Описание: A compelling and thought-provoking study, now available in B-format paperback, The Destruction of Art investigates the destruction of architecture and art around the globe, uncovering a surprisingly widespread phenomenon.
Images increasingly saturate our world, making present to us what is distant or obscure. Yet the power of images also arises from what they do not make present—from a type of absence they do not dispel. Joining a growing multidisciplinary conversation that rejects an understanding of images as lifeless objects, this book offers a theological meditation on the ways images convey presence into our world. Just as Christ negates himself in order to manifest the invisible God, images, Natalie Carnes contends, negate themselves to give more than they literally or materially are. Her Christological reflections bring iconoclasm and iconophilia into productive relation, suggesting that they need not oppose one another.
Investigating such images as the biblical golden calf and paintings of the Virgin Mary, Carnes explores how to distinguish between iconoclasms that maintain fidelity to their theological intentions and those that lead to visual temptation. Offering ecumenical reflections on issues that have long divided Protestant, Catholic, and Orthodox traditions, Image and Presence provokes a fundamental reconsideration of images and of the global image crises of our time.
Images increasingly saturate our world, making present to us what is distant or obscure. Yet the power of images also arises from what they do not make present—from a type of absence they do not dispel. Joining a growing multidisciplinary conversation that rejects an understanding of images as lifeless objects, this book offers a theological meditation on the ways images convey presence into our world. Just as Christ negates himself in order to manifest the invisible God, images, Natalie Carnes contends, negate themselves to give more than they literally or materially are. Her Christological reflections bring iconoclasm and iconophilia into productive relation, suggesting that they need not oppose one another.
Investigating such images as the biblical golden calf and paintings of the Virgin Mary, Carnes explores how to distinguish between iconoclasms that maintain fidelity to their theological intentions and those that lead to visual temptation. Offering ecumenical reflections on issues that have long divided Protestant, Catholic, and Orthodox traditions, Image and Presence provokes a fundamental reconsideration of images and of the global image crises of our time.
Автор: Gonzalez Zarandona Jose Antonio Название: Murujuga: Rock Art, Heritage, and Landscape Iconoclasm ISBN: 0812251563 ISBN-13(EAN): 9780812251562 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 11907.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
A fascinating case study of the archaeological site at Murujuga, Australia Located in the Dampier Archipelago of Western Australia, Murujuga is the single largest archaeological site in the world. It contains an estimated one million petroglyphs, or rock art motifs, produced by the Indigenous Australians who have historically inhabited the archipelago. To date, there has been no comprehensive survey of the site's petroglyphs or those who created them. Since the 1960s, regional mining interests have caused significant damage to this site, destroying an estimated 5 to 25 percent of the petroglyphs in Murujuga. Today, Murujuga holds the unenviable status of being one of the most endangered archaeological sites in the world. José Antonio González Zarandona provides a full postcolonial analysis of Murujuga as well as a geographic and archaeological overview of the site, its ethnohistory, and its considerable significance to Indigenous groups, before examining the colonial mistreatment of Murujuga from the seventeenth century to the present. Drawing on a range of postcolonial perspectives, Zarandona reads the assaults on the rock art of Murujuga as instances of what he terms "landscape iconoclasm": the destruction of art and landscapes central to group identity in pursuit of ideological, political, and economic dominance. Viewed through the lens of landscape iconoclasm, the destruction of Murujuga can be understood as not only the result of economic pressures but also as a means of reinforcing—through neglect, abandonment, fragmentation, and even certain practices of heritage preservation—the colonial legacy in Western Australia. Murujuga provides a case study through which to examine, and begin to reject, archaeology's global entanglement with colonial intervention and the politics of heritage preservation.
