Автор: Kalyanaraman S. Название: Epigraphia Indus Script: Hypertexts & Meanings Vol. 2 ISBN: 1548240532 ISBN-13(EAN): 9781548240530 Издательство: Неизвестно Цена: 5171.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Epigraphia Indus Script - Hypertexts & Meanings (Vol.2 of 3 volumes) Logical connection, anvaya, of hieroglyphs/ hypertexts of Indus Script inscriptions to artha 'wealth, business, meaning' constitutes decipherment of the script consistent with vAkyapadIya (science of grammar). Deciphered epigraphs are presented in 3 volumes. Definitions of terms Hieroglyph is a logograph, i.e. a pictorial motif to signify the associated sound of the word. Hypertext is a hieroglyph linked to a similar sounding word. Indus Script is designed with hieroglyphs composed as hypertexts. For example, a pictorial motif (hieroglyph) of a water-carrier signifies the word kuTi in Meluhha - which is a spoken form of Proto-Indic language of Bharatiya sprachbund. Wealth-creating metallurgical repertoire of Harappa, Mohenjo-daro, Chanhu-daro foundry metalcasts; Harappa Inscriptions (2590) deciphered Cunningham, former Director General of Archaeological Survey of India reported, an inscribed seal (about 1 in. square) found in 1872, in Harappa. (Cunningham, Alexander (1875). "Harappa". Archaeological Survey of India: Report for the Years 1872-3. 5: 105-108). Ever since that date, the challenge of Indus Script decipherment has engaged many researchers. The hypertexts on the seal and their meanings are presented below: Field symbols: sangad 'lathe, portable furnace' rebus: sangara 'trade', samgraha, samgaha 'arranger, manager'; sangad 'lathe, portable furnace' rebus: sangara 'trade', samgraha, samgaha 'arranger, manager' jAkaD 'invoiced on approval basis'.; kOnda 'young bull' rebus: kOnda 'engraver, script' kundana 'fine gold' Text: kanac 'corner' rebus: kancu 'bell-metal' PLUS sal 'splinter' rebus: sal 'workshop'. Thus bronze/bell-metal workshop.; aya 'iron' ayas 'alloy metal' (Riggveda) PLUS dhAL 'slanted stroke' rebus: dhALako 'ingot'; karA n. pl. wristlets, bangles Rebus: khAr 'blacksmith'; dula 'two' rebus: dul 'metal casting'. Meaning, artha: Trade (and metalwork wealth production) ...PLUS (wealth/business categories cited on inscription). Inscriptions of the Indus Script Corpora are a basic resource to narrate the itihAsa (history) of an ancient Bronze Age civilization. Thousands of inscriptions from Harappa, Mohenjo-daro and all other sites along the Ancient Maritime Tin Route from Hanoi to Haifa (together with meanings) have been presented. The total number of sites of Sarasvati-Sindhu civilization are over 2,600. Out of thse, 80% of sites, i.e. over 2000 are on the banks of Vedic River Sarasvati. Almost from every one of the sites smithy/forge metalwork has been evidenced. Hundreds of inscriptions from over 40 of these sites attest to 1) smithies and forges of the Tin-Bronze revolution.and 2) guilds at work contributing to the commonwealth treasury. The pictorials are as important as signs and must be 'deciphered' to understand the message conveyed by the inscription on an object. Another clue which may be surmised: A sign by itself may constitute a message and hence may be a lexeme. Considering that as many as 273 (111 + 42 + 120) inscriptions are communicated using two signs or less (with or without a pictorial motif or 'field symbol'), it may not be appropriate to assign syllabic or alphabetic values to each sign or each pictorial. Each pictorial or each sign may contain a 'word' or 'lexeme'. The 'economic activity' of metal smith includes (sic) the production of metal objects such as vessels, tools and weapons. The 'economic activity' of metal smith includes (sic) the production of metal objects such as vessels, tools and weapons. The inscriptions may ( ) therefore constitute a record of 'objects' possessed by the owner of the inscribed object whether the 'owner' is a metal-smith or a guild of artisans and seafaring merchants or a customer serviced by the metal-smith.
