Автор: Martin-jones, David Название: Deleuze and world cinemas ISBN: 0826416934 ISBN-13(EAN): 9780826416933 Издательство: Bloomsbury Рейтинг: Цена: 22275.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Brings Deleuze`s writings on cinema into contact with world cinema, drawing on examples ranging from Georges Melies to Michael Mann. This title explores what happens when Deleuze`s ideas are brought into contact with the films he did not discuss, those from Europe and the USA (from Georges Melies to Michael Mann) and a range of world cinemas.
Автор: Rode Alan K. Название: Michael Curtiz: A Life in Film ISBN: 0813173914 ISBN-13(EAN): 9780813173917 Издательство: Marston Book Services Рейтинг: Цена: 8910.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Academy Award--winning director Michael Curtiz (1886--1962) -- whose best-known films include Casablanca (1942), Yankee Doodle Dandy (1942), Mildred Pierce (1945) and White Christmas (1954) -- was in many ways the anti-auteur.
Автор: Anna Westerstahl Stenport, Arne Lunde Название: Nordic Film Cultures and Cinemas of Elsewhere ISBN: 1474438059 ISBN-13(EAN): 9781474438056 Издательство: Bloomsbury Academic Рейтинг: Цена: 15840.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A globalized history of Nordic film cultures in a transnational context
Introduces the concept of "Elsewheres" and "Cinemas of Elsewhere" - of value for many small national film cultures
Promotes an understanding of Scandinavian cinemas as world cinemas
Examines overlooked and little-known aspects of how Nordic cinemas have been funded, produced, circulated, received, appropriated and re-imagined outside of Scandinavia
Addresses cinemas of exile, diaspora, migration, emigration and immigration
Integrates examples of early and silent cinema, popular cinema, art cinema, documentary, shorts, experimental film, expanded media, the avant-garde, video art, music videos, ethnography, television and digital representation
Engages with questions of colonialism, gender, multi-lingualism, inter- and cross-cultural representation, film practice in the diaspora and visual anthropology
Engages with Indigenous cinemas of the North
Nordic Film Cultures and Cinemas of Elsewhere introduces a new concept to Nordic film studies as well as to other small national, transnational and world cinema traditions. Examining overlooked 'elsewheres', the book presents Nordic cinemas as international, cosmopolitan, diasporic and geographically dispersed, from their beginnings in the early silent period to their present 21st-century dynamics.
Exploring both canonical works by directors like Ingmar Bergman and Lars von Trier, as well as a wide range of unknown or overlooked narratives of movement, synthesis and resistance, the book offers a new model of inquiry into a multi-varied Scandinavian cultural lineage, and into small nation and pan-regional world cinemas.
Contributors
Julie K. Allen, Brigham Young University
Linda Badley, Middle Tennessee State University
Ana Bento-Ribeiro, Paris Nanterre University
Benjamin Bigelow, University of Minnesota, Twin Cities
Mats Bjorkin, University of Gothenburg
Ib Bondebjerg, University of Copenhagen
Patrick Ellis, Georgia Institute of Technology
Kim Khavar Fahlstedt, Uppsala University
Annie Fee, University of Oslo
Saniya Lee Ghanoui, University of Illinois at Urbana-Champaign
Mette Hjort, Hong Kong Baptist University
Ingrid S. Holtar, Norwegian University of Science and Technology (NTNU)
Gunnar Iversen, Carleton University
Lill-Ann K rber, Aarhus University
Mariah Larsson, Linnaeus University
Anneli Lehtisalo, University of Tampere
Arne Lunde, UCLA
Scott MacKenzie, Queen's University
Bj rn Nordfj rd, St. Olaf College
Eva Novrup Redvall, University of Copenhagen
Anna Westerstahl Stenport, Georgia Institute of Technology
Emil Stjernholm, Lund University
Troy Storfjell, Pacific Lutheran University
C. Claire Thomson, University College London
Casper Tybjerg, University of Copenhagen
Boel Ulfsdotter, University of Gothenburg
Ann-Kristin Wallengren, Lund University
Patrick Wen, UCLA
Lynn R. Wilkinson, University of Texas at Austin
Автор: Dolores Tierney Название: New Transnationalisms in Contemporary Latin American Cinemas ISBN: 1474431135 ISBN-13(EAN): 9781474431132 Издательство: Bloomsbury Academic Рейтинг: Цена: 3958.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Through a textual analysis of six filmmakers (Alejandro Gonzalez Inarritu, Alfonso Cuaron, Guillermo del Toro, Fernando Meirelles, Walter Salles and Juan Jose Campanella), this book brings a new perspective to the films of Latin America`s transnational auteurs.
Описание: "A fascinating examination of 13 key films from one of the most highly regarded and most widely debated periods in American film history"--
Автор: Ken Provencher, Mike Dillon Название: Exploiting East Asian Cinemas: Genre, Circulation, Reception ISBN: 1501354892 ISBN-13(EAN): 9781501354892 Издательство: Bloomsbury Academic Рейтинг: Цена: 5384.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
From the 1970s onward, "exploitation cinema" as a concept has circulated inside and outside of East Asian nations and cultures in terms of aesthetics and marketing. However, crucial questions about how global networks of production and circulation alter the identity of an East Asian film as "mainstream" or as "exploitation" have yet to be addressed in a comprehensive way. Exploiting East Asian Cinemas serves as the first authoritative guide to the various ways in which contemporary cinema from and about East Asia has trafficked across the somewhat-elusive line between mainstream and exploitation. Focusing on networks of circulation, distribution, and reception, this collection treats the exploitation cinemas of East Asia as mobile texts produced, consumed, and in many ways re-appropriated across national (and hemispheric) boundaries. As the processes of globalization have decoupled products from their nations of origin, transnational taste cultures have declared certain works as "art" or "trash," regardless of how those works are received within their native locales. By charting the routes of circulation of notable films from Japan, China, and South Korea, this anthology contributes to transnationally-accepted formulations of what constitutes "East Asian exploitation cinema."