Автор: Fabio Rambelli, Eric Reinders Название: Buddhism and Iconoclasm in East Asia: A History ISBN: 1472525957 ISBN-13(EAN): 9781472525956 Издательство: Bloomsbury Academic Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is a cross-cultural study of the multifaceted relations between Buddhism, its materiality, and instances of religious violence and destruction in East Asia, which remains a vast and still largely unexplored field of inquiry. Material objects are extremely important not just for Buddhist practice, but also for the conceptualization of Buddhist doctrines; yet, Buddhism developed ambivalent attitudes towards such need for objects, and an awareness that even the most sacred objects could be destroyed. After outlining Buddhist attitudes towards materiality and its vulnerability, the authors propose a different and more inclusive definition of iconoclasm-a notion that is normally not employed in discussions of East Asian religions. Case studies of religious destruction in East Asia are presented, together with a new theoretical framework drawn from semiotics and cultural studies, to address more general issues related to cultural value, sacredness, and destruction, in an attempt to understand instances in which the status and the meaning of the sacred in any given culture is questioned, contested, and ultimately denied, and how religious institutions react to those challenges.
Автор: Sophie Halart, Mara Polgovsky Ezcurra Название: Sabotage Art: Politics and Iconoclasm in Contemporary Latin America ISBN: 1784532258 ISBN-13(EAN): 9781784532253 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Sabotage is the deliberate disruption of a dominant system, be it political, military or economic. Yet in recent decades, sabotage has also become an artistic strategy most notably in Latin America. In Brazil, Colombia, Mexico, Chile and Argentina, artists are producing radical, unruly or even iconoclastic work that resists state violence, social conformity and the commodification of art. Sabotage Art reveals how contemporary Latin American artists have resorted to sabotage strategies as a means to bridge the gap between aesthetics and politics. The global status of and market for Latin American art is growing rapidly. This book is essential reading for those who want to understand this new, dissident work, as well as its mystification, co-option and commercialisation within current academic historiographies and art-world curatorial initiatives."
Описание: This book explains the current destruction of graves in the Islamic world and traces the ideological sources of iconoclasm in their historical perspective, from medieval theological and legal debates to contemporary Islamist movements including ISIS.
Автор: Noyes James Название: Politics of Iconoclasm ISBN: 1848855656 ISBN-13(EAN): 9781848855656 Издательство: Bloomsbury Рейтинг: Цена: 17820.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: From sixteenth-century Geneva to urban developments in Mecca today, The Politics of Iconoclasm offers a bold and original history of image-breaking and of the culture of violence and its paradoxical roots in the desire for renewal.
Автор: Bellion Wendy Название: Iconoclasm in New York: Revolution to Reenactment ISBN: 0271083646 ISBN-13(EAN): 9780271083643 Издательство: NBN International Рейтинг: Цена: 23652.00 р. Наличие на складе: Нет в наличии.
Описание: Explores iconoclasm in American art history, focusing on the destruction of the statue of King George III in New York City in 1776. Argues that the destruction of art and objects has propelled the formation of an American creation story.
Автор: Noyes James Название: Politics of Iconoclasm ISBN: 178453479X ISBN-13(EAN): 9781784534790 Издательство: Bloomsbury Academic Рейтинг: Цена: 3166.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: From false idols and graven images to the tombs of kings and the shrines of capitalism, the targeted destruction of cities, sacred sites and artefacts for religious, political or nationalistic reasons is central to our cultural legacy. This book examines the different traditions of image-breaking in Christianity and Islam as well as their development into nominally secular movements and paints a vivid, scholarly picture of a culture of destruction encompassing Protestantism, Wahhabism, and Nationalism. Beginning with a comparative account of Calvinist Geneva and Wahhabi Mecca, The Politics of Iconoclasm explores the religious and political agendas behind acts of image-breaking and their relation to nationhood and state-building. From sixteenth-century Geneva to urban developments in Mecca today, The Politics of Iconoclasm explores the history of image-breaking, the culture of violence and its paradoxical roots in the desire for renewal. Examining these dynamics of nationhood, technology, destruction and memory, a historical journey is described in which the temple is razed and replaced by the machine.
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