Автор: Kalyanaraman S. Название: Akkadian Rising Sun: An Illustrated Novel ISBN: 0982897197 ISBN-13(EAN): 9780982897195 Издательство: Неизвестно Цена: 1895.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Kalyanaraman S. Название: Indian Ocean Community ISBN: 0982897154 ISBN-13(EAN): 9780982897157 Издательство: Неизвестно Цена: 2067.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Kalyanaraman S. Название: Epigraphia Indus Script: Hypertexts & Meanings Vol. 1 ISBN: 1548239771 ISBN-13(EAN): 9781548239770 Издательство: Неизвестно Цена: 5171.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Epigraphia Indus Script - Hypertexts & Meanings (Vol.1 of 3 volumes) Logical connection, anvaya, of hieroglyphs/ hypertexts of Indus Script inscriptions to artha 'wealth, business, meaning' constitutes decipherment of the script consistent with vAkyapadIya (science of grammar). Deciphered epigraphs are presented in 3 volumes. Definitions of terms Hieroglyph is a logograph, i.e. a pictorial motif to signify the associated sound of the word. Hypertext is a hieroglyph linked to a similar sounding word. Indus Script is designed with hieroglyphs composed as hypertexts. For example, a pictorial motif (hieroglyph) of a water-carrier signifies the word kuTi in Meluhha - which is a spoken form of Proto-Indic language of Bharatiya sprachbund. Wealth-creating metallurgical repertoire of Harappa, Mohenjo-daro, Chanhu-daro foundry metalcasts; Harappa Inscriptions (2590) deciphered Cunningham, former Director General of Archaeological Survey of India reported, an inscribed seal (about 1 in. square) found in 1872, in Harappa. (Cunningham, Alexander (1875). "Harappa". Archaeological Survey of India: Report for the Years 1872-3. 5: 105-108). Ever since that date, the challenge of Indus Script decipherment has engaged many researchers. The hypertexts on the seal and their meanings are presented below: Field symbols: sangad 'lathe, portable furnace' rebus: sangara 'trade', samgraha, samgaha 'arranger, manager'; sangad 'lathe, portable furnace' rebus: sangara 'trade', samgraha, samgaha 'arranger, manager' jAkaD 'invoiced on approval basis'.; kOnda 'young bull' rebus: kOnda 'engraver, script' kundana 'fine gold' Text: kanac 'corner' rebus: kancu 'bell-metal' PLUS sal 'splinter' rebus: sal 'workshop'. Thus bronze/bell-metal workshop.; aya 'iron' ayas 'alloy metal' (Rigveda) PLUS dhAL 'slanted stroke' rebus: dhALako 'ingot'; karA n. pl. wristlets, bangles Rebus: khAr 'blacksmith'; dula 'two' rebus: dul 'metal casting'. Meaning, artha: Trade (and metalwork wealth production) ...PLUS (wealth/business categories cited on inscription). Inscriptions of the Indus Script Corpora are a basic resource to narrate the itihAsa (history) of an ancient Bronze Age civilization. Thousands of inscriptions from Harappa, Mohenjo-daro and all other sites along the Ancient Maritime Tin Route from Hanoi to Haifa (together with meanings) have been presented. The total number of sites of Sarasvati-Sindhu civilization are over 2,600. Out of thse, 80% of sites, i.e. over 2000 are on the banks of Vedic River Sarasvati. Almost from every one of the sites smithy/forge metalwork has been evidenced. Hundreds of inscriptions from over 40 of these sites attest to 1) smithies and forges of the Tin-Bronze revolution.and 2) guilds at work contributing to the commonwealth treasury. The pictorials are as important as signs and must be 'deciphered' to understand the message conveyed by the inscription on an object. Another clue which may be surmised: A sign by itself may constitute a message and hence may be a lexeme. Considering that as many as 273 (111 + 42 + 120) inscriptions are communicated using two signs or less (with or without a pictorial motif or 'field symbol'), it may not be appropriate to assign syllabic or alphabetic values to each sign or each pictorial. Each pictorial or each sign may contain a 'word' or 'lexeme'. The 'economic activity' of metal smith includes (sic) the production of metal objects such as vessels, tools and weapons. The 'economic activity' of metal smith includes (sic) the production of metal objects such as vessels, tools and weapons. The inscriptions may ( ) therefore constitute a record of 'objects' possessed by the owner of the inscribed object whether the 'owner' is a metal-smith or a guild of artisans and seafaring merchants or a customer serviced by the metal-smith.
