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The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror, Flota


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Автор: Flota
Название:  The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror
ISBN: 9781138273412
Издательство: Taylor&Francis
Классификация:

ISBN-10: 1138273414
Обложка/Формат: Paperback
Страницы: 232
Вес: 0.43 кг.
Дата издания: 17.11.2016
Язык: English
Размер: 157 x 233 x 20
Читательская аудитория: General (us: trade)
Ключевые слова: Rock & Pop music, SOCIAL SCIENCE / Anthropology / Cultural
Основная тема: Popular Music
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks”U2, Toby Keith, The Dixie Chicks, Bruce Springsteen”this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors add an aural dimension to what has been a visual conceptualization of this important moment in US history by articulating the role that lesser-known contemporary musicians have played”or have refused to play”in constructing a politics of protest in direct response to the trauma inflicted that day. Encouraging new conceptualizations of what constitutes political music, The Politics of Post-9/11 Music covers topics as diverse as the rise of Internet music distribution, Christian punk rock, rap music in the Obama era, and nostalgia for 1960s political activism.


K-pop ? The International Rise of the Korean Music Industry

Название: K-pop ? The International Rise of the Korean Music Industry
ISBN: 1138775967 ISBN-13(EAN): 9781138775961
Издательство: Taylor&Francis
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Цена: 27562.00 р.
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Описание: K-pop, described by Time Magazine in 2012 as "South Korea’s greatest export", has rapidly achieved a large worldwide audience of devoted fans largely through distribution over the Internet. This book examines the phenomenon, and discusses the reasons for its success. It considers the national and transnational conditions that have played a role in K-pop’s ascendancy, and explores how they relate to post-colonial modernisation, post-Cold War politics in East Asia, connections with the Korean diaspora, and the state-initiated campaign to accumulate soft power. As it is particularly concerned with fandom and cultural agency, it analyses fan practices, discourses, and underlying psychologies within their local habitus as well as in expanding topographies of online networks. Overall, the book addresses the question of how far "Asian culture" can be global in a truly meaningful way, and how popular culture from a "marginal" nation has become a global phenomenon.

Living Politics, Making Music

Автор: Fairley
Название: Living Politics, Making Music
ISBN: 1138272442 ISBN-13(EAN): 9781138272446
Издательство: Taylor&Francis
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Цена: 8114.00 р.
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Описание: The late Jan Fairley (1949-2012) was a key figure in making world music a significant topic for popular music studies and an influential contributor to such world music magazines as fRoots and Songlines. This book celebrates her contribution to popular music scholarship by gathering her most important work together in a single place. The result is a richly informed and entertaining volume that will be of interest to all scholars in the field while also serving as an excellent introduction for students interested in popular music as a global phenomenon. Fairley's work was focused on the problems and possibilities of cross-cultural musical influences, fantasies and flows and on the importance of performing circuits and networks. Her interest in the details of music-making and in the lives of music-makers means that this collection is also an original and illuminating study of music and politics. In drawing on Jan Fairley's journalism, this volume also offers students a guide to various genres of world music, from Cuban son to flamenco, as well as an insight into the lives of such world music stars as Mercedes Sosa and Silvio Rodr -guez. This is inspiring as well as essential reading.

Popular Music and the Politics of Novelty

Автор: Pete Dale
Название: Popular Music and the Politics of Novelty
ISBN: 1501307045 ISBN-13(EAN): 9781501307041
Издательство: Bloomsbury Academic
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Цена: 22176.00 р.
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Описание: Popular music, today, has supposedly collapsed into a ‘retromania’ which, according to leading critic Simon Reynolds, has brought a ‘slow and steady fading of the artistic imperative to be original.’ Meanwhile, in the estimation of philosopher Alain Badiou, a significant political event will always require ‘the dictatorial power of a creation ex nihilo’. Everywhere, it seems, at least amongst commentators of a certain age and type, pessimism prevails with regards to the predominant aesthetic preferences of the twenty first century: popular music, supposedly, is in a rut. Yet when, if ever, did the political engagement kindled by popular music amount to more than it does today? The sixties? The punk explosion of the late 1970s? Despite an on-going fixation upon these periods in much rock journalism and academic writing, this book demonstrates that the utilisation of popular music to promote political causes, on the one hand, and the expression of dissent through the medium of ‘popular song’, on the other hand, remain widely in practice today. This is not to argue, however, for complacency with regards to the need for expressions of political dissent through popular culture. Rather, the book looks carefully at actual usages of popular music in political processes, as well as expressions of political feeling through song, and argues that there is much to encourage us to think that the demand for radical change remains in circulation. The question is, though, how necessary is it for politically-motivated popular music to offer aesthetic novelty?

