Описание: At the height of their power in the late eleventh century, the Chaco Anasazi dominated a territory in the American Southwest larger than any European principality of the time. Developed over the course of centuries and thriving for over two hundred years, the Chacoans’ society collapsed dramatically in the twelfth century in a mere forty years.David E. Stuart incorporates extensive new research findings through ground breaking archaeology to explore the rise and fall of the Chaco Anasazi and how it parallels patterns throughout modern societies in this new edition. Adding new research findings on caloric flows in prehistoric times and investigating the evolutionary dynamics induced by these forces as well as exploring the consequences of an increasingly detached central Chacoan decision-making structure, Stuart argues that Chaco’s failure was a failure to adapt to the consequences of rapid growth—including problems with the misuse of farmland, malnutrition, loss of community, and inability to deal with climatic catastrophe.Have modern societies learned from the experience and fate of the Chaco Anasazi, or are we risking a similar cultural collapse?
Автор: Jennifer Loughmiller-Cardinal, Keith Eppich Название: Breath and Smoke: Tobacco Use among the Maya ISBN: 0826360920 ISBN-13(EAN): 9780826360922 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 12474.00 р. Наличие на складе: Нет в наличии.
Описание: Discusses tobacco in modern and ancient contexts. The chapters utilize research from archaeology, ethnography, mythic narrative, and chemical science from the eighth through the twenty-first centuries.
Автор: Elena Mihas Название: Upper Perene Arawak Narratives of History, Landscape, and Ritual ISBN: 0803285647 ISBN-13(EAN): 9780803285644 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Published through the Recovering Languages and Literacies of the Americas initiative, supported by the Andrew W. Mellon Foundation
The rich storytelling traditions of the Alto Perené Arawaks of eastern Peru are showcased in this bilingual collection of traditional narratives, ethnographic accounts, women’s autobiographical stories, songs, chants, and ritual speeches. The Alto Perené speakers are located in the colonization frontier at the foot of the eastern Andes and the western fringe of the Amazonian jungle. Unfortunately, their language has a slim chance of surviving because only about three hundred fluent speakers remain. This volume collects and preserves the power and vitality of Alto Perené oral and linguistic traditions, as told by thirty members of the Native community.
Upper Perené Arawak Narratives of History, Landscape, and Ritual covers a range of themes in the Alto Perené oral tradition, through genres such as myths, folk tales, autobiographical accounts, and ethnographic texts about customs and rituals, as well as songs, chants, and oratory. Transcribed and translated by Elena Mihas, a specialist in Northern Kampa language varieties, and grounded in the actual performances of Alto Perené speakers, this collection makes these stories available in English for the first time. Each original text in Alto Perené is accompanied by an English translation, and each theme is introduced with an essay providing biographical, cultural, and linguistic information. This collection of oral literature is masterful and authoritative as well as entertaining and provocative, testifying to the power of Alto Perené storytelling.
Автор: Saldana-Portillo Maria Jose Название: Indian Given: Racial Geographies Across Mexico and the United States ISBN: 082235988X ISBN-13(EAN): 9780822359883 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 20058.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In Indian Given María Josefina Saldaña-Portillo addresses current racialized violence and resistance in Mexico and the United States with a genealogy that reaches back to the sixteenth century. Saldaña-Portillo formulates the central place of indigenous peoples in the construction of national spaces and racialized notions of citizenship, showing, for instance, how Chicanos/as in the U.S./Mexico borderlands might affirm or reject their indigenous background based on their location. In this and other ways, she demonstrates how the legacies of colonial Spain's and Britain's differing approaches to encountering indigenous peoples continue to shape perceptions of the natural, racial, and cultural landscapes of the United States and Mexico. Drawing on a mix of archival, historical, literary, and legal texts, Saldaña-Portillo shows how los indios/Indians provided the condition of possibility for the emergence of Mexico and the United States.
Автор: Carlos Fausto Название: Art Effects: Image, Agency, and Ritual in Amazonia ISBN: 1496220447 ISBN-13(EAN): 9781496220448 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10032.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In Art Effects Carlos Fausto explores the interplay between indigenous material culture and ontology in ritual contexts, interpreting the agency of artifacts and indigenous presences and addressing major themes in anthropological theory and art history to study ritual images in the widest sense. Fausto delves into analyses of the body, aerophones, ritual masks, and anthropomorphic effigies while making a broad comparison between Amerindian visual regimes and the Christian imagistic tradition. Drawing on his extensive fieldwork in Amazonia, Fausto offers a rich tapestry of inductive theorizing in understanding anthropology’s most complex subjects of analysis, such as praxis and materiality, ontology and belief, the power of images and mimesis, anthropomorphism and zoomorphism, and animism and posthumanism. Art Effects also brims with suggestive, hemispheric comparisons of South American and North American indigenous masks. In this tantalizing interdisciplinary work with echoes of Franz Boas, Pierre Clastres, and Claude Lévi-Strauss, among others, Fausto asks: how do objects and ritual images acquire their efficacy and affect human beings?
