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Striking Images, Iconoclasms Past and Present, 


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Название:  Striking Images, Iconoclasms Past and Present
ISBN: 9781138547537
Издательство: Taylor&Francis
Классификация:


ISBN-10: 1138547530
Обложка/Формат: Paperback
Страницы: 260
Вес: 0.48 кг.
Дата издания: 25.04.2018
Язык: English
Размер: 157 x 235 x 16
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Classical history / classical civilisation, ART / Criticism & Theory,ART / History / Medieval
Основная тема: Classical Studies
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание:

All cultures make, and break, images. Striking Images, Iconoclasms Past and Present explores how and why people have made and modified images and other cultural material from pre-history into the 21st century. With its impressive chronological sweep and disciplinary breadth, this is the first book about iconoclasm (the breaking of images) and the transformation of broader sets of signs that includes contributions from archaeologists, curators, and museum conservators as well as historians of art, literature and religious studies. The chapters examine themes critical to the study of iconoclasm: violence, punishment, memory, intentionality, ruins and relics and their survival. The conclusion shows how cross-disciplinary debate amongst the contributors informed Tate Britains Art under Attack exhibition (2013) and addresses the challenges iconoclasm presents to the modern museum. By juxtaposing objects and places usually considered in isolation, Striking Images raises provocative questions about our understandings of cross-cultural differences and the value of representational objects from the broken swords of pre-historical bog graves to the Bamiyan Buddhas and contemporary art. Are any such objects ever finished, or are they simply subject to constant transformation? In dialogue with each other, the essays consider this question and expand the field of iconoclasm - and cultural - studies.




Iconoclasm

Название: Iconoclasm
ISBN: 1138256021 ISBN-13(EAN): 9781138256026
Издательство: Taylor&Francis
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Цена: 8726.00 р.
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Описание: This book brings together a collection of essays each of which fundamentally questions the meaning of the word iconoclasm as a descriptive category. Each contribution examines the impact of iconoclastic acts on different representational forms, and assesses the development and historical implications of these various destructive and transformative behaviours.

Iconoclasm from Antiquity to Modernity

Автор: Kristine Kolrud
Название: Iconoclasm from Antiquity to Modernity
ISBN: 1409470334 ISBN-13(EAN): 9781409470335
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: The phenomenon of iconoclasm, expressed through hostile actions towards images, has occurred in many different cultures throughout history. The destruction and mutilation of images is often motivated by a blend of political and religious ideas and beliefs, and the distinction between various kinds of `iconoclasms` is not absolute.

Sabotage Art: Politics and Iconoclasm in Contemporary Latin America

Автор: Sophie Halart, Mara Polgovsky Ezcurra
Название: Sabotage Art: Politics and Iconoclasm in Contemporary Latin America
ISBN: 1784532258 ISBN-13(EAN): 9781784532253
Издательство: Bloomsbury Academic
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Цена: 19008.00 р.
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Описание: Sabotage is the deliberate disruption of a dominant system, be it political, military or economic. Yet in recent decades, sabotage has also become an artistic strategy most notably in Latin America. In Brazil, Colombia, Mexico, Chile and Argentina, artists are producing radical, unruly or even iconoclastic work that resists state violence, social conformity and the commodification of art. Sabotage Art reveals how contemporary Latin American artists have resorted to sabotage strategies as a means to bridge the gap between aesthetics and politics. The global status of and market for Latin American art is growing rapidly. This book is essential reading for those who want to understand this new, dissident work, as well as its mystification, co-option and commercialisation within current academic historiographies and art-world curatorial initiatives."


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