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We are the Champions: The Politics of Sports and Popular Music, Mcleod


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Автор: Mcleod
Название:  We are the Champions: The Politics of Sports and Popular Music
ISBN: 9781138256804
Издательство: Taylor&Francis
Классификация:



ISBN-10: 1138256803
Обложка/Формат: Paperback
Страницы: 268
Вес: 0.57 кг.
Дата издания: 19.10.2016
Серия: Ashgate popular and folk music series
Язык: English
Размер: 234 x 156
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Rock & Pop music, SOCIAL SCIENCE / Popular Culture
Основная тема: Popular Music
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: Sports and popular music are synergistic agents in the construction of identity and community. They are often interconnected through common cross-marketing tactics and through influence on each others performative strategies and stylistic content. Typically only studied as separate entities, popular music and sport cultures mutually play off each other in exchanges of style, ideologies and forms. Posing unique challenges to notions of mind - body dualities, nationalism, class, gender, and racial codes and sexual orientation, Dr Ken McLeod illuminates the paradoxical and often conflicting relationships associated with these modes of leisure and entertainment and demonstrates that they are not culturally or ideologically distinct but are interconnected modes of contemporary social practice. Examples include how music is used to enhance sporting events, such as anthems, chants/cheers, and intermission entertainment, music that is used as an active part of the athletic event, and music that has been written about or that is associated with sports. There are also connections in the use of music in sports movies, television and video games and important, though critically under-acknowledged, similarities regarding spectatorship, practice and performance. Despite the scope of such confluences, the extraordinary impact of the interrelationship of music and sports on popular culture has remained little recognized. McLeod ties together several influential threads of popular culture and fills a significant void in our understanding of the construction and communication of identity in the late twentieth and early twenty-first centuries.


Popular Music and the Politics of Novelty

Автор: Pete Dale
Название: Popular Music and the Politics of Novelty
ISBN: 1501307037 ISBN-13(EAN): 9781501307034
Издательство: Bloomsbury Academic
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Цена: 5542.00 р.
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Описание: Popular music, today, has supposedly collapsed into a ‘retromania’ which, according to leading critic Simon Reynolds, has brought a ‘slow and steady fading of the artistic imperative to be original.’ Meanwhile, in the estimation of philosopher Alain Badiou, a significant political event will always require ‘the dictatorial power of a creation ex nihilo’. Everywhere, it seems, at least amongst commentators of a certain age and type, pessimism prevails with regards to the predominant aesthetic preferences of the twenty first century: popular music, supposedly, is in a rut. Yet when, if ever, did the political engagement kindled by popular music amount to more than it does today? The sixties? The punk explosion of the late 1970s? Despite an on-going fixation upon these periods in much rock journalism and academic writing, this book demonstrates that the utilisation of popular music to promote political causes, on the one hand, and the expression of dissent through the medium of ‘popular song’, on the other hand, remain widely in practice today. This is not to argue, however, for complacency with regards to the need for expressions of political dissent through popular culture. Rather, the book looks carefully at actual usages of popular music in political processes, as well as expressions of political feeling through song, and argues that there is much to encourage us to think that the demand for radical change remains in circulation. The question is, though, how necessary is it for politically-motivated popular music to offer aesthetic novelty?

The Country of Football: Politics, Popular Culture, and the Beautiful Game in Brazil

Автор: Fontes Paulo, Buarque De Hollanda Bernardo
Название: The Country of Football: Politics, Popular Culture, and the Beautiful Game in Brazil
ISBN: 1849044171 ISBN-13(EAN): 9781849044172
Издательство: Неизвестно
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Цена: 4914.00 р.
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Описание: How football shapes Brazil and how Brazilians have changed global football are the twin themes in this vividly written history. The Country of Football Gives an insight into the political significance of football in the 2014 FIFA World Cup`s host nation and provides a wider perspective on the sport`s role in society.