Описание: Decolonizing 'Prehistory' combines a critical investigation of the documentation of the American deep past with perspectives from Indigenous traditional knowledges and attention to ongoing systems of intellectual colonialism. Bringing together experts from American studies, archaeology, anthropology, legal studies, history, and literary studies, this interdisciplinary volume offers essential information about the complexity and ambivalence of colonial encounters with Indigenous peoples in North America, and their impact on American scientific discourse. The chapters in this book reveal how anthropology, archaeology, and cultural heritage have shaped the collective ideological construction of Indigenous cultures, while actively empowering the voices that disrupt conventional tropes and narratives of 'prehistory.' Constructions of America's ancient past - or the invention of American 'prehistory' - occur in national and international political frameworks, which are characterized by struggles over racial and ethnic identities, access to resources and environmental stewardship, the commodification of culture for touristic purposes, and the exploitation of Indigenous knowledges and histories by industries ranging from education to film and fashion. The past's ongoing appeal reveals the relevance of these narratives to current-day concerns about individual and collective identities and pursuits of sovereignty and self-determination, as well as to questions of the origin - and destiny - of humanity. Decolonizing 'Prehistory' critically examines and challenges the paradoxical role that modern scholarship plays in adding legitimacy to, but also delegitimizing, contemporary colonialist practices. Contributors: Rick Budhwa, Keith Thor Carlson, Kirsten Matoy Carlson, Jessica Christie, Philip J. Deloria, Melissa Gniadek, Annette Kolodny, Gesa Mackenthun, Christen Mucher, Naxaxalhts'i (aka Albert 'Sonny' McHalsie), Jeff Oliver, Mathieu Picas, Daniel Lord Smail, Coll Thrush
Whether invented, discovered, implicit, or directly addressed, relations remain the main focus of most anthropological inquiries. These relations, once conceptualized in ethnographic fieldwork as self-evident connections between discrete social units, have been increasingly explored through local ontological theories. This collected volume explores how ethnographies of indigenous South America have helped to inspire this analytic shift, demonstrating the continued importance of ethnographic diversity. Most importantly, this volume asserts that comparative ethnographic research can help illustrate complex questions surrounding relations vis-?-vis the homogenizing effects of modern coloniality.
Описание: Our Fight Has Just Begun is a timely and urgent work. The result of more than a decade of research, it revises history, documents anti-Indianism, and gives voice to victims of racial violence. Navajo scholar Cheryl Redhorse Bennett reveals a lesser-known story of Navajo activism and the courageous organizers that confronted racial injustice and inspired generations.
Illuminating largely untold stories of hate crimes committed against Native Americans in the Four Corners region of the United States, this work places these stories within a larger history, connecting historical violence in the United States to present-day hate crimes. Bennett contends that hate crimes committed against Native Americans have persisted as an extension of an “Indian hating” ideology that has existed since colonization, exposing how the justice system has failed Native American victims and families.
While this book looks deeply at multiple generations of unnecessary and ongoing pain and violence, it also recognizes that this is a time of uncertainty and hope. The movement to abolish racial injustice and racially motivated violence has gained fierce momentum. Our Fight Has Just Begun shows that racism, hate speech, and hate crimes are ever present and offers recommendations for racial justice.
Описание: Common understandings drawn from biblical references, literature, and art portray deserts as barren places that are far from God and spiritual sustenance. In our own time, attention focuses on the rigors of climate change in arid lands and the perils of the desert in the northern Mexican borderlands for migrants seeking shelter and a new life.Bountiful Deserts foregrounds the knowledge of Indigenous peoples in the arid lands of northwestern Mexico, for whom the desert was anything but barren or empty. Instead, they nurtured and harvested the desert as a bountiful and sacred space. Drawing together historical texts and oral testimonies, archaeology, and natural history, author Cynthia Radding develops the relationships between people and plants and the ways that Indigenous people sustained their worlds before European contact through the changes set in motion by Spanish encounters, highlighting the long process of colonial conflicts and adaptations over more than two centuries. This work reveals the spiritual power of deserts by weaving together the cultural practices of historical peoples and contemporary living communities, centered especially on the Yaqui/Yoeme and Mayo/Yoreme. Radding uses the tools of history, anthropology, geography, and ecology to paint an expansive picture of Indigenous worlds before and during colonial encounters. She re-creates the Indigenous worlds in both their spiritual and material realms, bringing together the analytical dimension of scientific research and the wisdom of oral traditions in its exploration of different kinds of knowledge about the natural world.Published in Cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University.
