Автор: Kalyanaraman S. Название: Akkadian Rising Sun: An Illustrated Novel ISBN: 0982897197 ISBN-13(EAN): 9780982897195 Издательство: Неизвестно Цена: 1895.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Kalyanaraman S. Название: Indian Ocean Community ISBN: 0982897154 ISBN-13(EAN): 9780982897157 Издательство: Неизвестно Цена: 2067.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Kalyanaraman S. Название: Philosophy of Symbolic Forms in Meluhha Cipher ISBN: 099110482X ISBN-13(EAN): 9780991104826 Издательство: Неизвестно Цена: 5171.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The thesis reports re-discovery of lexical repertoire of Meluhha language. Meluhha language was in vogue during the Bronze Age from ca. 5th millennium BCE. Meluhha hieroglyphs of symbolic forms relate to Meluhha life-experiences as sphota 'burst forth' expressions in Meluhha language. The function of Meluhha writing system deploying Meluhha cipher as mudra is to catalog wheelwright-lapidary artifacts of stone, shell, metal traded by maritime seafaring merchants and artisan-merchant caravans along the famed, extensively documented Tin Road. The cipher key here is artha translated as composite of entities and also 'meaning'. In the Indian tradition, the word artha is a gloss which signifies both 'meaning' and also 'wealth' as seem in the compound: Arthashastra used as a title for Kautilya's treatise on wealth-creation and polity. This meaning is consistent with the word used for a polity: Rastram (lit. 'the firm, lighted path') personified as divinity, vaak.Sphotavaada elaborates on philosophical foundations of symbolic forms as media for 'meanings'. In Indian rhetoric tradition mudra refers to 'the natural expression of things by words, calling things by their right names' (Kuvalayaananda). It is an energetic seal of authenticity. The gloss mudra also signifies a seal, stamp, or impression made by a seal. Thus, by definition, the process of 'sealing' to create a 'seal impression' is an expression of words deploying symbolic forms. To call things by their right names, a rebus cipher with glosses of underlying glosses and related sounds of Meluhha language are used. The semantics get expanded to evolve mudra as a particular branch of education (e.g., reckoning by the fingers). In Tantra 108 mudra are used; in Yoga, mudra are used together with praanaayaama (breathing exercises) and aasana-s ("seated postures"). Natyashastra lists 24 asamyuta ("separated," meaning "one-hand and fingers") and 13 samyuta ("joined," meaning "two-hand and fingers") mudra-s. A commentary on Hevajra Tantra refers to symbolic bone ornaments as seals or mudra-s. (Sanskrit: asthiamudra)In the entire corpora of Meluhha hieroglyphs there are only two significant symbolic forms which may relate to 'veneration' or 'worship'. Even these two symbolic forms are read rebus and are consistent with the archaeological context of working with ores, minerals, metals and alloys as life-activities. One form is of a person seated in a penance and is read rebus: kamadha 'penance' Rebus: kammata 'coiner, mint'. The second form is of a pair of persons flanking a person seated in persons; the pair of persons are shown using a mudra 'with folded hands - as salutation'; this is called in Indian tradition anci- 'to reverence' read rebus: anjana 'antimony' (Chemical symbol: Sb) This is a sequel to Meluhha - tree of life which evaluated hieroglyphs as sacred carvings incised, to convey rebus substantive messages in Meluhha as we traverse, in a pilgrim's progress, through mists of time into the Bronze Age. Language glosses tag to symbolic forms and get associated with divinities and tree of life are Meluhha sacred carvings; they connote -- rebus -- metal artifacts of a kole.l 'smithy/forge' which is, kole.l 'temple'. Archaeological evidences from Ancient Near East point to the practice of worship in temples of divinities associated with these hieroglyphs. Kabbalah of the Ancient Near East tradition is a synonym of aagama of Indian tradition with the roots found in Meluhha as a visible language. Both traditions venerate altars as models of temples. Many metal artifacts are shown as aayudha 'weapons' in the hands of pratima in Indian iconographic tradition with an intimation of memories of smithy traditions of ancestors. In Indian tradition. Pratima lakshana, bimba reflections in a tranquil pool of consciousness transform into stone or metal or wood hieroglyphs in a temple. Pratima or mudra-s are not mere abstractions but firmly premised