Автор: Kalyanaraman S. Название: Epigraphia Indus Script: Hypertexts & Meanings Vol.3 ISBN: 1548241911 ISBN-13(EAN): 9781548241919 Издательство: Неизвестно Цена: 5171.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Epigraphia Indus Script --Hypertexts & Meanings (Vol.3 of 3 volumes) Logical connection, anvaya, of hieroglyphs/ hypertexts of Indus Script inscriptions to artha 'wealth, business, meaning' constitutes decipherment of the script consistent with vAkyapadIya (science of grammar). Deciphered epigraphs are presented in 3 volumes. Definitions of terms Hieroglyph is a logograph, i.e. a pictorial motif to signify the associated sound of the word. Hypertext is a hieroglyph linked to a similar sounding word. Indus Script is designed with hieroglyphs composed as hypertexts. For example, a pictorial motif (hieroglyph) of a water-carrier signifies the word kuTi in Meluhha - which is a spoken form of Proto-Indic language of Bharatiya sprachbund. Wealth-creating metallurgical repertoire of Harappa, Mohenjo-daro, Chanhu-daro foundry metalcasts; Harappa Inscriptions (2590) deciphered Cunningham, former Director General of Archaeological Survey of India reported, an inscribed seal (about 1 in. square) found in 1872, in Harappa. (Cunningham, Alexander (1875). "Harappa". Archaeological Survey of India: Report for the Years 1872-3. 5: 105-108). Ever since that date, the challenge of Indus Script decipherment has engaged many researchers. The hypertexts on the seal and their meanings are presented below: Field symbols: sangad 'lathe, portable furnace' rebus: sangara 'trade', samgraha, samgaha 'arranger, manager'; sangad 'lathe, portable furnace' rebus: sangara 'trade', samgraha, samgaha 'arranger, manager' jAkaD 'invoiced on approval basis'.; kOnda 'young bull' rebus: kOnda 'engraver, script' kundana 'fine gold' Text: kanac 'corner' rebus: kancu 'bell-metal' PLUS sal 'splinter' rebus: sal 'workshop'. Thus bronze/bell-metal workshop.; aya 'iron' ayas 'alloy metal' (Riggveda) PLUS dhAL 'slanted stroke' rebus: dhALako 'ingot'; karA n. pl. wristlets, bangles Rebus: khAr 'blacksmith'; dula 'two' rebus: dul 'metal casting'. Meaning, artha: Trade (and metalwork wealth production) ...PLUS (wealth/business categories cited on inscription). Inscriptions of the Indus Script Corpora are a basic resource to narrate the itihAsa (history) of an ancient Bronze Age civilization. Thousands of inscriptions from Harappa, Mohenjo-daro and all other sites along the Ancient Maritime Tin Route from Hanoi to Haifa (together with meanings) have been presented. The total number of sites of Sarasvati-Sindhu civilization are over 2,600. Out of thse, 80% of sites, i.e. over 2000 are on the banks of Vedic River Sarasvati. Almost from every one of the sites smithy/forge metalwork has been evidenced. Hundreds of inscriptions from over 40 of these sites attest to 1) smithies and forges of the Tin-Bronze revolution.and 2) guilds at work contributing to the commonwealth treasury. The pictorials are as important as signs and must be 'deciphered' to understand the message conveyed by the inscription on an object. Another clue which may be surmised: A sign by itself may constitute a message and hence may be a lexeme. Considering that as many as 273 (111 + 42 + 120) inscriptions are communicated using two signs or less (with or without a pictorial motif or 'field symbol'), it may not be appropriate to assign syllabic or alphabetic values to each sign or each pictorial. Each pictorial or each sign may contain a 'word' or 'lexeme'. The 'economic activity' of metal smith includes (sic) the production of metal objects such as vessels, tools and weapons. The 'economic activity' of metal smith includes (sic) the production of metal objects such as vessels, tools and weapons. The inscriptions may ( ) therefore constitute a record of 'objects' possessed by the owner of the inscribed object whether the 'owner' is a metal-smith or a guild of artisans and seafaring merchants or a customer serviced by the metal-smith.