Автор: Adriana Greci Green, Tricia Laughlin Bloom Название: Native Artists of North America ISBN: 093282840X ISBN-13(EAN): 9780932828408 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4257.00 р. Наличие на складе: Нет в наличии.
Описание: Lavishly illustrated with over 80 full-color images, this book includes original art and artifacts from the distant past as well as modern work by Native American artists from a vast array of tribes — including Cherokee, Delaware, Iroquois, Mohawk, Cheyenne, Lakota, Zuni, Pueblo, Yup'ik, Huron, Ojibwa, Arapaho, and Nez Perce. Works included are clothing (such as robes, shoes, and hats), everyday items (such as blankets, pots, jugs, and baskets) and artwork (such as paintings on animal hide and colorful figurines). This publication, the first ever to document the Newark Museum's important Native American holdings in a significant way, is the result of more than one hundred years of collecting and an ambitious amount of new research and interpretation. John Cotton Dana, the museum's founding director, refused established museum hierarchies of art, believing that such stratification was used to privilege painting and sculpture over other media and to marginalize artistic traditions that were not necessarily old or European. Dana's drive to collect art globally and across media, underscoring the role art plays in the daily lives of real people, was all part of the same refrain: art is everything; art is everywhere; art is for everyone. The works here highlight the vitality and persistence of Indigenous people over time and across experiences, and the tenacity with which cultural knowledge and the mastery of skill are passed on from one generation to the next. They also reflect how Native American artists and communities have been and continue to be engaged in broader historical, artistic, and economic exchanges with outsiders. They demonstrate the originality, vision, and care with which artists from different tribal nations across the continent, each with their own history and artistic traditions, express both individual ideas and shared cultural principles. Native Artists of North America draws on the expertise of an outstanding group of internationally recognized scholars and artists. Expert commentary from Ulysses Grant Dietz, Adriana Greci Green, Tricia Laughlin Bloom, Adriana Greci Green, Susan Sekaquaptewa, Emil Her Many Horses, Wendy Red Star, Nadia Jackinsky-Sethi, D. Y. Begay, Mique'l Dangeli, and Sherrie Smith-Ferri provides important insights to help readers understand the nature and significance of the objects and artwork. Published by Newark Museum. Distributed worldwide by Rutgers University Press.
Автор: Sobering, Katherine Название: People`s hotel ISBN: 1478018267 ISBN-13(EAN): 9781478018261 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3380.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In 2001 Argentina experienced a massive economic crisis: businesses went bankrupt, unemployment spiked, and nearly half the population fell below the poverty line. In the midst of the crisis, Buenos Aires’s iconic twenty-story Hotel Bauen quietly closed its doors, forcing longtime hospitality workers out of their jobs. Rather than leaving the luxury hotel vacant, a group of former employees occupied the property and kept it open. In The People’s Hotel, Katherine Sobering recounts the history of the Hotel Bauen, detailing its transformation from a privately owned business into a worker cooperative—one where decisions were made democratically, jobs were rotated, and all members were paid equally. Combining ethnographic and archival research with her own experiences as a volunteer worker at the hotel, Sobering examines how the Bauen Cooperative grew and, against all odds, successfully kept the hotel open for nearly two decades. Highlighting successes and innovations alongside the many challenges that these workers faced, Sobering presents a vivid portrait of efforts to address inequality and reorganize work in a capitalist economy.
Описание: Translation has facilitated colonialism from the fifteenth century to the present day. Epistemicide, which involves destroying, marginalizing, or banishing Indigenous, subaltern, and counter-hegemonic knowledges, is one result. In the Americas, it is a racializing process. But in the hands of subaltern translators and interpreters, translation has also been used as a decolonial method.
The book gives an account of translation-as-epistemicide in the Americas, drawing on a range of examples from the early colonial period to the War on Terror. The first chapters demonstrate four distinct operations of epistemicide: the commensuration of worlds, the epistemic marginalization of subaltern translators and the knowledge they produce, the criminalization of translators and interpreters, and translation as piracy or extractivism. The second part of the book outlines decolonial translation strategies, including an epistemic posture the author calls “bewilderment.”
Translation and Epistemicide tracks how through the centuries translation practices have enabled colonialism and resulted in epistemicide, or the destruction of Indigenous and subaltern knowledge.
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