Описание: Provides the method for making of Indus Script Dictionary matching hieroglyphs and meanings, traces the continuum of the writing system on artifacts of historical periods in the framework of Samskrta Bharati, language of a civilization of Bharatam Janam. Sanchi, Bharhut torana Indus Script hieroglyphs proclaim mint, metal engraving work. Bharati is the language of Bharatam Janam, an expression used in Rigveda by Rishi Visvamitra signifying metalcaster people. Samskrta Bharati was the language which unified Prakrtam of Bharatiya sprachbund (language union), which had many phonetic variants in an extensive area from Assam to Gujarat, from Kashmir to Sri Lanka. This is treasure, nidhi, heritage of Bharatam. Samskrtam is a structured reconstitution of the semantics, syntax, morphology and phonetics of Prakrtam. This reconstruction is documented in ancient texts such as Yaska's Niruktam, Bhartrhari's Vakyapadiya, Panini's Ashtadhyayi, Tolkappiyam, Patanjali's Mahabhashya, Bharata's Natya Sastra, various Nighantus, Hemacandra's Desinamamala, and scores of other literary evidences. These basic texts have provided the resources for scholarly studies defining Bharatam as a Linguistic Area (Indian sprachbund or language union). Ancient scripts were called Brahmi, Kharoshthi attesting the divine dispensation of Vagdevi and speech forms from the lips of artisans (khar 'smith' oshti 'lip') This discovery of the language of a civilization provides a foundation for further civilization studies including a re-assessment of general semantics, the formation and evolution of all Bharatiya language forms and cultural contacts with neighbouring cultural regions of Eurasia for nearly 8 millennia. The word Samskriti relatable to Samskrtam is the weltanschauung defining both the material resources and adhyatmika foundations for the mores of people of a vibrant region of the globe with a civilizational foundation which dates back to over 8 millennia. Bharata's Natya Sastra (c. 200 BCE), a treatise on performing arts, theatre, dance and music provides a documentation of provincial or des'I or vernacular forms of speech which may be variant pronunciation of sememes (root words of dhAtupATha). This work in 6000 karikas or verse stanzas incorporates 36 chapters three of which relate to messaging systems: Rules of Prosody and Rules on the use of languages, Modes of address and intonation. This work had united Bharatam Janam, the way Prakrtam (spoken version of Samskrta Bharati) had united Bharatam Janam in a Bharatiya sprachbund (language union). DhAtupAtha was the earliest attempt to clearly identify sememes (root morphemes, the smallest linguistic units of meaning) from among multifarious forms of pronounced words in speech forms of Prakrtam. Similarly, Indus Script was the earliest attempt to signify sememes through orthographic signifiers as hieroglyph components in a writing system for parole, speech form of language. Thus, for example, a sememe, kuTi is signified by a water-carrier hieroglyph; a sememe baTa Bhartrhari (c. 5th century CE) Vakyapadiya in Bharatiya grammatical tradition explains the theories on the word and on the sentence and elaborates on sphota, 'spurt, bursting, opening' as a framework to explain how the mind orders linguistic units into meaningful utterances. Indus Script as a writing system is a method in semiotics, a study of meaning-making together with a study of orthography. It is reasonable to hypothesise that Samskrtam in Prakrtam speech forms was the lingua franca of the civilization ca. 2500 BCE on the banks of Vedic River Sarasvati which is consistent with the assumption that Prkritam form of vAk evolved in the region from ca. 8th millennium BCE given the archaeological discoveries of cultural pointers. One pointer is the use of s'ankha turbinella pyrum bangles from ca. 6500 BCe. Another is the practice of sindhur on mang (parting of the hair) of married women on two terracotta toys.
