Автор: Cameron, James Название: Tech Noir: The Art of James Cameron ISBN: 1789099226 ISBN-13(EAN): 9781789099225 Издательство: Titan books ltd. Рейтинг: Цена: 7676.00 р. 8529.00-10% Наличие на складе: Есть (1 шт.) Описание: Explore the creative evolution of James Cameron through this exclusive journey into his personal art archives, showcasing a range of rare and never-before-seen works from the acclaimed director`s private collection.
Автор: Silver Alain, Ursini James Название: Film Noir (BU) ISBN: 3836561697 ISBN-13(EAN): 9783836561693 Издательство: Taschen Рейтинг: Цена: от 2402.00 р. Наличие на складе: Есть
Описание: Explore the dark and brooding elegance of Film Noir with this essential handbook to the genre, exploring key noir themes and their most representative movies. Copiously illustrated with film stills as well as original posters, the book also lists TASCHEN`s top 50 noir classics. A must for amateurs and aficionados alike.
Автор: Annabelle Honess Roe Название: Aardman Animations: Beyond Stop-Motion ISBN: 1350194948 ISBN-13(EAN): 9781350194946 Издательство: Bloomsbury Academic Рейтинг: Цена: 5067.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Bristol-based animation company Aardman is best known for its most famous creations Wallace and Gromit and Shaun the Sheep. But despite the quintessentially British aesthetic and tone of its movies, this very British studio continues to enjoy international box office success with movies such as Shaun the Sheep Movie, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit. Aardman has always been closely linked with one of its key animators, Nick Park, and its stop motion, Plasticine-modelled family films, but it has more recently begun to experiment with modern digital filmmaking effects that either emulate ‘Claymation’ methods or form a hybrid animation style.
This unique volume brings together leading film and animation scholars with children’s media/animation professionals to explore the production practices behind Aardman's creativity, its history from its early shorts to contemporary hits, how its films fit within traditions of British animation, social realism and fantasy cinema, the key personalities who have formed its ethos, its representations of ‘British-ness’ on screen and the implications of traditional animation methods in a digital era.
Название: Aardman animations ISBN: 1350114553 ISBN-13(EAN): 9781350114555 Издательство: Bloomsbury Academic Рейтинг: Цена: 15840.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Bristol-based animation company Aardman is best known for its most famous creations Wallace and Gromit and Shaun the Sheep. But despite the quintessentially British aesthetic and tone of its movies, this very British studio continues to enjoy international box office success with movies such as Shaun the Sheep Movie, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit. Aardman has always been closely linked with one of its key animators, Nick Park, and its stop motion, Plasticine-modelled family films, but it has more recently begun to experiment with modern digital filmmaking effects that either emulate ‘Claymation’ methods or form a hybrid animation style. This unique volume brings together leading film and animation scholars with children’s media/animation professionals to explore the production practices behind Aardman's creativity, its history from its early shorts to contemporary hits, how its films fit within traditions of British animation, social realism and fantasy cinema, the key personalities who have formed its ethos, its representations of ‘British-ness’ on screen and the implications of traditional animation methods in a digital era.
Автор: Luke Parker Название: Nabokov Noir: Cinematic Culture and the Art of Exile ISBN: 150176652X ISBN-13(EAN): 9781501766527 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Nabokov Noir places Vladimir Nabokov's early literary career—from the 1920s to the 1940s—in the context of his fascination with silent and early sound cinema and the chiaroscuro darkness and artificial brightness of the Weimar era, with its movie palaces, cultural Americanism, and surface culture. Luke Parker argues that Nabokov's engagement with the cinema and the dynamics of mass culture more broadly is an art of exile, understood both as literary poetics and practical strategy.
Obsessive and competitive, fascinated and disturbed, Nabokov's Russian-language fiction and essays, written in Berlin, present a compelling rethinking of modernist-era literature's relationship to an unabashedly mass cultural phenomenon. Parker examines how Nabokov's involvement with the cinema as actor, screenwriter, moviegoer, and, above all, chronicler of the cinematized culture of interwar Europe enabled him to flourish as a transnational writer. Nabokov, Parker shows, worked tirelessly to court publishers and film producers for maximum exposure for his fiction across languages, media, and markets. In revealing the story of Nabokov's cinema praxis—his strategic instrumentalization of the movie industry—Nabokov Noir reconstructs the deft response of a modern master to the artificial isolation and shrinking audiences of exile.
Описание: Addressing representations of Russia and neighbouring Eastern Europe in post-1989 Nordic cinemas, this ground-breaking book investigates their hitherto overlooked transnational dimension.