Popular Music and the Politics of Hope

Название: Popular Music and the Politics of Hope
ISBN: 1138055891 ISBN-13(EAN): 9781138055896
Издательство: Taylor&Francis
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Цена: 7195.00 р.
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Описание: In today`s culture, popular music is a vital site where ideas about gender and sexuality are imagined and disseminated. Popular Music and the Politics of Hope: Queer and Feminist Interventions considers the many ways in which contemporary pop music performances of gender and sexuality are politically engaged and even radical.

Popular Music and the Politics of Hope

Название: Popular Music and the Politics of Hope
ISBN: 1138055867 ISBN-13(EAN): 9781138055865
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: In today`s culture, popular music is a vital site where ideas about gender and sexuality are imagined and disseminated. Popular Music and the Politics of Hope: Queer and Feminist Interventions considers the many ways in which contemporary pop music performances of gender and sexuality are politically engaged and even radical.

Popular Music and the Politics of Novelty

Автор: Pete Dale
Название: Popular Music and the Politics of Novelty
ISBN: 1501307045 ISBN-13(EAN): 9781501307041
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 22176.00 р.
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Описание: Popular music, today, has supposedly collapsed into a ‘retromania’ which, according to leading critic Simon Reynolds, has brought a ‘slow and steady fading of the artistic imperative to be original.’ Meanwhile, in the estimation of philosopher Alain Badiou, a significant political event will always require ‘the dictatorial power of a creation ex nihilo’. Everywhere, it seems, at least amongst commentators of a certain age and type, pessimism prevails with regards to the predominant aesthetic preferences of the twenty first century: popular music, supposedly, is in a rut. Yet when, if ever, did the political engagement kindled by popular music amount to more than it does today? The sixties? The punk explosion of the late 1970s? Despite an on-going fixation upon these periods in much rock journalism and academic writing, this book demonstrates that the utilisation of popular music to promote political causes, on the one hand, and the expression of dissent through the medium of ‘popular song’, on the other hand, remain widely in practice today. This is not to argue, however, for complacency with regards to the need for expressions of political dissent through popular culture. Rather, the book looks carefully at actual usages of popular music in political processes, as well as expressions of political feeling through song, and argues that there is much to encourage us to think that the demand for radical change remains in circulation. The question is, though, how necessary is it for politically-motivated popular music to offer aesthetic novelty?

Popular Cinema and Politics in South India

Автор: Rajanayagam
Название: Popular Cinema and Politics in South India
ISBN: 1138822035 ISBN-13(EAN): 9781138822030
Издательство: Taylor&Francis
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Цена: 23734.00 р.
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Описание: This book explores how public and cinematic personas merge in the political landscape of Tamil Nadu in India. Using the films of MGR and Rajinikanth, it reveals the intricate warp and the weft of political and cultural life of the Tamils, while examining Dravida identity, caste and language.

Popular cinema and politics in south india

Автор: Rajanayagam, S. (department Of Visual Communication, Loyola College, India.)
Название: Popular cinema and politics in south india
ISBN: 0815373171 ISBN-13(EAN): 9780815373179
Издательство: Taylor&Francis
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Цена: 7654.00 р.
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Описание: This book explores how public and cinematic personas merge in the political landscape of Tamil Nadu in India. Using the films of MGR and Rajinikanth, it reveals the intricate warp and the weft of political and cultural life of the Tamils, while examining Dravida identity, caste and language.

Understanding popular culture and world politics in the digital age

Название: Understanding popular culture and world politics in the digital age
ISBN: 1138940283 ISBN-13(EAN): 9781138940284
Издательство: Taylor&Francis
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Цена: 24499.00 р.
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Описание: This volume represents the starting point of a dialogue about how digital technologies are beginning to impact the research and practice of scholars and practitioners in the field of International Relations. This collection of cutting-edge essays deals specifically with the intertextuality of world politics and digital popular culture.

Popular music, gender and postmodernism

Автор: Nehring, Neil
Название: Popular music, gender and postmodernism
ISBN: 0761908366 ISBN-13(EAN): 9780761908364
Издательство: Sage Publications
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Цена: 13306.00 р.
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Описание: This work documents the damage done by the migration of academic ideas into music journalism. The author synthesizes a number of fields including American and British academic and journalistic music criticism and aesthetic and literary history and theory from romanticism through to postmodernism.