Описание: A brief overview on 6 rosetta stones & the method of Indus Script decipherment. The cipher is rebus-metonymy layered Meluhha (mleccha speech). Signs and pictorials are hieroglyph multiplexes of Indian sprachbund of Bronze Age Ancient Near East. The language of the writing system is Prakritam. Indus Script Corpora surveyed as catalogus catalogorum of metalwork include c. 7000 inscriptions along the Maritime Tin Road from Hanoi, Vietnam to Haifa, Israel. Meluhha people who created the Sheffield of Ancient Near East in Chanhu-daro, invented and used writing in the River Valleys of Sarasvati, Indus(Sindhu) rivers and Indo-Iran borderlands.An ancient document Rigveda refers to these people as Bharatam Janam who lived on the banks of Rivers Sarasvati and Sindhu. They mediated the maritime trade of tin from the Tin Belt of the world in Ancient Far East. Meluhha settlements are attested in cuneiform texts. A cylinder seal of Shu-ilishu points to an Akkadian translator needed to transact with the Meluhhan seafaring merchant. The discovery of two pure tin ingots in a shipwreck in Haifa points to the links with the Nahal Mishmar cire perdue artifacts. The continuum of the writing system is evident on hundreds of hieroglyphs of the Indus Script which continue to signify metalwork on early punch-marked coins with Kharoshti and Brahmi syllabic scripts used conjointly. Inscriptions signify metalwork catalogues on copper plates. Such inscriptions point to the possibility of printing such copper plates on tree-barks or other media for dissemination of artisans' messages. The unique hypertext formats of Indus Script Corpora provide a framework for improved cyber security and advanced encryption systems with multi-layered hieroglyph multiplexes. Successful decipherment points to the need for re-evaluating the formation and evolution of Ancient Indian languages. Austro-asiatic, Indo-Aryan and Dravidian speakers seem to have formed an Indian sprachbund (speech union) during the early Bronze Age as evidenced by the many metalwork glosses present in all these language streams. The presence of Sivalinga in Harappa and of over 80% of the archaeological settlements on the banks of Vedic River Sarasvati, the tradition of wearing sindhur (vermilion) at the parting of the hair by married women, wearing turbinella pyrum (sankha) bangles, persons seated in penance yoga postures attest to the continuum of Sarasvati-Sindhu Civilization into the historical periods of ancient India. What Geoerge Coedes calls in his work Histoire ancienne des tats hindouises d'Extr me Orient,1944 is an attestation of the dharma-dhamma as the founding principles of state formation in India and in the Far East. Further researchers into the Maritime Tin Road from Hanoi, Vietnam exemplified by Dong Son Bronze Drums and the 3rd millennium BCE Bronze Age site of Bon Chiang will be significant contributions to archaeometallurgical studies to further evaluate the nature of the tin-bronze revolution achieved from 3rd millennium BCE. The contours of the Indian sprachbund (speech union) have to be further outlined by comparative and historical studies in Indo-European linguistics and Chandas of Vedic times in relation to mleccha (meluhha) speech or vaak. The presence of ancu of Tocharian as a cognate of ams'u (synonym of Soma) in Rigveda points to the oral transmissions of knowledge systems and Vedic heritage across Eurasia. The narrative of Soma has not yet been fully told; it is clear that Soma is in nuce in the ancient human document, the Rigveda. A tree associated with smelter and linga from Bhuteshwar, Mathura Museum. Architectural fragment with relief showing winged dwarfs (or gaNa) worshipping with flower garlands, Siva Linga. Bhuteshwar, ca. 2nd cent BCE.
Автор: Kalyanaraman Dr S. Название: Harosheth Hagoyim ISBN: 0982897146 ISBN-13(EAN): 9780982897140 Издательство: Неизвестно Цена: 2757.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Kalyanaraman D. Название: The Sorcerer of Mandala ISBN: 0989061531 ISBN-13(EAN): 9780989061537 Издательство: Неизвестно Рейтинг: Цена: 2573.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Be careful what you wish for
Long, long ago or just a year ago - depending on when you read this - the Astu Devas wake up and grant the absurd wishes of two citizens of Orum, leaving the town isolated from the rest of civilization. It is now up to Vikram, his reluctant fianc e Ponni, and his friends, Kalla, a thief, and Bana, an aspiring playwright, to steal a fabled blood jewel and save Orum. Oh, did we mention the jewel hangs around the neck of the demonic goddess, Rakta Katteri, guarded by her devotee, the terrifying Sorcerer of Mandala? Come, enter a portal to an enchanting new world
A quirky fantasy novel suitable for ages 14 and up.