This book examines the reverberations of key components of Ronald Reagan’s ideology in selected Hollywood blockbuster movies. The aim of this analysis is to provide a clearer understanding of the intertwinement of cinematic spectacles with neoliberalism and neoconservatism. The analysis comprises a dissection of Reagan’s presidential rhetoric and the examination of four seminal Hollywood blockbuster movies. The time range for analysis stretches from the 1980s until the 2010s. Among the key foci are filmic content as well as production and distribution contexts. It is concluded that Reagan’s political metaphors and the corporatization of film studios in the 1970s and 1980s continue to shape much of Hollywood blockbuster filmmaking.
Автор: Baker Ricky Название: Bruce Lee Enter the Dragon Photo album Vol 2 ISBN: 1838070648 ISBN-13(EAN): 9781838070649 Издательство: Неизвестно Рейтинг: Цена: 7759.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In August 1973 a movie exploded on the cinema screens - That movie was "Enter the Dragon" and introduced the west to one of the most iconic figures of modern day, that person is Bruce Lee.
It was also to be Lee's last complete movie after his untimely death on July 20th 1973.
Despite his death his life seemed to be documented in photographs, there are literally thousands of photos of Bruce both on and off screen.
Enter the Dragon is no exception with over 12,000 photos being taken during the shoot.
Enter the Dragon Vol 2 highlight's some of those photographs, depicting Bruce with his many facial expressions and lightening speed often to quick for the camera to capture.
In this book we select many photos taken during the filming capturing Bruce Lee at his most dynamic and relaxed joking with the cast and crew.
A truly wonderful collectors item for any Bruce Lee collector
Автор: Finke, Laurie A. (professor, Kenyon College) Shichtman, Martin B. (director, Eastern Michigan University) Название: Cinematic illuminations ISBN: 0801893453 ISBN-13(EAN): 9780801893452 Издательство: Wiley Рейтинг: Цена: 4831.00 р. Наличие на складе: Нет в наличии.
Описание: Cinematic Illuminations offers medievalists, literary and cultural theorists, and film theorists and buffs a fresh approach to understanding how popular culture interprets and makes use of the past through the medium of film.
Описание: It comes as little surprise that Hollywood films have traditionally stereotyped Arab Americans, but how are Arab Americans portrayed in Arab films, and just as importantly, how are they portrayed in the works of Arab American filmmakers themselves? In this innovative volume, Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted. Hollywood films have fostered reductive imagery of Arab Americans since the 1970s as either a national security threat or a foreign policy concern, while Egyptian filmmakers have used polarizing images of Arab Americans since the 1990s to convey their nationalist critiques of the United States. Both portrayals are rooted in anxieties around globalization, migration, and US-Arab geopolitics. In contrast, Arab American cinema provides a more complex, realistic, and fluid representation of Arab American citizenship and the nuances of a transnational identity.Exploring a wide variety of films from each cinematic site, Mahdi traces the competing narratives of Arab American belonging - how and why they vary, and what's at stake in their circulation.
Автор: Devi Gayatri, Rahman Najat Название: Humor in Middle Eastern Cinema ISBN: 0814339379 ISBN-13(EAN): 9780814339374 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4990.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: While Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor - often satirical - has long been a mainstay of mainstream Arabic film. In Humor in Middle Eastern Cinema, editors Gayatri Devi and Najat Rahman shed light on this tradition, as well as humor and laughter motivated by other intent - including parody, irony, the absurd, burlesque, and dark comedy. Contributors trace the proliferation of humor in contemporary Middle Eastern cinema in the works of individual directors and also from the perspectives of genre, national cinemas, and diasporic cinema.Humor in Middle Eastern Cinema explores what humor theorists have identified as an ""emancipatory,"" ""liberatory,"" even ""revolutionary"" function to humor. Among the questions contributors ask are: How does Middle Eastern cinema and media highlight the stakes and place of humor in art and in life? What is its relation to the political? Can humor in cinematic art be emancipatory? What are its limits for its intervention or transformation? Contributors examine the region’s masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan.This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema.Contributors Include: Perin Gurel, Cyrus Ali Zargar, Elise Burton, Somy Kim, Najat Rahman, Mara Matta, Gayatri Devi, Robert Lang
Автор: Armes Roy Название: Roots of the New Arab Film ISBN: 0253031729 ISBN-13(EAN): 9780253031723 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5016.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Roots of the New Arab Film deals with the generation of filmmakers from across North Africa and the Middle East who created an international awareness of Arab film from the mid-1980s onwards. These seminal filmmakers experienced the moment of national independence first-hand in their youth and retained a deep attachment to their homeland. Although these aspiring filmmakers had to seek their training abroad, they witnessed a time of filmic revival in Europe – Fellini and Antonioni in Italy, the French New Wave, and British Free Cinema. Returning home, these filmmakers brought a unique insider/outsider perspective to bear on local developments in society since independence, including the divide between urban and rural communities, the continuing power of traditional values and the status of women in a changing society. As they made their first films back home, the feelings of participation in a worldwide movement of new, independent filmmaking was palpable. Roots of the New Arab Film is a necessary and comprehensive resource for anyone interested in the foundations of Arab cinema.
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