Àâòîð: Mohamed Zayani Íàçâàíèå: Networked Publics and Digital Contention ISBN: 0190239778 ISBN-13(EAN): 9780190239770 Èçäàòåëüñòâî: Oxford Academ Ðåéòèíã: Öåíà: 4750.00 ð. Íàëè÷èå íà ñêëàäå: Åñòü ó ïîñòàâùèêà Ïîñòàâêà ïîä çàêàç.
Îïèñàíèå: This book brings into focus the relationship between Internet development, youth activism, cyber resistance, and political participation.
Àâòîð: Frey & Sayad Íàçâàíèå: Film Criticism In The Digital Age ISBN: 0813570727 ISBN-13(EAN): 9780813570723 Èçäàòåëüñòâî: Mare Nostrum (Eurospan) Ðåéòèíã: Öåíà: 5261.00 ð. Íàëè÷èå íà ñêëàäå: Åñòü ó ïîñòàâùèêà Ïîñòàâêà ïîä çàêàç.
Îïèñàíèå: Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a “crisis of criticism” and mourned the “death of the critic.” Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,” urgent questions have emerged about the status and purpose of film criticism in the twenty-first century. In Film Criticism in the Digital Age, ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book’s contributors find many signs of the film critic’s declining clout, but they also locate surprising examples of how critics-whether moonlighting bloggers or salaried writers-have been able to intervene in current popular discourse about arts and culture. In addition to collecting a plethora of scholarly perspectives, Film Criticism in the Digital Age includes statements from key bloggers and print critics, like Armond White and Nick James. Neither an uncritical celebration of digital culture nor a jeremiad against it, this anthology offers a comprehensive look at the challenges and possibilities that the Internet brings to the evaluation, promotion, and explanation of artistic works.
Àâòîð: Suler Íàçâàíèå: Psychology of the Digital Age ISBN: 1107128749 ISBN-13(EAN): 9781107128743 Èçäàòåëüñòâî: Cambridge Academ Ðåéòèíã: Öåíà: 15682.00 ð. Íàëè÷èå íà ñêëàäå: Åñòü ó ïîñòàâùèêà Ïîñòàâêà ïîä çàêàç.
Îïèñàíèå: This book provides an engaging overview of life in the digital realm that will benefit scholars, students, and general readers. A founder of the cyberpsychology field, John R. Suler offers insights for improving wellbeing online, highlighting principles about identity management, online relationships, social media, virtual reality, artificial intelligence, and media overload.
Àâòîð: Simanowski Roberto Íàçâàíèå: Data Love: The Seduction and Betrayal of Digital Technologies ISBN: 0231177267 ISBN-13(EAN): 9780231177269 Èçäàòåëüñòâî: Wiley Ðåéòèíã: Öåíà: 4435.00 ð. Íàëè÷èå íà ñêëàäå: Åñòü ó ïîñòàâùèêà Ïîñòàâêà ïîä çàêàç.
Îïèñàíèå: Data Love considers the changes big data has brought to the human condition from a philosophical standpoint. Roberto Simanowski explores our entanglements with algorithmic analysis and data mining, as we contribute to the amassing of ever more data about our lives, leading to the statistical evaluation and individual profiling of our selves.
Àâòîð: Spracklen Íàçâàíèå: Digital Leisure, the Internet and Popular Culture ISBN: 1137405864 ISBN-13(EAN): 9781137405869 Èçäàòåëüñòâî: Springer Ðåéòèíã: Öåíà: 11179.00 ð. Íàëè÷èå íà ñêëàäå: Åñòü ó ïîñòàâùèêà Ïîñòàâêà ïîä çàêàç.
Îïèñàíèå: Spracklen explores the impact of the internet on leisure and leisure studies, examining the ways in which digital leisure spaces and activities have become part of everyday leisure. Covering a range of issues from social media and file-sharing to romance on the Internet, this book presents new theoretical directions for digital leisure.
Àâòîð: Lutz Íàçâàíèå: Defining Democracy in a Digital Age ISBN: 1137496185 ISBN-13(EAN): 9781137496188 Èçäàòåëüñòâî: Springer Ðåéòèíã: Öåíà: 8384.00 ð. Íàëè÷èå íà ñêëàäå: Åñòü ó ïîñòàâùèêà Ïîñòàâêà ïîä çàêàç.