Автор: Kalyanaraman S. Название: Sagan Finds Sarasvati: An Illustrated Novel ISBN: 0982897170 ISBN-13(EAN): 9780982897171 Издательство: Неизвестно Цена: 1543.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Kalyanaraman S. Название: Epigraphia Indus Script: Hypertexts & Meanings Vol.3 ISBN: 1548241911 ISBN-13(EAN): 9781548241919 Издательство: Неизвестно Цена: 5171.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Epigraphia Indus Script --Hypertexts & Meanings (Vol.3 of 3 volumes) Logical connection, anvaya, of hieroglyphs/ hypertexts of Indus Script inscriptions to artha 'wealth, business, meaning' constitutes decipherment of the script consistent with vAkyapadIya (science of grammar). Deciphered epigraphs are presented in 3 volumes. Definitions of terms Hieroglyph is a logograph, i.e. a pictorial motif to signify the associated sound of the word. Hypertext is a hieroglyph linked to a similar sounding word. Indus Script is designed with hieroglyphs composed as hypertexts. For example, a pictorial motif (hieroglyph) of a water-carrier signifies the word kuTi in Meluhha - which is a spoken form of Proto-Indic language of Bharatiya sprachbund. Wealth-creating metallurgical repertoire of Harappa, Mohenjo-daro, Chanhu-daro foundry metalcasts; Harappa Inscriptions (2590) deciphered Cunningham, former Director General of Archaeological Survey of India reported, an inscribed seal (about 1 in. square) found in 1872, in Harappa. (Cunningham, Alexander (1875). "Harappa". Archaeological Survey of India: Report for the Years 1872-3. 5: 105-108). Ever since that date, the challenge of Indus Script decipherment has engaged many researchers. The hypertexts on the seal and their meanings are presented below: Field symbols: sangad 'lathe, portable furnace' rebus: sangara 'trade', samgraha, samgaha 'arranger, manager'; sangad 'lathe, portable furnace' rebus: sangara 'trade', samgraha, samgaha 'arranger, manager' jAkaD 'invoiced on approval basis'.; kOnda 'young bull' rebus: kOnda 'engraver, script' kundana 'fine gold' Text: kanac 'corner' rebus: kancu 'bell-metal' PLUS sal 'splinter' rebus: sal 'workshop'. Thus bronze/bell-metal workshop.; aya 'iron' ayas 'alloy metal' (Riggveda) PLUS dhAL 'slanted stroke' rebus: dhALako 'ingot'; karA n. pl. wristlets, bangles Rebus: khAr 'blacksmith'; dula 'two' rebus: dul 'metal casting'. Meaning, artha: Trade (and metalwork wealth production) ...PLUS (wealth/business categories cited on inscription). Inscriptions of the Indus Script Corpora are a basic resource to narrate the itihAsa (history) of an ancient Bronze Age civilization. Thousands of inscriptions from Harappa, Mohenjo-daro and all other sites along the Ancient Maritime Tin Route from Hanoi to Haifa (together with meanings) have been presented. The total number of sites of Sarasvati-Sindhu civilization are over 2,600. Out of thse, 80% of sites, i.e. over 2000 are on the banks of Vedic River Sarasvati. Almost from every one of the sites smithy/forge metalwork has been evidenced. Hundreds of inscriptions from over 40 of these sites attest to 1) smithies and forges of the Tin-Bronze revolution.and 2) guilds at work contributing to the commonwealth treasury. The pictorials are as important as signs and must be 'deciphered' to understand the message conveyed by the inscription on an object. Another clue which may be surmised: A sign by itself may constitute a message and hence may be a lexeme. Considering that as many as 273 (111 + 42 + 120) inscriptions are communicated using two signs or less (with or without a pictorial motif or 'field symbol'), it may not be appropriate to assign syllabic or alphabetic values to each sign or each pictorial. Each pictorial or each sign may contain a 'word' or 'lexeme'. The 'economic activity' of metal smith includes (sic) the production of metal objects such as vessels, tools and weapons. The 'economic activity' of metal smith includes (sic) the production of metal objects such as vessels, tools and weapons. The inscriptions may ( ) therefore constitute a record of 'objects' possessed by the owner of the inscribed object whether the 'owner' is a metal-smith or a guild of artisans and seafaring merchants or a customer serviced by the metal-smith.
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