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Tratado de Derecho Internacional Publico, Suarez D. Simon Planas


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Цена: 5104.00р.
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Автор: Suarez D. Simon Planas
Название:  Tratado de Derecho Internacional Publico
ISBN: 9781289355104
Издательство: Gale, Making of Modern Law
Классификация: ISBN-10: 128935510X
Обложка/Формат: Paperback
Страницы: 274
Вес: 0.49 кг.
Дата издания: 04.09.2013
Язык: Spanish
Размер: 246 x 189 x 15
Поставляется из: США
Описание:
The Making of Modern Law: Foreign, Comparative and International Law, 1600-1926, brings together foreign, comparative, and international titles in a single resource. Its International Law component features works of some of the great legal theorists, including Gentili, Grotius, Selden, Zouche, Pufendorf, Bijnkershoek, Wolff, Vattel, Martens, Mackintosh, Wheaton, among others. The materials in this archive are drawn from three world-class American law libraries: the Yale Law Library, the George Washington University Law Library, and the Columbia Law Library.

Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.

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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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Yale Law Library
LP3Y0433002
19160101
The Making of Modern Law: Foreign, Comparative, and International Law, 1600-1926
Madrid: Hijos de Reus, 1916
2 v. 23 cm
Spain




Daemon

Автор: Suarez, Daniel
Название: Daemon
ISBN: 0451228731 ISBN-13(EAN): 9780451228734
Издательство: Random House (USA)
Рейтинг:
Цена: 1378.00 р.
Наличие на складе: Нет в наличии.

Описание: Daniel Suarez'sNew York Timesbestselling debut high-tech thriller is ';so frightening even the government has taken note' (Entertainment Weekly).

Daemons: computer programs that silently run in the background, waiting for a specific event or time to execute. They power almost every service. They make our networked world possible.

But they also make it vulnerable...

When the obituary of legendary computer game architect Matthew Sobol appears online, a previously dormant daemon activates, initiating a chain of events that begins to unravel our interconnected world. This daemon reads news headlines, recruits human followers, and orders assassinations. With Sobol's secrets buried with him, and as new layers of his daemon are unleashed, it's up to Detective Peter Sebeck to stop a self-replicating virtual killer before it achieves its ultimate purposeone that goes far beyond anything Sebeck could have imagined...

Freedom

Автор: Suarez, Daniel
Название: Freedom
ISBN: 0451231899 ISBN-13(EAN): 9780451231895
Издательство: Random House (USA)
Рейтинг:
Цена: 919.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: In his phenomenal debut, "Daemon," Daniel Suarez introduced a terrifying vision of an unstoppable computer program unleashed on our world bu a hi-tech wunderkind. But now, our world is Daemon's world- unless someone stops the program once and for all...

Jim jarmusch

Автор: Suarez, Juan
Название: Jim jarmusch
ISBN: 0252074432 ISBN-13(EAN): 9780252074431
Издательство: Wiley EDC
Рейтинг:
Цена: 2041.00 р. 2915.00 -30%
Наличие на складе: Есть (1 шт.)
Описание:

The first major English-language study of Jarmusch

At a time when gimmicky, action-driven blockbusters ruled Hollywood, Jim Jarmusch spearheaded a boom in independent cinema by making now-classic low-budget films like Stranger than ParadiseDown by Law, and Mystery Train. Jarmusch's films focused on intimacy, character, and new takes on classical narratives. His minimal form, peculiar pacing, wry humor, and blank affect have since been adopted by directors like Sofia Coppola, Hal Hartley, Richard Linklater, and Tsai Ming-liang. 

Juan A. Suárez identifies and describes an abundance of aesthetic influences on Jarmusch, delving into the director's links to punk, Structural film, classic street photography, hip-hop, beat literature and art, and the New York pop vanguard of the late 1970s. At the same time, he analyzes Jarmusch's work from three mutually implicated perspectives: in relation to independent filmmaking from the 1980s to the present; as a form of cultural production that appropriates existing icons, genres, and motifs; and as an instance of postmodern politics.

A volume in the series Contemporary Film Directors, edited by James R. Naremore


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