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Working Subjects in Early Modern English Drama, Korda


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Автор: Korda
Название:  Working Subjects in Early Modern English Drama
ISBN: 9781138249257
Издательство: Taylor&Francis
Классификация:





ISBN-10: 1138249254
Обложка/Формат: Paperback
Страницы: 310
Вес: 0.58 кг.
Дата издания: 09.09.2016
Язык: English
Размер: 235 x 159
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Theatre studies, PERFORMING ARTS / Theater / General
Основная тема: Theatre & Performance Studies
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: Working Subjects in Early Modern English Drama investigates the ways in which work became a subject of inquiry on the early modern stage and the processes by which the drama began to forge new connections between labor and subjectivity in the period. The essays assembled here address fascinating and hitherto unexplored questions raised by the subject of labor as it was taken up in the drama of the period: How were laboring bodies and the goods they produced, marketed and consumed represented onstage through speech, action, gesture, costumes and properties? How did plays participate in shaping the identities that situated laboring subjects within the social hierarchy? In what ways did the drama engage with contemporary discourses (social, political, economic, religious, etc.) that defined the cultural meanings of work? How did players and playwrights define their own status with respect to the shifting boundaries between high status/low status, legitimate/illegitimate, profitable/unprofitable, skilled/unskilled, formal/informal, male/female, free/bound, paid/unpaid forms of work? Merchants, usurers, clothworkers, cooks, confectioners, shopkeepers, shoemakers, sheepshearers, shipbuilders, sailors, perfumers, players, magicians, servants and slaves are among the many workers examined in this collection. Offering compelling new readings of both canonical and lesser-known plays in a broad range of genres (including history plays, comedies, tragedies, tragi-comedies, travel plays and civic pageants), this collection considers how early modern drama actively participated in a burgeoning, proto-capitalist economy by staging Englands newly diverse workforce and exploring the subject of work itself.


Bible and the printed image in early modern england

Автор: Gaudio, Michael
Название: Bible and the printed image in early modern england
ISBN: 1138353299 ISBN-13(EAN): 9781138353299
Издательство: Taylor&Francis
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Цена: 7195.00 р.
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Описание: The first book-length study of the fifteen surviving Little Gidding bible concordances, this book examines the visual culture of print in seventeenth-century England through the lens of one extraordinary family and their hand-made biblical manuscripts. The volumes were created by the women of the Ferrar-Collet family of Little Gidding, who selected works from the family's collection of Catholic religious prints, and then cut and pasted prints and print fragments, along with verses excised from the bible, and composed them in artful arrangements on the page in the manner of collage. Gaudio shows that by cutting, recombining, and pasting multi-scaled print fragments, the Ferrar-Collet family put into practice a remarkably flexible pictorial language. The Little Gidding concordances provide an occasion to explore how the manipulation of print could be a means of thinking through some of the most pressing religious and political questions of the pre-civil war period: the coherence of printed scripture, the nature of sovereignty, the relevance of the Mosaic law, and the protestant reform of images. By foregrounding the Ferrar-Collets' engagement with the print fragment, this book extends the scope of early modern print history beyond the printmaker's studio and expands our understanding of the ways an early modern Protestant community could productively engage with the religious image. Contrary to the long-held view that the English Reformation led to a decline in the importance of the religious image, this study demonstrates the ongoing vitality of religious prints in early modern England as instruments for thinking.

Three early modern utopias

Автор: More, Saint Sir Thomas Bacon, Francis Neville, Hen
Название: Three early modern utopias
ISBN: 0199537992 ISBN-13(EAN): 9780199537990
Издательство: Oxford Academ
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Цена: 1582.00 р.
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Описание: A unique edition of three early modern utopian texts, using a contemporary translation of More`s Utopia and examining the Renaissance world view as shown by these writers. The edition includes the illustrative material that accompanied early editions of Utopia, full chronologies of the authors, notes, and glossary.

Working Subjects in Early Modern English Drama

Автор: Korda Natasha
Название: Working Subjects in Early Modern English Drama
ISBN: 1409410773 ISBN-13(EAN): 9781409410775
Издательство: Taylor&Francis
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Цена: 24499.00 р.
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Описание: Offering readings of canonical and lesser-known plays in a broad range of genres (including history plays, comedies, travel plays and civic pageants), this title considers how early modern drama actively participated in a burgeoning, proto-capitalist economy by staging England`s newly diverse workforce and exploring the subject of work itself.

Sovereigns and Subjects in Early Modern Neo-Senecan Drama

Автор: Cadman
Название: Sovereigns and Subjects in Early Modern Neo-Senecan Drama
ISBN: 1472435206 ISBN-13(EAN): 9781472435200
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: Sovereigns and Subjects in Early Modern Neo-Senecan Drama examines the development of neo-Senecan drama, also known as ’closet drama’, during the years 1590-1613. It is the first book-length study since 1924 to consider these plays - the dramatic works of Mary Sidney, Samuel Daniel, Samuel Brandon, Fulke Greville, Sir William Alexander, and Elizabeth Cary, along with the Roman tragedies of Ben Jonson and Thomas Kyd - as a coherent group. Daniel Cadman suggests these works interrogate the relations between sovereigns and subjects during the early modern period by engaging with the humanist discourses of republicanism and stoicism. Cadman argues that the texts under study probe various aspects of this dynamic and illuminate the ways in which stoicism and republicanism provide essential frameworks for negotiating this relationship between the marginalized courtier and the absolute sovereign. He demonstrates how aristocrats and courtiers, such as Sidney, Greville, Alexander, and Cary, were able to use the neo-Senecan form to consider aspects of their limited political agency under an absolute monarch, while others, such as Brandon and Daniel, respond to similarly marginalized positions within both political and patronage networks. In analyzing how these plays illuminate various aspects of early modern political culture, this book addresses several gaps in the scholarship of early modern drama and explores new contexts in relation to more familiar writers, as well as extending the critical debate to include hitherto neglected authors.


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