Автор: Kalyanaraman S. Название: Philosophy of Symbolic Forms in Meluhha Cipher ISBN: 099110482X ISBN-13(EAN): 9780991104826 Издательство: Неизвестно Цена: 5171.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The thesis reports re-discovery of lexical repertoire of Meluhha language. Meluhha language was in vogue during the Bronze Age from ca. 5th millennium BCE. Meluhha hieroglyphs of symbolic forms relate to Meluhha life-experiences as sphota 'burst forth' expressions in Meluhha language. The function of Meluhha writing system deploying Meluhha cipher as mudra is to catalog wheelwright-lapidary artifacts of stone, shell, metal traded by maritime seafaring merchants and artisan-merchant caravans along the famed, extensively documented Tin Road. The cipher key here is artha translated as composite of entities and also 'meaning'. In the Indian tradition, the word artha is a gloss which signifies both 'meaning' and also 'wealth' as seem in the compound: Arthashastra used as a title for Kautilya's treatise on wealth-creation and polity. This meaning is consistent with the word used for a polity: Rastram (lit. 'the firm, lighted path') personified as divinity, vaak.Sphotavaada elaborates on philosophical foundations of symbolic forms as media for 'meanings'. In Indian rhetoric tradition mudra refers to 'the natural expression of things by words, calling things by their right names' (Kuvalayaananda). It is an energetic seal of authenticity. The gloss mudra also signifies a seal, stamp, or impression made by a seal. Thus, by definition, the process of 'sealing' to create a 'seal impression' is an expression of words deploying symbolic forms. To call things by their right names, a rebus cipher with glosses of underlying glosses and related sounds of Meluhha language are used. The semantics get expanded to evolve mudra as a particular branch of education (e.g., reckoning by the fingers). In Tantra 108 mudra are used; in Yoga, mudra are used together with praanaayaama (breathing exercises) and aasana-s ("seated postures"). Natyashastra lists 24 asamyuta ("separated," meaning "one-hand and fingers") and 13 samyuta ("joined," meaning "two-hand and fingers") mudra-s. A commentary on Hevajra Tantra refers to symbolic bone ornaments as seals or mudra-s. (Sanskrit: asthiamudra)In the entire corpora of Meluhha hieroglyphs there are only two significant symbolic forms which may relate to 'veneration' or 'worship'. Even these two symbolic forms are read rebus and are consistent with the archaeological context of working with ores, minerals, metals and alloys as life-activities. One form is of a person seated in a penance and is read rebus: kamadha 'penance' Rebus: kammata 'coiner, mint'. The second form is of a pair of persons flanking a person seated in persons; the pair of persons are shown using a mudra 'with folded hands - as salutation'; this is called in Indian tradition anci- 'to reverence' read rebus: anjana 'antimony' (Chemical symbol: Sb) This is a sequel to Meluhha - tree of life which evaluated hieroglyphs as sacred carvings incised, to convey rebus substantive messages in Meluhha as we traverse, in a pilgrim's progress, through mists of time into the Bronze Age. Language glosses tag to symbolic forms and get associated with divinities and tree of life are Meluhha sacred carvings; they connote -- rebus -- metal artifacts of a kole.l 'smithy/forge' which is, kole.l 'temple'. Archaeological evidences from Ancient Near East point to the practice of worship in temples of divinities associated with these hieroglyphs. Kabbalah of the Ancient Near East tradition is a synonym of aagama of Indian tradition with the roots found in Meluhha as a visible language. Both traditions venerate altars as models of temples. Many metal artifacts are shown as aayudha 'weapons' in the hands of pratima in Indian iconographic tradition with an intimation of memories of smithy traditions of ancestors. In Indian tradition. Pratima lakshana, bimba reflections in a tranquil pool of consciousness transform into stone or metal or wood hieroglyphs in a temple. Pratima or mudra-s are not mere abstractions but firmly premised
Автор: Kalyanaraman D. Название: The Sorcerer of Mandala ISBN: 0989061531 ISBN-13(EAN): 9780989061537 Издательство: Неизвестно Рейтинг: Цена: 2573.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Be careful what you wish for
Long, long ago or just a year ago - depending on when you read this - the Astu Devas wake up and grant the absurd wishes of two citizens of Orum, leaving the town isolated from the rest of civilization. It is now up to Vikram, his reluctant fianc e Ponni, and his friends, Kalla, a thief, and Bana, an aspiring playwright, to steal a fabled blood jewel and save Orum. Oh, did we mention the jewel hangs around the neck of the demonic goddess, Rakta Katteri, guarded by her devotee, the terrifying Sorcerer of Mandala? Come, enter a portal to an enchanting new world
A quirky fantasy novel suitable for ages 14 and up.