Popular Music and the Politics of Novelty

Автор: Pete Dale
Название: Popular Music and the Politics of Novelty
ISBN: 1501307037 ISBN-13(EAN): 9781501307034
Издательство: Bloomsbury Academic
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Цена: 5542.00 р.
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Описание: Popular music, today, has supposedly collapsed into a ‘retromania’ which, according to leading critic Simon Reynolds, has brought a ‘slow and steady fading of the artistic imperative to be original.’ Meanwhile, in the estimation of philosopher Alain Badiou, a significant political event will always require ‘the dictatorial power of a creation ex nihilo’. Everywhere, it seems, at least amongst commentators of a certain age and type, pessimism prevails with regards to the predominant aesthetic preferences of the twenty first century: popular music, supposedly, is in a rut. Yet when, if ever, did the political engagement kindled by popular music amount to more than it does today? The sixties? The punk explosion of the late 1970s? Despite an on-going fixation upon these periods in much rock journalism and academic writing, this book demonstrates that the utilisation of popular music to promote political causes, on the one hand, and the expression of dissent through the medium of ‘popular song’, on the other hand, remain widely in practice today. This is not to argue, however, for complacency with regards to the need for expressions of political dissent through popular culture. Rather, the book looks carefully at actual usages of popular music in political processes, as well as expressions of political feeling through song, and argues that there is much to encourage us to think that the demand for radical change remains in circulation. The question is, though, how necessary is it for politically-motivated popular music to offer aesthetic novelty?

Music Festivals and the Politics of Participation

Автор: Robinson
Название: Music Festivals and the Politics of Participation
ISBN: 1409457761 ISBN-13(EAN): 9781409457763
Издательство: Taylor&Francis
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Цена: 24499.00 р.
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Описание: The spread of UK music festivals has exploded since 2000. In this major contribution to cultural studies, the lid is lifted on the contemporary festival scene. Gone are the days of a handful of formulaic, large events dominating the market place. Across the country, hundreds of ’boutique’ gatherings have popped up, drawing hundreds of thousands of festival-goers into the fields. Why has this happened? What has led to this change? In her richly detailed study, industry insider Dr Roxy Robinson uncovers the dynamics that have led to the formation and evolution of the modern festival scene. Tracing the history of the culture as far back as the fifties, this book examines the tensions between authenticity and commerce as festivals grew into a widespread, professionalized industry. Setting the scene as a fragmented, yet highly competitive market, Music Festivals and the Politics of Participation examines the emergence of key trends with a focus on surrealist production and popular theatricality. For the first time, the transatlantic relationship between British promoters and the social experiment-come-festival Burning Man is documented, uncovering its role in promoting a politics of participation that has dramatically altered the festival experience. Taking an in-depth approach to examining key events, including the fastest growing independent music festival in recent years (Hampshire’s BoomTown Fair) the UK market is shown to have produced a scene that champions co-production and the democratization of festival space. This is a vital text for anyone interested in British culture.

Popular Music and the Politics of Hope

Название: Popular Music and the Politics of Hope
ISBN: 1138055891 ISBN-13(EAN): 9781138055896
Издательство: Taylor&Francis
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Цена: 7195.00 р.
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Описание: In today`s culture, popular music is a vital site where ideas about gender and sexuality are imagined and disseminated. Popular Music and the Politics of Hope: Queer and Feminist Interventions considers the many ways in which contemporary pop music performances of gender and sexuality are politically engaged and even radical.

