Автор: Umer O. Thasneem Название: Orhan Pamuk and the Poetics of Fiction ISBN: 1527535177 ISBN-13(EAN): 9781527535176 Издательство: Cambridge Scholars Рейтинг: Цена: 8109.00 р. Наличие на складе: Нет в наличии.
Описание: This volume marks an exhilarating tour through the mesmerizing and labyrinthine fictional world of the Nobel Prize-winning Turkish author Orhan Pamuk. Despite being ranked alongside Marquez, Cortazar, Calvino, Borges and Eco, Pamuk is yet to receive due critical attention in the Anglophone world, where he has millions of readers. This book takes the reader on a fascinating ride through Pamuk's novels from The Silent House, written in the early Eighties, to the recently published The Red Haired Woman.
The nine novels that form the focus of this study straddle a period of more than three decades that witnessed the emergence of Pamuk as Turkey's foremost novelist and a master fabulist. The book details the chemistry of the thematics and architectonics of Pamuk's craft in a style shorn of dry pedantry and jargon trotting. Examining the intricate pattern of his creative topography in the light of theories ranging from psychoanalysis to spectral criticism, it represents a timely and illuminating contribution to the study of contemporary fiction.
Описание: Simone Weil once wrote that "the vulnerability of precious things is beautiful because vulnerability is a mark of existence," establishing a relationship between vulnerability, beauty, and existence transcending the separation of species. Her conception of a radical ethics and aesthetics could be characterized as a new poetics of species, forcing a rethinking of the body's significance, both human and animal. Exploring the "logic of flesh" and the use of the body to mark species identity, Anat Pick reimagines a poetics that begins with the vulnerability of bodies, not the omnipotence of thought. Pick proposes a "creaturely" approach based on the shared embodiedness of humans and animals and a postsecular perspective on human-animal relations. She turns to literature, film, and other cultural texts, challenging the familiar inventory of the human: consciousness, language, morality, and dignity. Reintroducing Weil's elaboration of such themes as witnessing, commemoration, and collective memory, Pick identifies the animal within all humans, emphasizing the corporeal and its issues of power and freedom. In her poetics of the creaturely, powerlessness is the point at which aesthetic and ethical thinking must begin.
This book revolutionizes the 1000-year old tradition that stems from the first commentaries on the Poetics by the Arabic scholars. Aristotle's treatise has always been thought to be about poetic-literary theory, with tragedy being its paradigm. Scott demonstrates, however, that Aristotle (384-322 BCE) employs poiesis not in the way universally assumed until now, as "language in verse" or "poetry," which the sophist Gorgias only coined in 415 BCE. Rather, Aristotle follows Diotima, who in the Symposium of Plato (424-347) explains poiesis as mousike kai metra (typically "'music' and verses"). One reason Aristotle employs the Diotiman and not the Gorgian sense of poiesis is that not one poem exists in the so-called "Poetics"; another reason is that the definition of tragedy includes "music." Scott subsequently demonstrates that Aristotle considers tragedy not to be a species of literature but one of dramatic "musical" theater that also requires dance and spectacle. Chapter 2 includes a revised version of Scott's "The Poetics of Performance: The Necessity of Performance, Spectacle, Music, and Dance in Aristotelian Tragedy" (Cambridge University Press, 1999). The book also supplements his arguments of "Purging the Poetics" (Oxford Studies in Ancient Philosophy, 2003), reprinted as Chapter 5, and provides the additional and seemingly insuperable reasons why Aristotle could not have written the clause with the words catharsis, pity, and fear in the definition of tragedy, as a number of internationally known ancient Greek specialists have already been accepting. One reason is that he defines by "biological division" and catharsis is not only missing from the preliminary divisions but is the only term in the definition not discussed in the entire treatise. A second reason is that catharsis contradicts the goal of tragedy as pleasure, itself indicated many times in the work. A third reason is that Aristotle writes in Chapter 13 that pity and fear do not belong to plots showing a virtuous person going from fortune to misfortune. Including pity and fear in the definition would thus exclude even plays like Antigone or Trojan Women from being tragedies. A fourth reason is that Aristotle says three times that tragoidos (originally "goat-song" but usually translated as "tragedy") can show agents going from misfortune to fortune, and the finest examples in Chapter 14 are the plays not like Oedipus but those ending happily, like Cresphontes, which would have no pity because of Aristotle's requirement of very significant suffering for pity. All of this allows a fresh and better reading of the treatise that even with its fundamental misinterpretations has been the foundation of Western literary, dramatic and artistic theory. VOL 1 includes Plato's and Aristotle's meaning of poiesis as "music-dance and verse" and of rhuthmos often as "dance," not "rhythm"; the importance of dance in the state for both thinkers, along with the proof that Aristotle considers tragedy to be a species of dramatic "musical" art. VOL 2 includes the issues of catharsis, pity, and fear, and a complete rebuttal of the only attempted rigorous reply (by Stephen Halliwell in Between Ecstasy and Truth, 2011) to "Purging the Poetics." Also included is a history of the Poetics; Bibliography; & the Index for both volumes.