Pop: A History of Popular Music in America

Автор: Hajdu David
Название: Pop: A History of Popular Music in America
ISBN: 0374170533 ISBN-13(EAN): 9780374170530
Издательство: Holtzbrink(MPS)/MPS
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Цена: 2483.00 р.
Наличие на складе: Нет в наличии.

Описание:

A personal, idiosyncratic history of popular music that also may well be definitive, from the revered music critic

David Hajdu begins "Love for Sale," his personal history of recorded pop music, in an unexpected place--not with nostalgic reminiscences of the 45s of his youth but with the sheet-music era at the end of the nineteenth century. It was not so much the beginning of popular music--many songs were already popular--as it was the beginning of the popular music industry." "And if he's going to understand what his 45s meant to him, this is the place to start: the rise of Tin Pan Alley, of minstrelsy, of million-copy sellers and one-hit wonders and cultural arbiters decrying the baseness, simplicity, and signs of the end of times in popular music.

From there, Hajdu takes us on more unexpected routes through the history of pop music--back to Alexander Graham Bell and the invention of records . . . and to his grandmother's collection of Italian crooners on shellac records that young Hajdu liberated from her New Jersey basement. And neither Italians nor New Jersey are incidental to his story--not just because of Frank Sinatra but because Hajdu's mom, a waitress in a chrome-clad diner on Route 22, helped shape the fate of a budding young music critic by introducing him to one of the diner's most prominent patrons, the writer of the timeless song "I'm from New Jersey."

"Love for Sale" does ultimately spin through more familiar territory--the Cotton Club, the rise of radio, the battle of disco versus punk for the soul of New York as Hajdu made his chops as a critic, the rise of hip-hop, and the current atomization of the music landscape--but it is always with a unique, insightful, and eloquently presented point of view, as one would expect from one of our most celebrated music critics.

Music Festivals and the Politics of Participation

Автор: Robinson
Название: Music Festivals and the Politics of Participation
ISBN: 1409457761 ISBN-13(EAN): 9781409457763
Издательство: Taylor&Francis
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Цена: 24499.00 р.
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Описание: The spread of UK music festivals has exploded since 2000. In this major contribution to cultural studies, the lid is lifted on the contemporary festival scene. Gone are the days of a handful of formulaic, large events dominating the market place. Across the country, hundreds of ’boutique’ gatherings have popped up, drawing hundreds of thousands of festival-goers into the fields. Why has this happened? What has led to this change? In her richly detailed study, industry insider Dr Roxy Robinson uncovers the dynamics that have led to the formation and evolution of the modern festival scene. Tracing the history of the culture as far back as the fifties, this book examines the tensions between authenticity and commerce as festivals grew into a widespread, professionalized industry. Setting the scene as a fragmented, yet highly competitive market, Music Festivals and the Politics of Participation examines the emergence of key trends with a focus on surrealist production and popular theatricality. For the first time, the transatlantic relationship between British promoters and the social experiment-come-festival Burning Man is documented, uncovering its role in promoting a politics of participation that has dramatically altered the festival experience. Taking an in-depth approach to examining key events, including the fastest growing independent music festival in recent years (Hampshire’s BoomTown Fair) the UK market is shown to have produced a scene that champions co-production and the democratization of festival space. This is a vital text for anyone interested in British culture.

The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror

Автор: Flota
Название: The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror
ISBN: 1138273414 ISBN-13(EAN): 9781138273412
Издательство: Taylor&Francis
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Цена: 8726.00 р.
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Описание: Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks”U2, Toby Keith, The Dixie Chicks, Bruce Springsteen”this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors add an aural dimension to what has been a visual conceptualization of this important moment in US history by articulating the role that lesser-known contemporary musicians have played”or have refused to play”in constructing a politics of protest in direct response to the trauma inflicted that day. Encouraging new conceptualizations of what constitutes 'political music,' The Politics of Post-9/11 Music covers topics as diverse as the rise of Internet music distribution, Christian punk rock, rap music in the Obama era, and nostalgia for 1960s political activism.


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