We are the Champions: The Politics of Sports and Popular Music

Автор: Mcleod
Название: We are the Champions: The Politics of Sports and Popular Music
ISBN: 1138256803 ISBN-13(EAN): 9781138256804
Издательство: Taylor&Francis
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Цена: 8573.00 р.
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Описание: Sports and popular music are synergistic agents in the construction of identity and community. They are often interconnected through common cross-marketing tactics and through influence on each other's performative strategies and stylistic content. Typically only studied as separate entities, popular music and sport cultures mutually 'play' off each other in exchanges of style, ideologies and forms. Posing unique challenges to notions of mind - body dualities, nationalism, class, gender, and racial codes and sexual orientation, Dr Ken McLeod illuminates the paradoxical and often conflicting relationships associated with these modes of leisure and entertainment and demonstrates that they are not culturally or ideologically distinct but are interconnected modes of contemporary social practice. Examples include how music is used to enhance sporting events, such as anthems, chants/cheers, and intermission entertainment, music that is used as an active part of the athletic event, and music that has been written about or that is associated with sports. There are also connections in the use of music in sports movies, television and video games and important, though critically under-acknowledged, similarities regarding spectatorship, practice and performance. Despite the scope of such confluences, the extraordinary impact of the interrelationship of music and sports on popular culture has remained little recognized. McLeod ties together several influential threads of popular culture and fills a significant void in our understanding of the construction and communication of identity in the late twentieth and early twenty-first centuries.

Sound and Vision: The Music Video Reader

Автор: Frith
Название: Sound and Vision: The Music Video Reader
ISBN: 0415094313 ISBN-13(EAN): 9780415094313
Издательство: Taylor&Francis
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Цена: 5817.00 р.
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Описание: The first significant collection of new and classic texts on video, bringing together some of the leading international cultural and music critics writing today.

Goth Music: From Sound to Subculture

Автор: Van Elferen Isabella, Weinstock Jeffrey Andrew
Название: Goth Music: From Sound to Subculture
ISBN: 0415720044 ISBN-13(EAN): 9780415720045
Издательство: Taylor&Francis
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Цена: 24499.00 р.
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Описание: Goth Music: From Sound to Subculture reorients goth subcultural studies onto music: goth music must be recognized not only as simultaneously diverse and consistent, but also as the glue that holds together goth scenes from all over the world. It all starts with the music.

Paint by Sticker: Music Icons: Re-Create 12 Classic Photographs One Sticker at a Time!

Автор: Workman Publishing
Название: Paint by Sticker: Music Icons: Re-Create 12 Classic Photographs One Sticker at a Time!
ISBN: 1523500131 ISBN-13(EAN): 9781523500130
Издательство: Workman
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Цена: 2275.00 р.
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Описание: A compelling activity for crafters and artists, doodlers and colourers of all ages, each Paint by Sticker book includes everything you need to create twelve vibrant, fuli-color "paintings." The original images are rendered in low-poly, a computer graphics style using geometric polygon shapes to create a 3D effect.

Popular Music and the Politics of Hope

Название: Popular Music and the Politics of Hope
ISBN: 1138055867 ISBN-13(EAN): 9781138055865
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: In today`s culture, popular music is a vital site where ideas about gender and sexuality are imagined and disseminated. Popular Music and the Politics of Hope: Queer and Feminist Interventions considers the many ways in which contemporary pop music performances of gender and sexuality are politically engaged and even radical.

The Late Voice: Time, Age and Experience in Popular Music

Автор: Richard Elliott
Название: The Late Voice: Time, Age and Experience in Popular Music
ISBN: 1628921188 ISBN-13(EAN): 9781628921182
Издательство: Bloomsbury Academic
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Цена: 22176.00 р.
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Описание: Popular music artists, as performers in the public eye, offer a privileged site for the witnessing and analysis of ageing and its mediation. The Late Voice undertakes such an analysis by considering issues of time, memory, innocence and experience in modern Anglophone popular song and the use by singers and songwriters of a 'late voice'. Lateness here refers to five primary issues: chronology (the stage in an artist's career); the vocal act (the ability to convincingly portray experience); afterlife (posthumous careers made possible by recorded sound); retrospection (how voices 'look back' or anticipate looking back); and the writing of age, experience, lateness and loss into song texts. There has been recent growth in research on ageing and the experience of later stages of life, focusing on physical health, lifestyle and psychology, with work in the latter field intersecting with the field of memory studies. The Late Voice seeks to connect age, experience and lateness with particular performers and performance traditions via the identification and analysis of a late voice in singers and songwriters of mid-late twentieth century popular music.


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