Описание: The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence present-day thinking. Works collected here include masterpieces by David Hume, Immanuel Kant, and Jean-Jacques Rousseau, as well as religious sermons and moral debates on the issues of the day, such as the slave trade. The Age of Reason saw conflict between Protestantism and Catholicism transformed into one between faith and logic -- a debate that continues in the twenty-first century. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Trinity College Library Watkinson Collection
T154167
With an additional titlepage, engraved. With a numbered illustration on the verso of each numbered page; the final illustration, no. 81, is a plate.
Italian adventurer and sea captain Celso Cesare Moreno traveled the world lying, scheming, and building an extensive patron/client network to establish his reputation as a middleman and person of significance. Through his machinations, Moreno became a critical player in the expansion of western trade and imperialism in Asia, the trafficking of migrant workers and children in the Atlantic, the conflicts of Americans and Native Hawaiians over the fate of Hawaii, and the imperial competitions of French, British, Italian, and American governments during a critically important era of imperial expansion during the nineteenth century. Oh Capitano teases out Moreno's enormous peculiarities and fascination as well as his significance.
Celso Cesare Moreno was simultaneously toxic, deceitful, and charming in equal measure. He wandered, adventured, cheated, exaggerated, promoted (mainly himself), and continuously created newly invented past lives. He repeatedly sought a role at the center of a globalizing world with gusto and had no qualms about lying or betraying others. He claimed at times to be the ruler of a Southeast Asian island that he then offered for sale to several western nations. He briefly became prime minister of Hawai'i. He testified before the U.S. Congress as an expert witness. He sought to promote a trans-Pacific cable project. He fought with the ministers and leaders of many countries (and with his fellow Italians and Catholic churchmen almost everywhere) but was more often ignored and rejected than feted. He was accused, probably with good cause, of abusing his obligations after claiming guardianship of the sons of King David Kalakaua of Hawaii. Dragged by his uncontrollable polemical passions, the old Captain died alone, unloved by anyone and with no significant relations to others.
With its focus on Moreno, Oh Capitano illustrates some of the most puzzling cultural traits of emigrant Italian elites. Called a "carpet beggar," "land pirate," "extinct volcano," among many other derogatory monikers, Celso emerges in this fascinating biography as a multifaceted, chameleon-like personality not reducible to a single epithet.
Автор: Mori Cesare Название: The Last Struggle with the Mafia ISBN: 1910881392 ISBN-13(EAN): 9781910881392 Издательство: Неизвестно Цена: 5885.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Here is the story, in his own words, of how Cesare Mori, with the support of Italian Fascist leader Benito Mussolini, took on the might of the Sicilian Mafia. Mori was criticised for his methods from the liberal media, but earned much praise not only from Mussolini himself but from the people of Sicily who had for decades lived in fear.
Описание: TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks, as well as studies that provide new insights by approaching language from an interdisciplinary perspective. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.
First published in J.W. Vaughn's classic, With Crook at the Rosebud more than sixty years ago, the "Crazy Horse" tintype has long been the subject of controversy. Most Indians and non-Indians have denied the existence of any possible photographic portrait of the Lakota mystic warrior, including the tintype. With an open-minded approach, The Face of Crazy Horse looks at the photographic history of the Lakota and at Crazy Horse "the man," debunking the false myths created around the heroic figure of the Oglala war chief; including Crazy Horse's refusal to be photographed for fear his soul would be stolen, and the frozen view of Crazy Horse's unrelenting hatred of the White man. Contextual historical and photographic evidence, and a detailed analysis of the debated image, overall appearance, facial features, clothing, medicine bundle, breast-plate, and accessories, provide convincing evidence that the tintype indeed portrays the face and full portrait of Crazy Horse. This identification has long been supported by affidavits and testimonies from within the Lakota community, foremost those of Mrs. Ellen Howard, Jake Herman, and Dewey Beard (aka Iron Hail), and more recently by Francis White Lance and others.
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