The Science of String Instruments, Thomas D. Rossing

Автор: Antoine Chaigne; Jean Kergomard
Название: Acoustics of Musical Instruments
ISBN: 1493936778 ISBN-13(EAN): 9781493936779
Издательство: Springer
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Цена: 32142.00 р.
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Описание: Originally published in France as: Acoustique des instruments de musique. Second edition. Paris: aEditions Belin, 2013.

Автор: Joseph Goldstein; Dale E. Newbury; David B. Willia
Название: X-Ray Spectrometry in Electron Beam Instruments
ISBN: 0306448580 ISBN-13(EAN): 9780306448584
Издательство: Springer
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Цена: 28732.00 р.
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Описание: From its early days in the 1950s, the electron microanalyzer has offered two principal ways of obtaining x-ray spectra: wavelength dispersive spectrometry (WDS), which utilizes crystal diffraction, and energy dispersive spectrometry (EDS), in which the x-ray quantum energy is measured directly.

Название: X-ray spectrometry in electron beam instruments
ISBN: 1461357381 ISBN-13(EAN): 9781461357384
Издательство: Springer
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Цена: 23508.00 р.
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Описание: From its early days in the 1950s, the electron microanalyzer has offered two principal ways of obtaining x-ray spectra: wavelength dispersive spectrometry (WDS), which utilizes crystal diffraction, and energy dispersive spectrometry (EDS), in which the x-ray quantum energy is measured directly.

Автор: Till Boverman; Alberto de Campo; Hauke Egermann; S
Название: Musical Instruments in the 21st Century
ISBN: 9811029504 ISBN-13(EAN): 9789811029509
Издательство: Springer
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Цена: 20962.00 р.
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Описание: By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions:· What are the conditions under which an object is recognized as a musical instrument?· What are the actions and procedures typically associated with musical instruments?· What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument?· How is this knowledge being shaped by cultural conventions and temporal conditions?· How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality?· How do we address the question of instrumental identity within an instrument's design process?· What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?