Описание: In December 1967, Time magazine put Bonnie and Clyde on its cover and proudly declared that Hollywood cinema was undergoing a ‘renaissance’. For the next few years, a wide range of formally and thematically challenging films were produced at the very centre of the American film industry, often (but by no means always) combining success at the box office with huge critical acclaim, both then and later. This collection brings together acknowledged experts on American cinema to examine thirteen key films from the years 1966 to 1974, starting with Who’s Afraid of Virginia Woolf?, a major studio release which was in effect exempted from Hollywood’s Production Code and thus helped to liberate American filmmaking from (self-)censorship. Long-standing taboos to do with sex, violence, race relations, drugs, politics, religion and much else could now be broken, often in conjunction with extensive stylistic experimentation. Whereas most previous scholarship has examined these developments through the prism of auteurism, with its tight focus on film directors and their oeuvres, the contributors to this collection also carefully examine production histories and processes. In doing so they pay particular attention to the economic underpinnings and collaborative nature of filmmaking, the influence of European art cinema as well as of exploitation, experimental and underground films, and the connections between cinema and other media (notably publishing, music and theatre). Several chapters show how the innovations of the Hollywood Renaissance relate to further changes in American cinema from the mid-1970s onwards.
Описание: Addressing representations of Russia and neighbouring Eastern Europe in post-1989 Nordic cinemas, this ground-breaking book investigates their hitherto overlooked transnational dimension.
Автор: Costas Constandinides, Yiannis Papadakis Название: Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe ISBN: 1501319965 ISBN-13(EAN): 9781501319969 Издательство: Bloomsbury Academic Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Cyprus, the idyllic “island of Aphrodite,” is better known as a site of conflict and division between Greek Cypriots and Turkish Cypriots, rather than for its film production. Constandinides and Papadakis work to rectify this dearth of information by discussing the ouevre of filmmakers engaging with the island's traumatic legacies: anti-colonial struggles, post-colonial instability, interethnic conflict, external interventions and war. Starting with the cinema of the 1960s, when the island became a republic, the collection focuses on the recent decades of filmmakers exploring issues of conflict, memory, identity, nationalism, migration and gender, as well as the work of filmmakers who chose to cooperate across the ethnic divide. Cypriot Cinemas utilizes a methodology that engages all necessary perspectives for an illuminating critical discussion: historical, theoretical and comparative (Greek Cypriot and Turkish Cypriot films in relation to regional film cultures/practices). While the volume develops a discussion based on the reading of the political in Cypriot films, it also looks at other film cultures and debates such as (s)exploitation films and transnational cinema.
Описание: This book examines performances in the American film industry`s highest-earning and most influential films.
Название: Conflict and controversy in small cinemas ISBN: 3631750293 ISBN-13(EAN): 9783631750292 Издательство: Peter Lang Рейтинг: Цена: 11435.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book examines small cinemas and their presentation of society in times of crisis and conflict from an interdisciplinary and intercultural point of view. The authors concentrate on economic, social and political challenges and point to new phenomena which have been exposed by film directors. They present essays on, among others, Basque cinema; gendered controversies in post-communist small cinemas in Slovakia and Czech Republic; ethnic stereotypes in the works of Polish filmmakers; stereotypical representation of women in Japanese avant-garde; post-communist political myths in Hungary; the separatist movements of Catalonia; people in diasporas and during migrations. In view of these timely topics, the book touches on the most serious social and political problems. The films discussed provide an excellent platform for enhancing debates on politics, gender, migration and new aesthetics in cinema at departments of history, sociology, literature and film.
Автор: Elena del R?o Название: The Grace of Destruction: A Vital Ethology of Extreme Cinemas ISBN: 1501303023 ISBN-13(EAN): 9781501303029 Издательство: Bloomsbury Academic Рейтинг: Цена: 20592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
For Elena del R o, extreme cinema is not only qualitatively different from the representations of violence we encounter in popular, mainstream cinema; it also constitutes a critique of the socio-moral system that produces (in every sense of the word) such violence. Drawing inspiration from Deleuze's ethics of immanence, Spinoza's ethology of passions and Nietzsche's typology of forces, The Grace of Destruction examines the affective extremities common in much of global, contemporary cinema from the affirmative perspective of vital forces and situations-extremities such as moral/religious oppression, biopolitical violence, the pain involved in gender relations, the event of death and planetary extinction.
Her analysis diverges from the current literature on extreme cinema through its selection of films, which include key international examples, and through its foregrounding of relational, affective politics over representations of sexuality and graphic violence. Detailed formal and philosophical analyses of films like The White Ribbon, Dogville, Code Unknown, Battle in Heaven, Sonatine, Fireworks, Dolls, Takeshis', Inland Empire and Melancholia are meant to move us away from the moral appraisal of violence and destruction, and to compose an ethological philosophy of cinema based on Deleuze's idea that, "when truth and judgment crumble, there remain bodies, which are... nothing but forces."
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
