Tracing the borders of spanish horror cinema and television, 

Автор: Andrews
Название: Television and British Cinema
ISBN: 1137311169 ISBN-13(EAN): 9781137311160
Издательство: Springer
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Цена: 12577.00 р.
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Описание: Undertaking a thorough and timely investigation of the relationship between television and cinema in Britain since 1990, Hannah Andrews explores the convergence between the two forms, at industrial, cultural and intermedial levels, and the ways in which the media have also been distinguished from one another through discourse and presentation.

Автор: Labanyi Jo
Название: Companion to Spanish Cinema
ISBN: 1119170133 ISBN-13(EAN): 9781119170136
Издательство: Wiley
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Цена: 6011.00 р.
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Описание: A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives.

Автор: Pavlovic
Название: 100 Years of Spanish Cinema
ISBN: 1405184191 ISBN-13(EAN): 9781405184199
Издательство: Wiley
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Цена: 6170.00 р.
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Описание: From the silent era to the present day, 100 Years of Spanish Cinema provides an in-depth look at the most important movements, films, and directors in twentieth-century Spain.

Автор: Subero
Название: Gender and Sexuality in Latin American Horror Cinema
ISBN: 1137564946 ISBN-13(EAN): 9781137564948
Издательство: Springer
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Цена: 11179.00 р.
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Описание: Gender and Sexuality in Latin American Horror Cinema explores the different mechanisms and strategies through which horrorfilms attempt to reinforce or contest gender relations and issues of sexualidentity in the continent. The book explores issues of machismo, marianismo,homosociality, bromance, among others through the lens of horror narrativesand, especially, it offers an analysis of monstrosity and the figure of themonster as an outlet to play out socio-sexual anxieties in different societiesor gender groups. The author looks at a wide rage of films from countries suchas Cuba, Peru, Mexico and Argentina and draws points of commonality, as well ascomparing essential differences, between the way that horror fictions –considered by many as low-brow cinema - can be effective to delve into the waythat sexuality and gender operates and circulates in the popular imaginary inthese regions.

Автор: Sophia Siddique; Raphael Raphael
Название: Transnational Horror Cinema
ISBN: 1137584165 ISBN-13(EAN): 9781137584168
Издательство: Springer
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Цена: 15372.00 р.
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Описание: This vital theoretical intervention allows Transnational Horror Cinema to widen its scope to the social and cultural work of these global bodies of excess and the economy of their grotesque exchanges.

Автор: Dudenhoeffer
Название: Embodiment and Horror Cinema
ISBN: 1137404957 ISBN-13(EAN): 9781137404954
Издательство: Springer
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Цена: 10760.00 р.
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Описание: Using the four tissue types (connective, epithelial, nervous, and muscular), Dudenhoeffer expands and complicates the subgenre of "body horror." Changing the emphasis from the contents of the film to the "organicity" of its visual and affective registers, he addresses the application of psychoanalysis, phenomenology, object-ontology, and cyborgism.

Автор: Towlson Jon
Название: Subversive Horror Cinema: Countercultural Messages of Films from Frankenstein to the Present
ISBN: 0786474696 ISBN-13(EAN): 9780786474691
Издательство: Mare Nostrum (Eurospan)
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Описание:

Horror cinema flourishes in times of ideological crisis and national trauma--the Great Depression, the Cold War, the Vietnam era, post-9/11--and this critical text argues that a succession of filmmakers working in horror--from James Whale to Jen and Sylvia Soska--have used the genre, and the shock value it affords, to challenge the status quo during these times. Spanning the decades from the 1930s onward it examines the work of producers and directors as varied as George A. Romero, Pete Walker, Michael Reeves, Herman Cohen, Wes Craven and Brian Yuzna and the ways in which films like Frankenstein (1931), Cat People (1942), The Woman (2011) and American Mary (2012) can be considered "subversive."