Описание: In this account of how the novel reorients philosophy toward the meaning of existence, Yi-Ping Ong shows that the existentialists discovered a radical way of thinking about the relation between the form of the novel and the nature of self-knowledge, freedom, and the world. At stake are the conditions under which knowledge of existence is possible.
Автор: Martina Zimmermann Название: The Poetics and Politics of Alzheimer`s Disease Life-Writing ISBN: 3319443879 ISBN-13(EAN): 9783319443874 Издательство: Springer Рейтинг: Цена: 3913.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: and second, committed alleviation of caregiver burden through social support systems and altered healthcare policies requires significantly altered views about aging, dementia, and Alzheimer`s patients.
Описание: The early United States was a culture of the episode. In Episodic Poetics, Matthew Garrett merges narrative theory with social and political history to explain the early American fascination with the episodic, piecemeal plot.
Описание: The notion of a harmonious universe was taught by Pythagoras as early as the sixth century BC, and remained a basic premise in Western philosophy, science, and art almost to our own day. In Touches of Sweet Harmony, S. K. Heninger first recounts the legendary life of Pythagoras, describes his school at Croton, and discusses the materials from which the Renaissance drew its information about Pythagorean doctrine. The second section of the book reconstructs the many facets of this doctrine, and the final section shows its influence on Renaissance poetics. Professor Heninger's magisterial work introduces the reader not only to Pythagoras but to a host of other classical, medieval, and Renaissance figures as well--from Plato and Aristotle through St. Augustine and Macrobius down to Sidney and Spenser.
Описание: Even though Edward Said's Orientalism inspired several generations of scholars to study the English novel's close involvement with colonialism, they have not considered how English novels themselves were radically altered by colonialism. In Educating Seeta, Shuchi Kapila argues that the paradoxes of indirect rule in British India were negotiated in "family romances" which encoded political struggle in the language of domestic and familial civility. A mixture of domestic ideology and liberal politics, these are Anglo-Indian romances, written by British colonials who lived in India during a period of indirect colonial rule. Instead of providing neat conclusions and smooth narratives, they become a record of the limits of liberal colonialism. They thus offer an important supplement to Victorian novels, extend the study of nineteenth-century domestic ideology, and offer a new perspective on colonial culture. Kapila demonstrates that popular writing about India and, by implication, other colonies is an important supplement to the high Victorian novel and indispensable to our understanding of nineteenth-century English literature and culture. Her nuanced study of British writing about indirect rule in India will reshape our understanding of Victorian domestic ideologies, class formation, and gender politics.
Описание: What caused England's literary renaissance? One answer has been such unprecedented developments as the European discovery of America. Yet England in the sixteenth century was far from an expanding nation. Not only did the Tudors lose England's sole remaining possessions on the Continent and, thanks to the Reformation, grow spiritually divided from the Continent as well, but every one of their attempts to colonize the New World actually failed. Jeffrey Knapp accounts for this strange combination of literary expansion and national isolation by showing how the English made a virtue of their increasing insularity. Ranging across a wide array of literary and extraliterary sources, Knapp argues that English poets rejected the worldly acquisitiveness of an empire like Spain's and took pride in England's material limitations as a sign of its spiritual strength. In the imaginary worlds of such fictions as Utopia, The Faerie Queene, and The Tempest, they sought a grander empire, founded on the "otherworldly" virtues of both England and poetry itself. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992.
Автор: Thirumal, P. , Laldinpuii, , Lalrozami, C. Название: Modern Mizoram ISBN: 0367479397 ISBN-13(EAN): 9780367479398 Издательство: Taylor&Francis Рейтинг: Цена: 6430.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book offers an alternative understanding of the modern history of Mizoram through an analysis of its cultural practices through language, music, poetry and festivals. It explores the sensibility of modern cultural works not just in Christianity, but also in pre-colonial Mizo traditional practices.
Автор: Maynard, James, Название: Robert Duncan & the pragmatist sublime / ISBN: 0826358896 ISBN-13(EAN): 9780826358899 Издательство: Turpin Рейтинг: Цена: 10349.00 р. Наличие на складе: Невозможна поставка.
Описание: Examines the theoretical underpinnings of Robert Duncan`s poetry and poetics. The author`s overriding concern is Duncan`s understanding of excess in relation to poetry and the philosophies of Alfred North Whitehead, William James, and John Dewey.
Автор: Branche Название: The Poetics and Politics of Diaspora ISBN: 1138800163 ISBN-13(EAN): 9781138800168 Издательство: Taylor&Francis Рейтинг: Цена: 24499.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book studies the creative discourse of the modern African diaspora by analyzing poems, novels, essays, hip-hop and dub poetry in the Caribbean, England, Spain, and Colombia. It captures diasporan movement through mutually intersecting axes of dislocation and relocation, and efforts at political group affirmation and settlement, or "location."
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