Îïèñàíèå: The internet has created a new social base where governments are ever more critically examined and measuring public sentiment expressed on social media is crucial to gauging ongoing support for democracy. This book illustrates a methodology for doing so, and considers the impact of this new public sphere on the future of democracy.
Àâòîð: Arthur Íàçâàíèå: Advancing Digital Humanities ISBN: 1137336994 ISBN-13(EAN): 9781137336996 Èçäàòåëüñòâî: Springer Ðåéòèíã: Öåíà: 11179.00 ð. Íàëè÷èå íà ñêëàäå: Åñòü ó ïîñòàâùèêà Ïîñòàâêà ïîä çàêàç.
Îïèñàíèå: Advancing Digital Humanities moves beyond definition of this dynamic and fast growing field to show how its arguments, analyses, findings and theories are pioneering new directions in the humanities globally.
Àâòîð: Kinder Marsha, McPherson Tara Íàçâàíèå: Transmedia Frictions: The Digital, the Arts, and the Humanities ISBN: 0520281853 ISBN-13(EAN): 9780520281851 Èçäàòåëüñòâî: Wiley Ðåéòèíã: Öåíà: 12672.00 ð. Íàëè÷èå íà ñêëàäå: Åñòü ó ïîñòàâùèêà Ïîñòàâêà ïîä çàêàç.
Îïèñàíèå: Presents a collection of essays on the continuing debates over medium specificity and the politics of the digital arts. This book stages debates across essays, creating dialogues that give different narrative accounts of what is historically and ideologically at stake in medium specificity and digital politics.
Àâòîð: Lester Paul Martin Íàçâàíèå: Digital Innovations for Mass Communications ISBN: 041566294X ISBN-13(EAN): 9780415662949 Èçäàòåëüñòâî: Taylor&Francis Ðåéòèíã: Öåíà: 8420.00 ð. Íàëè÷èå íà ñêëàäå: Åñòü ó ïîñòàâùèêà Ïîñòàâêà ïîä çàêàç.
Îïèñàíèå:
In every field of mass communications--advertising, entertainment studies, journalism, public relations, radio-television-film, tourism, and visual reporting--professionals understand the importance of storytelling. Regardless of whether the finished product is a commercial, an in-depth investigative piece, a public service campaign, an independent documentary, a travelogue, or a collection of photographs, effective storytelling requires a combination of creativity, empathy, and expertise. Through the innovative technologies and techniques described in this textbook, students will learn how to turn passive readers and viewers into engaged and regular users.
The sixteen chapters each include a brief introduction, assignments, simple-to-follow step-by-step exercises, and sources for additional information in which users will learn to produce apps, informational graphics, quick response codes, quizzes, simulations, smartphone and table icons, social media campaigns, three-dimensional pictures, and video. Students will work with the following programs: Blogger, Dreamweaver, Excel, Facebook, GeoCommons, Google Maps, Illustrator, Imgur, iMovie, Infogram, iShowU, JavaScript, JustGive, Kaywa, Kickstarter, LinkedIn, Onvert, Photoshop, Pixel Resort, QuickTime, Reddit, Second Life, SurveyMonkey, TheAppBuilder, Twitter, Vizualize, Wikipedia, Word, WordPress, and YouTube.
When digital innovations are added to traditional print and screen presentations, a media user is not only allowed to interact with the information but can also physically engage with the story displayed. Giving students the tools they need to transform their storytelling in this manner is the ultimate goal of this textbook.
Îïèñàíèå: This book adopts an explicitly postmodernist perspective of the digital revolution. While exploring issues relating to the re-creation of social life in the digital world, its main focus is on the political economy and in particular the extent to which the paradigms of capitalism and socialism can be mapped as postcapitalism onto this new world.
Àâòîð: Davis Íàçâàíèå: Covering the United States Supreme Court in the Digital Age ISBN: 1107642493 ISBN-13(EAN): 9781107642492 Èçäàòåëüñòâî: Cambridge Academ Ðåéòèíã: Öåíà: 5069.00 ð. Íàëè÷èå íà ñêëàäå: Åñòü ó ïîñòàâùèêà Ïîñòàâêà ïîä çàêàç.
Îïèñàíèå: The US Supreme Court seeks to withhold information about its deliberations, while the press`s job is to report this information. This volume examines how these conflicting objectives create tension between the justices and reporters, with chapters on coverage of the institution, the media`s approach to the docket, and the effects of coverage on public opinion.