Автор: Kalyanaraman Dr S. Название: Harosheth Hagoyim ISBN: 0982897146 ISBN-13(EAN): 9780982897140 Издательство: Неизвестно Цена: 2757.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Kalyanaraman S. Название: Sagan Finds Sarasvati: An Illustrated Novel ISBN: 0982897170 ISBN-13(EAN): 9780982897171 Издательство: Неизвестно Цена: 1543.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Kalyanaraman S. Название: Meluhha: Tree of Life ISBN: 0991104803 ISBN-13(EAN): 9780991104802 Издательство: Неизвестно Цена: 1724.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Hieroglyphs are sacred carvings incised, to convey rebus substantive messages in Meluhha. Symbols associated with divinities and tree of life are Meluhha sacred carvings. Many carvings relate to specific varieties of plants, buds, flowers which are associated with sacredness because they connote -- rebus -- metal artifacts of a kole.l 'smithy/forge' which is, kole.l 'temple'. Archaeological evidences from Ancient Near East point to the practice of worship in temples of divinities associated with these hieroglyphs. Kabbalah of the Ancient Near East is a synonym of agama of Indian tradition with the roots found in Meluhha as a visible language. Both traditions venerate altars as models of temples. What lessons can be learnt from the evidences to delineate the roots of religious experiences of our ancestors? This inquiry primarily based on archaeologically attested artifacts is an incomplete religious inquiry. Kabbalah is a school of thought, a magnificent statement resulting from an intense inquiry into the nature of phenomena including living and non-living forms and cosmic order. One thought is apparent and central. There is some energy which permeates the universe and a name ws given to this energy, calling it by various appellations includes divine creation which can only be modeled on hieroglyphs. The hieroglyphs then become attributes of that divinity manifested in the cultural world order. When the king kneels in adoration in front of an altar which has as the center-piece a mere staff or pole, how did he vocalise the phenomenon which the sculpture has created? Is the sculpture an attempt at representing thought resulting from the inquiry? Or is it just a limited manifestation of the sculptor's life-experience? Or, is it a model of the ziggurat, the temple itself? Ziggurat as a temple is a leap in inquiry. It is a mere accumulation, a piling up of dhatu, earth forms containing minerals and what is left of minerals, may be ashes, after the processes in the crucible, smithy and forge. Or, is it a memory of accumulated memories bequeathed by ancestors in a life-continuum? The agama tradition in ancient India also has its roots in inquiry resulting in representation of attributes in human and non-human forms in an architectural model of a temple. The story of the agama and the kabbalah has to be fully told to understand the boundaries of the sacred observed and practised as religious experience. What is the difference between hakira (philosophy) and darash (inquire, seek ) Is the darash traceable to the Indian traditions of dars'ana? How do Rabbinic meanings ( midrashic) explain the traditions evolved over time, narrated in Tanakh? Is there a cosmic law? The sememe dars'an has its root dRs', 'to see'. Is the seeing mere visual experience or an experience of the conscious mind? The beholding could be a series of flashes or glimpses seen by the inquirer. The cognate wor darash thus becomes a series of events, related or unrelated. events of conscious thought of the devotee. A fantastic metaphor emerges in the Vis'warupa, divine, wondrous manifestation holding many weapons, ornamented with celestial flowers and perfumes. Before such a form, the devotee kneels down in adoration, like Tukulti-Ninurta I (1243-1207 BCE), King of Assyria or like Arjuna in front of Sri Krishna as narrated in the Mahabharata and the Gita. Is there any significance or meaning assignable, from a narrative, which refers to artifacts of gypsum, strong copper and the Magilum boat of Meluhha fame, apart from Anzu who had stolen the tablet of destiny? It appears that Meluhhan artificer who created a writing system referred to strong copper by using the rebus metaphor of the sunflower, karaDa which also connoted 'strong copper' or hard alloy.
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