Описание: Addressing representations of Russia and neighbouring Eastern Europe in post-1989 Nordic cinemas, this ground-breaking book investigates their hitherto overlooked transnational dimension.
Описание: Narrative and spectacle describe two extremes of film content, but the oeuvres of John Cassavetes and David Cronenberg resist such categorization. This book sets out to articulate alternative ways of appreciating film aesthetics outside the narrative/spectacle continuum.
Описание: Ecology and Contemporary Nordic Cinemas uses a range of analytical approaches to interrogate how the traditional socio-political rhetoric of national cinema can be rethought through ecosystemic concerns, by exploring a range of Nordic films as national and transnational, regional and local texts--all with significant global implications. By synergizing transnational theories with ecological approaches, the study considers the planetary implications of nation-based cultural production.
Описание: In examining the construction of girlhood from many angles, this collection of essays attempts to capture the richness of meaning behind "girl films", but also explores the recent resurgence of youth-orientated cinema and the relationship of young female viewers to that medium.
Автор: Provencher Ken Название: Exploiting East Asian Cinemas ISBN: 1501319655 ISBN-13(EAN): 9781501319655 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: From the 1970s onward, "exploitation cinema+? as a concept has circulated inside and outside of East Asian nations and cultures in terms of aesthetics and marketing. However, crucial questions about how global networks of production and circulation alter the identity of an East Asian film as "mainstream+? or as "exploitation+? have yet to be addressed in a comprehensive way. Exploiting East Asian Cinemas serves as the first authoritative guide to the various ways in which contemporary cinema from and about East Asia has trafficked across the somewhat-elusive line between mainstream and exploitation. Focusing on networks of circulation, distribution, and reception, this collection treats the exploitation cinemas of East Asia as mobile texts produced, consumed, and in many ways re-appropriated across national (and hemispheric) boundaries. As the processes of globalization have decoupled products from their nations of origin, transnational taste cultures have declared certain works as "art+? or "trash, +? regardless of how those works are received within their native locales. By charting the routes of circulation of notable films from Japan, China, and South Korea, this anthology contributes to transnationally-accepted formulations of what constitutes "East Asian exploitation cinema.+?
Описание: "A fascinating examination of 13 key films from one of the most highly regarded and most widely debated periods in American film history"--
Автор: Tierney, Dolores Название: New transnationalisms in contemporary latin american cinemas ISBN: 074864573X ISBN-13(EAN): 9780748645732 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book incorporates the Latin America/Hollywood and Indiewood vector of filmmaking into its study of the region`s transnationalized filmmaking, using textual analysis and industrial case studies.
Автор: Barr Jason Название: The Kaiju Film: A Critical Study of Cinema`s Biggest Monsters ISBN: 078649963X ISBN-13(EAN): 9780786499632 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4990.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Kaiju (strange monster) film genre has a number of themes that go well beyond the "big monsters stomping on cities" motif. This examination of kaiju considers the entirety of the genre. The author examines how kaiju has crossed cultures from its original folkloric inspirations and how the genre reflects national values to audiences.
Описание: In December 1967, Time magazine put Bonnie and Clyde on its cover and proudly declared that Hollywood cinema was undergoing a ‘renaissance’. For the next few years, a wide range of formally and thematically challenging films were produced at the very centre of the American film industry, often (but by no means always) combining success at the box office with huge critical acclaim, both then and later. This collection brings together acknowledged experts on American cinema to examine thirteen key films from the years 1966 to 1974, starting with Who’s Afraid of Virginia Woolf?, a major studio release which was in effect exempted from Hollywood’s Production Code and thus helped to liberate American filmmaking from (self-)censorship. Long-standing taboos to do with sex, violence, race relations, drugs, politics, religion and much else could now be broken, often in conjunction with extensive stylistic experimentation. Whereas most previous scholarship has examined these developments through the prism of auteurism, with its tight focus on film directors and their oeuvres, the contributors to this collection also carefully examine production histories and processes. In doing so they pay particular attention to the economic underpinnings and collaborative nature of filmmaking, the influence of European art cinema as well as of exploitation, experimental and underground films, and the connections between cinema and other media (notably publishing, music and theatre). Several chapters show how the innovations of the Hollywood Renaissance relate to further changes in American cinema from the mid-1970s onwards.
Ecology and Contemporary Nordic Cinemas challenges the traditional socio-political rhetoric of national cinema by providing an ecocritical examination of Nordic cinema. The author uses a range of analytical approaches to interrogate how the national paradigm can be rethought through ecosystemic concerns, by exploring a range of Nordic films as national and transnational, regional and local texts, all with significant global implications. By synergizing transnational theories with ecological approaches, the study considers the planetary implications of nation-based cultural production.
Автор: Germ?n Gil-Curiel Название: Film Music in `Minor` National Cinemas ISBN: 150132022X ISBN-13(EAN): 9781501320224 Издательство: Bloomsbury Academic Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Taking its cue from Deleuze's definition of minor cinema as one which engages in a creative act of becoming, this collection explores the multifarious ways that music has been used in the cinemas of various countries in Australasia, Africa, Latin America and even in Europe that have hitherto received little attention. The authors consider such film music with a focus on the role it has played creating, problematizing, and sometimes contesting, the nation. Film Music in 'Minor' National Cinemas addresses the relationships between film music and the national cinemas beyond Hollywood and the European countries that comprise most of the literature in the field. Broad in scope, it includes chapters that analyze the contribution of specific composers and songwriters to their national cinemas, and the way music works in films dealing with national narratives or issues; the role of music in the shaping of national stars and specific use of genres; audience reception of films on national music traditions; and the use of music in emerging digital video industries.
Название: The many cinemas of michael curtiz ISBN: 1477315543 ISBN-13(EAN): 9781477315545 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 11286.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Director Michael Curtiz was the mastermind behind some of the most iconic films of classical Hollywood—Casablanca, Yankee Doodle Dandy, The Sea Hawk, White Christmas, and Mildred Pierce, to name only a few. The most prolific and consistently successful Hollywood generalist with an all-embracing interest in different forms of narrative and spectacle, Curtiz made around a hundred films in an astonishing range of genres: action, biopics, melodramas/film noir, musicals, and westerns. But his important contributions to the history of American film have been overlooked because his broadly varied oeuvre does not present the unified vision of filmmaking that canonical criticism demands for the category of “auteur.”
Exploring his films and artistic practice from a variety of angles, including politics, gender, and genre, The Many Cinemas of Michael Curtiz sheds new light on this underappreciated cinematic genius. Leading film studies scholars offer fresh appraisals of many of Curtiz’s most popular films, while also paying attention to neglected releases of substantial historical interest, such as Noah’s Ark , Night and Day, Virginia City, Black Fury, Mystery of the Wax Museum, and Female. Because Curtiz worked for so long and in so many genres, this analysis of his work becomes more than an author study of a notable director. Instead, The Many Cinemas of Michael Curtiz effectively adds a major chapter to the history of Hollywood’s studio era, including its internationalism and the significant contributions of European émigrés.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
