media. His analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz`s findings and nascent digital-media theory, emphasizing Metz`s keen anticipation of the methodological and philosophical concerns we wrestle with today.
Автор: Braudy, Leo; Cohen, Marshall Название: Film Theory and Criticism ISBN: 0195365623 ISBN-13(EAN): 9780195365627 Издательство: Oxford Academ Рейтинг: Цена: 8869.00 р. Наличие на складе: Поставка под заказ.
Описание: Since publication of the first edition in 1974, Leo Braudy and Marshall Cohen`s Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film. Now in its seventh edition, this landmark text continues to offer outstanding coverage of more than a century of thought and writing about the movies. Incorporating classic texts by pioneers in film theory-including Rudolf Arnheim, Siegfried Kracauer, and Andre Bazin-and cutting-edge essays by such contemporary scholars as David Bordwell, Tania Modleski, Thomas Schatz, and Richard Dyer, the book examines both historical and theoretical viewpoints on the subject. Building upon the wide range of selections and the extensive historical coverage that marked previous editions, this new compilation stretches from the earliest attempts to define the cinema to the most recent efforts to place film in the contexts of psychology, sociology, and philosophy, and to explore issues of gender and race. Reorganized into eight sections-each comprising the major fields of critical controversy and analysis-this new edition features reformulated introductions and biographical headnotes that contextualize the readings, making the text more accessible than ever to students, film enthusiasts, and general readers alike. The seventh edition also integrates exciting new material on feminist theory, queer cinema, and global cinema, as well as a new section, "Digitization and Globalization," which engages important recent developments in technology and world cinema. A wide-ranging critical and historical survey, Film Theory and Criticism remains the leading text for undergraduate courses in film theory. It is also ideal for graduate courses in film theory and criticism. ABOUT THE EDITORS Leo Braudy is University Profe
Автор: Scott Bernard, Scott Allen J. Название: On Hollywood: The Place, the Industry ISBN: 0691162107 ISBN-13(EAN): 9780691162102 Издательство: Wiley Рейтинг: Цена: 3168.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Why is the U.S. motion picture industry concentrated in Hollywood and why does it remain there in the age of globalization? Allen Scott uses the tools of economic geography to explore these questions and to provide a number of highly original answers. The conceptual roots of his analysis go back to Alfred Marshall`s theory of industrial districts a
Описание: Rubini, Chopin, Nourrit, Liszt, Donzelli, Thalberg, Velluti, Sontag, and Malibran were prominent celebrity pianists and singers who plied their trade between London and Paris, the most dynamic musical centers of nineteenth-century Europe. This title examines how key musicians and their contemporaries made sense of musical and physical abilities.
Описание: Rubini, Chopin, Nourrit, Liszt, Donzelli, Thalberg, Velluti, Sontag, and Malibran were prominent celebrity pianists and singers who plied their trade between London and Paris, the most dynamic musical centers of nineteenth-century Europe. This title examines how key musicians and their contemporaries made sense of musical and physical abilities.
Автор: Burch Noel Название: Theory of Film Practice ISBN: 0691615144 ISBN-13(EAN): 9780691615141 Издательство: Wiley Рейтинг: Цена: 4752.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This classic in film theory, presents a systematic study of the techniques of the film medium and of their potential uses for creating formal structures in individual films such as Dovzhenko's Earth, Antonioni's La Notte, Bresson's Au Hasard Balthazar, Renoir's Nana, and Godard's Pierrot le Fou.
Originally published in 1981.
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